Announcement

"We're treating what happened at Aldhani like a robbery."
"What would you call it?"
"An announcement."
―Dedra Meero and Heert[3]

"Announcement" is the seventh episode of the first season of Star Wars: Andor. The episode is directed by Benjamin Caron and written by Stephen Schiff.[1] It aired on October 19, 2022.[2]

Official description

The repercussions of the Aldhani heist reach all the way to Coruscant, while Cassian returns home.

Expanded description

The fallout from the Aldhani heist is swift and seismic, shaking the Imperial Security Bureau on Coruscant into action, and prompting more intrigue for Senator Mon Mothma. Meanwhile, Cassian Andor returns home to find a much changed Ferrix.

Plot summary

Breakfast

In the morning, Syril Karn dresses for an interview with the Imperial Bureau of Standards. His mother Eedy Karn questions his decision to don a brown suit, reminding him that his uncle Harlo has pulled favors for him. While having breakfast, the two hear news on HoloNet about a terror attack and robbery at the Imperial Armory on the planet Aldhani with multiple fatalities. The broadcaster announced that the Galactic Empire has imposed a blockade and launched an investigation. Eedy remarks that the conspirators will regret it.

Imperial justice

Meanwhile, Imperial Security Bureau (ISB) Colonel Wullf Yularen addresses other senior ISB officials, vowing that the Empire will retaliate swiftly against the rebel attack. He asks them to consider how tight they will close their fist and talks about the ISB's stringent recruitment standards. In retaliation, Yularen imposes a tribute tax five times the amount stolen from Aldhani on any sector harboring partisan activity. Yularen emphasizes that they will make it clear that nobody steals from the Empire. He adds that the use of any local custom, festival or tradition as a cover for rebel activity will trigger permanent revocation of Imperial tolerance.

Yularen assures his officers that he has spoken with Emperor Palpatine this morning and that the Emperor has granted the ISB access to Imperial Army and Imperial Navy resources. He also announces that the Emperor will be convening an emergency session of the Imperial Senate to propose a legislative package of bills and amendments that will give the ISB unlimited powers of surveillance, search, and seizure.

Yularen also announces that they will be invoking the Public Order Resentencing Directive (PORD) later today. Any criminal act, with even indirect effect on the Empire, will be classified as a Class One offence. All prison sentences will be evaluated and all outstanding fines and levies are to be paid in full. Dedra Meero listens but is visibly upset, which ISB Attendant Heert notices. Later, Heert speaks with Meero, who expresses concerns that Yularen's policies are playing into the rebels' hands. Meero remarks that the Empire is treating the Aldhani incident as a robbery when it is in fact an announcement.

Weighing the cost of rebellion

Elsewhere, Luthen Rael listens to a transmitter where he receives news that 80 million credits was stolen during the Aldhani heist and that all military personnel have been replaced and are being interrogated by the ISB. The broadcast also reports that the ISB confirmed that all tracking devices in the escape craft were disabled prior to it reaching hyperspace. In addition, 134 Aldhani residents have been taken into custody under suspicion of abetting the terrorists. Kleya Marki informs Rael that Mon Mothma has come for a visit and tells him to wipe the smile off his face.

Outside Galactic Antiquities and Objects of Interest, Mothma exits her JPP-192 limospeeder and apologizes for the abrupt visit, saying she was on her way to the Senate. She announces that she wants to exchange gift she previously got for her husband Perrin Fertha with a different artifact since she isn't sure he loves it. Inside, Mothma asks if Rael was responsible for the Aldhani heist. Rael is evasive and replies that revolutions are expensive. They then move to the matter of Mothma's family funds, which Mothma has had trouble accessing. Mothma reiterates her question and Rael reminds her that he had explained the risk of new faces but that she persisted.

Mothma asks if Rael has realized the gravity of what he has done. Rael asks about the upcoming meeting and says that they may have to reschedule. Mothma tells Rael that she was planning to build a network but Rael reminds her that "turning back will be impossible." He counters that she knew the risk and describes the network as a weapon. Rael says that they have waited long enough. Mothma is concerned about the repercussions of the Aldhani heist but Rael explains that his plan was to get the Emperor to overreact.

When Rael remarks that the events on Aldhani will invigorate their struggle, Mothma replies that people will suffer. Rael replies that is the plan and adds that there will be no rules going forward. Returning to business, Rael tells Mothma that the rebellion will need every credit they can get their hands on and to let her know how the meeting goes. When Mothma says that she won't be purchasing any pieces this morning, Rael laughs and says that he will have more pieces coming in soon. Marki listens to the conversation with interest. After Mothma leaves, Marki remarks that she hopes Mothma is worth it. Rael says that they will see and adds that they can't hide forever. Mon Mothma's airspeeder departs Rael's store and flies into the Coruscant skyline.

A fresh start

Syril Karn tours the Bureau of Standards on his first day of work. His supervisor talks about the work that the Bureau does including weights and gauges, redundancy, and verification. The supervisor questions Karn about his prior employment on Morlana One. Karn explains that a "rebel murderer" is running free due to corruption and laxity in the corporate authority. Karn believes that he was punished for trying to uphold the law and do his job of upholding public safety.

He talks about the loss of two colleagues and his belief in the law. Karn says that he seeks to clear his name and have his record expunged. The supervisor offers to help by suggesting a job opening in Fuel Purity. The supervisor ushers Karn towards a desk.

Plots in motion

Elsewhere on Coruscant, a hooded Marki walks past Imperial security in a foyer into a public walkway. She follows several symbols on the walkway. Meanwhile, Dedra Meero visits the ISB datavault and requests access to two years worth of data from an unkempt Attendant Felzonis via a Multi-Sector Data Blend. She explains that her survey pool are Imperial Naval facilities and resources. She seeks a record of all missing avionics, comm, navigation, and targeting equipment. When Felzonis asks which star systems, Meero requests all star systems. Meero also asks that the report be kept confidential and that a copy be sent exclusively to her office. Meero asks Felzonis to be discreet.

On Aldhani, Cinta Kaz is about to mount her speeder bike as she watches an Imperial Star Destroyer flying over the sacred valley. Back on Coruscant, Marki meets with a disguised Vel Sartha. She asks about the whereabouts of Andor and says that she shouldn't even be here. Sartha replies that neither of them should be here and reassures her that the money is safe. Marki praises Sartha for hiding the money securely and for her success in recruiting Taramyn Barcona. Sartha says that they weren't so sure about Arvel Skeen, but that it's good that they no longer have to worry about him.

When Sartha asks about Kaz, Marki replies that she is doing what she has been told; receiving and sending messages are both dangerous. Marki then turns to the matter of "Clem," whose real identity is Cassian Andor. Regarding him as a loose end, she implies that Sartha should kill Andor to conceal any knowledge he has regarding Rael. Before Sartha leaves, Marki promises to send what she has on Andor.

Andor's homecoming

Meanwhile, a hooded Cassian Andor returns to his adopted family's home on Ferrix. He is greeted by his adoptive mother Maarva Andor and droid B2EMO, who are delighted to see him. Maarva warns Cassian that he cannot stay here since the Empire has expelled Preox-Morlana and taken over Ferrix. Maarva reiterates that he should not be here and reveals that Timm Karlo betrayed him. Marva reveals that Karlo was killed by the Corpos and that Bix Caleen tried to warn Cassian. Rumors are that Karlo either tried to stop her or to catch her when he was killed.

Maarva tells Cassian that the Empire is here to stay. Cassian invites his mother and B2EMO to flee with him, claiming that he has won enough credits to leave. Cassian wants them to leave tonight for a warmer world. As the kettle hisses, he talks about his plans of escaping offworld with his family. He decides to delay their plans to the following day so that he can speak to Caleen one last time.

Intrigue on Coruscant

Elsewhere on Coruscant, Mothma attends a party, taking care to avoid two ISB officers. She meets with a visiting Chandrilan named Tay Kolma, who is an old friend and banker. Kolma talks about Mothma's political career and says that he cannot imagine living on Coruscant. Perrin Fertha is nearby talking with some other guests. Mothma is about to talk about something confidential with Kolma when they are joined by her daughter, Leida Mothma, whom Mon introduces. She tells Leida that Kolma is an old family friend who runs the Bank Of Kolma and is close to her sisters.

Not wanting to be in her mother's shadow, Leida quickly gets permission to take leave from the party. In private, Mon tells Kolma that she needs his help for a political plan. He is cautious about getting involved in anything political despite his views on the Empire. He warns that some of his colleagues have taken their political allegiances too far. To avoid arousing suspicions, Mothma encourages Kolma to pretend to drink more punch. She talks about putting up the front of a maverick senator advancing unpopular causes including advocating for Separatist "do-gooders" and battle Imperial overreach.

Mothma asks if she can confide in Kolma. He replies that he doesn't know what she is talking about. She explains that her public persona is a front. She is concerned that the Grand Vizier has infiltrated her Separatist Coalition meetings. Mothma is aware that her driver is an ISB plant who monitors her humanitarian activities. She wants the Empire to think that she is an irritation in order to conceal her true purpose, which is raising money. She seeks Kolma's help in accessing her family accounts for establishing a Chandrilan charitable outreach foundation. Kolma will serve as chairman of the foundation.

Kolma replies that she has not answered his question. Mothma thinks that he is not suitable for the role since he does not share her politics. As Fertha approaches, Mothma warns Kolma that her husband is unaware of her true activities and that he is not to be trusted. Fertha reminds them about an upcoming reunion and returns to serving some guests. Mothma tells Kolma that their meeting is to be continued before joining Fertha.

Farewell on Ferrix

Elsewhere on Ferrix, Cassian Andor visits the Caleen Salyard. He speaks with Bix Caleen via an intercom on the door. Andor attempts to regale her with a memory of meeting her father while climbing over the wall. Caleen tells him that he should not be here because it is not safe. After opening the door, Caleen briefly mentions the death of Karlo and blames Andor for putting the entire town at risk by killing two Corpos and returning home to hide. Andor tries to blame Karlo but Caleen points out that Andor cheats, lies and steals. Andor accepts that he has to leave and asks about the buyer.

Caleen says that she does not know the identity of the buyer but only encountered the man through Paak. She explains that they communicate via comlink. When Andor asks Caleen how Rael knows so much about him, Caleen says that she did not share information about Andor to Rael. Andor tells Caleen to tell Rael that he held up his side of the deal and that he needs to forget about him. Andor gives Caleen the 12,000 credits that he owes to Xanwan, Nurchi, Brasso, and Deema. Before leaving, Caleen warns Andor to be careful.

While walking through the streets of the Ferrix town, he avoids a pair of stormtroopers. Andor experiences a flashback of him and his adoptive father Clem watching clone troopers parading. Clem attempts to break up a fight between a Republic supporter and opponent. Someone throws stones at the clone troopers. Their commanding officer believes Clem was the culprit and orders his men to aim their blasters at him.

Back at the Vaneer family home, Cassian Andor greets B2EMO. Maarva Andor tells her adoptive son that she is not leaving. Cassian points out that the Empire has set up a stormtrooper barracks on Rix Road but Maarva counters that the Empire is everywhere. He suggests fleeing to a place without an Imperial presence but she describes her mind as her last refuge. When he asks what is keeping her here, she replies that it is the Rebellion. Cassian thinks his adoptive mother is crazy but Maarva says that she is willing to wait it out.

Maarva and Cassian Andor are still haunted by the memory of Clem's body hanging in the square and confronting clone troopers. Maarva asks Cassian about the rebel attack on the Aldhani Imperial garrison. She tells him that she was encouraged by the attack to remain on Ferrix. Hiding his role in the Aldhani heist, he dismisses it as a robbery but she believes that people are standing up. Cassian thinks that fighting against the Empire is futile but Maarva thinks that running away is not the best way of fighting them.

Maarva accepts her son has a different path due to his traumatic childhood. She counsels him to run away and find peace. Cassian says that he won't have peace because he will be worried about her all the time. Maarva replies that is just love and that he can do nothing about that. She expresses her love for him but surmises that their paths are different. B2EMO tries to speak but Maarva shushes him. She tells Cassian that he will understand. As Cassian takes his leave, Maarva counsels him to stop searching for his sister because she believes there were no survivors on Kenari. She says that what happened there was not his responsibility because he was a child. Before exiting, Cassian vows to return one day.

Imperial office politics

At the ISB Central Office, Lonni Jung proposes three theories for the lack of progress in his sector. Major Lio Partagaz orders Jung to conduct a full audit of all Hyperspace routes to Ord Mantell. Lieutenant Supervisor Blevin lodges a complaint against Supervisor Meero for overreaching into his sector. Partagaz asks Meero to explain. Meero counters that Blevin seems more interested in her conduct than advancing integrated Imperial security and shifts the spotlight back to Blevin.

Partagaz questions Blevin about the recovery of the Imperial N-S9 Starpath Unit on Ferrix and reminds him that Meero sought access to his crime reports. Blevin claims that Meero's actions violated the chain of command. Meero contests his account, pointing out that he advised her to reinforce her suspicions with data and to be careful of her work going forward. Blevin counters that Meero found a way to access sector data without filing a request.

Meero acknowledges obtaining the data using the Imperial Emergency Act in the wake of the Aldhani heist to gather data across multiple sectors without official sanction. Meero argues that the Rebellion ignores the artificial sector boundaries which Major Partagaz created. Partagaz is defensive about his sector boundaries and asks Meero to explain. Meero argues that there is a focused organized rebel effort to obtain restricted Imperial military components across sectors. When Partagaz asks for evidence to support her claim, Meero says that unfiltered crime reports support a link between the theft of their most secret equipment and its distribution to rebel groups across the galaxy.

Partagaz questions her methods. Meero reponds that Blevin is aware that she has a documented file ready to go and accuses Blevin of being more concerned with self preservation. Blevin accuses Meero of ignoring the rules and protocol. Partagaz is impressed by Meero's endeavour and says that he will have to think about that. He reassigns the Morlana sector and Ferrix to Supervisor Meero and orders Grandi and Jung to accelerate their efforts. In private, Partagaz compliments Meero for playing the game well but warns her to watch her back.

Trouble in paradise

A month later, Andor has adopted the pseudonym Keef Girgo while hiding on the beach resort world of Niamos. He is sharing a room with a human woman named Windi. While Andor is in the shower, she asks Andor to buy more Peezos and Revnog.

Later, Andor is stopped by a shoretrooper, who thinks he is acting suspiciously. The shoretrooper calls for back up as several individuals flee on the beach. The shoretrooper asks if those are friends of his. Andor claims he is a tourist but the shoretrooper does not believe him and calls a KX-series security droid for backup. The droid has finished apprehending other suspects. Andor attempts to reason with the droid but it holds him in a necklock.

Andor is hauled up before a judge in the Niamos Courthouse. As Keef Girgo, he faces charges of disruption, anti-Imperial speech, fleeing the scene of an anti-Imperial activity, and damaging Imperial property. Andor protests but the judge counsels him against that to avoid risking a "Resisting Judgement" charge. The judge sentences him to six years in prison, citing new Imperial guidelines. Despite his protests, Andor is hauled away by two shoretroopers. On Coruscant, Syril Karn browses through records along with countless other employees.

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Credits

By type
Cast Uncredited cast Crew Uncredited crew Special thanks

Cast

Uncredited cast

Crew

Visual Effects Crew

Construction Services provided by – Palace Scenery[3]

Greens Services provided by – Greens Team[3]

  • A Camera Operators – Ben Wilson, Derek Walker
  • B Camera Operators – Iain Struthers, David Hamilton Green
  • A Camera First Assistant – Sam Barnes
  • B Camera First Assistant – Gordon Segrove
  • A Camera Second Assistant – Adrian Stephens
  • B Camera Second Assistant – Ryan Adams
  • Central Loader – Martina Massimei
  • Camera Trainee – Molly Burcham
  • BFI Camera Trainee – Cecily Bedner
  • Tandem Unit A Camera Operator – Simon Finney
  • Tandem Unit B Camera/Steadicam Operator – Chris Bain
  • Tandem Unit A Camera First Assistant – Jonathan Wright
  • Tandem Unit B Camera First Assistant – Russell Kennedy
  • Tandem Unit A Camera Second Assistant – Ryan Bessin
  • Tandem Unit B Camera Second Assistant – Giles Taylor
  • Tandem Unit Central Loader – Clare Seymour
  • Tandem Unit Camera Trainee – Chloe Knight
  • Key Grip – Russell Diamond
  • Best Boy Grip – Andy Levett
  • A Camera Grip – Stuart Bunting
  • B Camera Grip – Matt Clyne
  • Trainee Grip – Alex Colthart
  • Crane Grips – Glen Dunning, Dean Morris
  • Crane Tech – Martin Elvin
  • Libra Tech – Connor Penfold
  • Standby Rigger – Rob Armstrong
  • Standby Carpenter – Vito Walker
  • Standby Painter – Nick Williams
  • Standby Stagehand – Brad Bede
  • Tandem Unit Key Grip – Jody Knight
  • Tandem Unit Best Boy Grip – David Littlejohns
  • Tandem Unit Grips – Ben Emerson, Simon Fogg
  • Tandem Unit Grip Trainee – Harvey Sebestyen Regan
  • Tandem Unit Standby Carpenter – Paul Jones
  • Tandem Unit Standby Painter – Terry Heggerty
  • Tandem Unit Standby Rigger – Thomas McDonald
  • Tandem Unit Standby Stagehand – Steven Matthews
  • Production Sound Mixer – Danny Hambrook
  • First Assistants Sound – Orin Beaton, Lee Thompson
  • Second Assistant Sound – Jordan Feemster
  • Sound Trainee – Imogen Jeffery Badger
  • Additional Sound Mixer – Adam Laschinger
  • Tandem Unit Sound Mixer – Tim White
  • Tandem Unit First Assistants Sound – Peter Davis, Tom Fennell
  • Tandem Unit Additional First Assistant Sound – James Gibb
  • Tandem Unit Second Assistant Sound – Julia Hardecka
  • DIT – John Paxton
  • Assistant DIT – Jess Pezet
  • Data Manager – Ollie Smith
  • Tandem Unit DIT – Jesse Llande
  • Tandem Unit DIT Wrangler – Matt England
  • Tandem Unit DIT Assistant – Dan Howard
  • Video Assist Operator – Zoe Whittaker
  • Video Assistant – Sean Ip Fung Chun
  • Network Infrastructure Technician – Alex McCormick
  • BFI Video Trainee – Phoebe Cullum
  • Creatures Video Assistant – Dean Ainscough
  • Tandem Unit Video Operator – Jarvis Coxwell
  • Tandem Unit Video Assistant – Henry Reece
  • Tandem Unit Video Trainee – Tom McGoldrick
  • Gaffer – Duncan Riedl
  • Best Boy – Chris Stones
  • Lighting Console Operator – Nathan Porter
  • Shooting Genny Op – Owen Varley
  • Chargehand Electrician – Mark Sullivan
  • Electrical Rigger – Cameron Berry
  • VFX Rigger – Adam Hubbard
  • Tandem Unit Gaffer – Andy Lowe
  • Tandem Unit Best Boy – Dominic Aronin
  • Tandem Unit Lighting Console Operator – Adam Millard
  • Tandem Unit Chargehand Electrician – Pawel Polak
  • Tandem Unit Standby Electrical Riggers – Charlie Cole, Emily Heffernan
  • Practical Electricians – Michael Barnham, Joel Ward
  • Electricians – Dan Addis, Dan Chaytor, Vianney Kernanet, Jack Knott, Marina Lewin-Richter, Max Lovell, Daniel McCormick, David Sedgwick, Dan Stones
  • Tandem Unit Electricians – Dave Allen, Chris Broomfield, Tony Caja, Bradley Currie, Gian Pottieri, Sunny Singh, Ana Vilar-Bergua
  • HOD Practical Electrician – Colin Townsend
  • Electrical Rigging Gaffer – Martin Cox
  • Supervisor – Billy Clifford
  • Chargehand Electricians – Michael Barham, Normunds Luzinskis, Simeon Purdy
  • Standby Electrician – Joel Ward
  • Electricians – George Clifford, Steve Cole, Warren Davies, James Marks, Terry Townsend, Charles Woollard
  • Rigging Supervisor – Chris Dickinson
  • Rigging Chargehand – Gary Parnham
  • Rigging Desk Operators – Jaime Fletcher, Alan King
  • Rigging Electricians – Dave Blinko, Ryan Cartin, George Fox, Bobby Hankins, Roy Rowland, Jay Stevens
  • HOD Electrical Rigger – Francis King
  • Chargehands – Lewis Beer, Mark Spring
  • Electrical Rigging Supervisor – Alex Glover
  • Riggers – Sam Cashman, Tyler Gibson, Paul King
  • Costume Supervisor – Kate O'Farrell
  • Assistant Costume Designers – Francoise Fourcade, Eloise Park
  • Junior Design Assistant – Ellen Conrad
  • Concept Artist – Andrey Ryabovichev
  • Costume Dept Coordinator – Claire Watson
  • Costume Assistant Dept Coordinator – Dulcie Menzie
  • Costume Trainee – Eryl Davies
  • Crowd Supervisor – Shirley Nevin
  • Crowd Wardrobe Mistress – Victoria Conte
  • Crowd Fitters – Mike Hodge, Maria Smith, Charlotte Ward
  • Crowd Junior Fitter – Olivia de Laune
  • Senior Principal Standbys – Maite Chemin, Lois Connell, Harriet Ferris, Felicity Goldsworthy, Talulah Mason
  • Principal Standby – David Ball
  • Crowd Costume Assistants – Sekina Baker, Anne Delaney, Samantha Ealden, Hannah Elliman, Will Evans, Lucy Fage, Teddy George-Poku, Tom Hood, John Laurie, Kyle Stewart, Kieron Stone
  • Crowd Costume Juniors – Nathan Grant, Joe Taylor-Beechley, Grace Taylor-Shaw
  • Crowd Costume Trainees – Terri Biggs, Megan Brittle, Andrew Bryan
  • Head Buyer – Nicola Sandford
  • Buyer – Iolandaj Piombino
  • Chief Textile Artist – Jackie Moody
  • Senior Textile Artists – Francesca Ackerson, Henrietta Thomas, Sadie Tilbury
  • Textile Artists – Lili Giblin-McGrady, Victoria Morgan
  • Junior Textile Artist – Niamh Cunningham
  • Principal Cutters – Malin Anderson, Rob Sutherland
  • Creatures & Crowd Cutter – Geoff Slack
  • Senior Makers – Giulia Chini, Emily Hudson
  • Makers – Carmen Barclay, Jonathan Burniston, Valeria Cantelli, Sylvaine Champeau, Nicole Dempster, Eve Herbert, Beth Morton
  • Junior Makers – Carly Andrews, Lottie Yearby Taylor
  • Cutter – Sara Fay
  • Milliner – Dean Burke
  • Trainees – Poppy Lees, Jodie Roberts, Cecile Schils
  • Costume Props/Armoury by Makinarium UK Ltd. – Alfie Bones, Amanda Darby, Adrian Getley, Stewart Good, Adam Harris, Elizabeth Herring, Alex Hughes, Steve Kill, Robin Lawrence, Phil O'Connell, Kirsty Peters, Chris Schubert, Kate Wakefield
  • Hair & Makeup Supervisor – Gerda Lauciute
  • Senior Hair Artist – Julio Parodi
  • Senior Hair & Makeup Artist – Nuria Mbomio-Mba
  • Hair & Makeup Artists – Inma Azorin, Holly Caddy, Amy Cuppage, Julia Finch
  • Hair & Makeup Junior – Issy Walton
  • Hair & Makeup Trainees – Emmalee Etherington, Ava Giles
  • Crowd Hair & Makeup Supervisor – Nicola Mount
  • Crowd Hair & Makeup Artists – Daisy Almond, Ria Biggerstaff, Leigh Crawford, David Dorling, Kamen Glover, Josephine Hoy, Lizzie Judd, Lynsey McIlwaine, Nina Pratley, Tamara Ramsey Crockett, Emma Sherry, Bianca Stewart, Caitlin Tanner, Georgia Thompson
  • Crowd Hair & Makeup Junior – Yasmin Munro
  • Crowd Hair & Makeup Trainees – Hannah Louise Callaghan, Holly Chambers, Rosalyn Fochs
  • Tandem Unit Hair & Makeup Supervisor – Jemma Carbello
  • Tandem Unit Senior Hair & Makeup Artists – Sharon Colley, Samantha Denyer
  • Tandem Unit Hair & Makeup Artists – Julia Finch, Niall Mann
  • Tandem Unit Hair & Makeup Trainee – Lily Harling
  • CFX Creature & Droid Creative Supervisor – Neal Scanlan
  • CFX Production Supervisor – Katie Newitt
  • CFX Coordinator – Samantha Langridge
  • CFX Buyers/Production Assistants – Joe Carlyle, Emma Green
  • Creature Designer – Jacob Lunt Davies
  • Creature Designers/Senior Sculptors – Luke Fisher, Ivan Manzella
  • Senior Sculptors – Colin Jackman, Martin Rezard
  • Sculptor – Justin Pitkethley
  • HOD Model Mouldshop – Kenny Wilson
  • Senior Modellers – Brian Best, Karen Purvis
  • Animatronic Design Supervisor – Gustav Hoegen
  • Senior Animatronic Designers – Giles Hannagan, Joshua Lee
  • Animatronic Designer – Tim Berry
  • Electronic Design & Development Supervisor – Matthew Denton
  • Creature Fabrication Design Supervisor – Vanessa Bastyan
  • Senior Fabrication Designers – Fiona Barnes, Sherri Hazzard
  • Fabrication Designer – Thea Keenan
  • Fabricator – Claire Bannister
  • Fabrication Assistant – Natalie Pettigrew
  • Paint Design Supervisor – Henrik Svensson
  • Hair & Fur Supervisor – Maria Cork
  • Supervising Foam Modeller – Jimmy Bernardinis
  • Modeller – Cerina Knott
  • Model Makers – Paul Szebesta, Lee Towersey
  • Prosthetics Supervisor – Liz Barlow
  • Prosthetic Artists – Suzi Battersby, Jen Kewley, Becca Olen, Megan Thomas
  • Dressers – Chris Barlow, Emilie Carruthers, Bobbi Roberts
  • Special Effects Supervisor – Richard Van Den Bergh
  • Workshop Supervisor – Jody Taylor
  • Coordinator/Buyer – Hamish Riddell
  • Assistant Coordinator/Buyer – Bailey Wright
  • Senior Designer – Daniel Burnett
  • Designer – Nick Martin
  • Assistant Designers – Brett Ellis, Isobel McInness
  • Senior Modeller – Richard Thomas
  • SFX Driver – Andy Rowland
  • Lead Senior Technicians – Tony Ciccarelli, Darren May
  • Senior Technicians – Alistair Anderson, Gary Cohen, Neil Damman, Julian Marsh, Karl Openshaw, Hayden Watson
  • Lead Technician Breakaways – George Spensley-Corfield
  • Floor Supervisor – David Roddham
  • Supervising Wire Technician – Kevin Matthews
  • Senior Mould Technician – Oscar Williams
  • SFX Assistant – Charly Nolan
  • Technicians – Dorian Burnett, Luke Corbyn, Mark Douglas, Steve Scott
  • Assistant Technicians – Paul Gilston, Max Hemmett, Bailey Watson
  • SFX Trainees – Joe Holden, Ashton McCarty-Gould, James Smith
  • Supervising Location Manager – Richard Hill
  • Location Managers – Jason Allen, Jojo Warne, Ben Sanderson
  • Assistant Location Managers – Jeanne Caboche, Laura Cheese, Henry Jepson, Paul McCluskey
  • Location Coordinator – Carolyn O'Reilly
  • Unit Manager – Sam Turner
  • Tandem Unit Manager – Dillon Beagley
  • Assistant Unit Manager – Sjors Fiege
  • Tandem Assistant Unit Manager – Oliver Northover
  • Unit Assistant – Zak Jarvis
  • Location Assistants – Flynn Berry, Millie Gladwin, Nathanael MacDonald, Matthew Pyle
  • Location Unit Electricians – Neil Ashton, Ed Boltbee
  • Helicopter Services provided by – Marzano Films Ltd.
  • Aerial Director of Photography – John Marzano
  • Helicopter Pilot – Miles Fletcher
  • Head Tech – Glyn Williams
  • RF Engineer – Peter Welch
  • Studio Manager – Jon Hills
  • Assistant Studio Manager – Martin Oliver
  • Studio Assistants – Alex Chakraborty, Antony Frederick, Marcus Mills
  • Post Production Supervisor – Elaine Waugh
  • Lead VFX Editor – Liyana Mansor
  • VFX Editor – Beaumont Loewenthal
  • VFX Assistant Editor – Kenny Li
  • First Assistant Editor – Rob Duffield
  • Additional First Assistant Editor – Lincoln Witter
  • Series First Assistant Editors – Laura Mountford, Danny Salas
  • Series First Assistant Editor (New York) – Max Ethan Miller
  • Second Assistant Editors – Holly Laura Burn, Lucy Heyworth
  • Post Production Assistant – Holly Remmett
  • Main Titles designed by – Neil Kellerhouse, Devastudios, Inc.
  • End Credits by – Scarlet Letters
  • Front End Services by – Picture Shop London
  • Supervising Producer – Jason T. Morrow
  • Technical Manager – Tristan Hey
  • Dailies Producer – Victoria Burrows
  • Assistant Technical Manager – Alessio Ciattini
  • Dailies Lab Operators – Miles Anderson, Thomas Matthews
  • VFX Pulls by – Picture Shop London, Powered by Pulse
  • Pulse Operations – Dexter Kong, Michael McKnight, Daniel Youlton
  • Digital Intermediate provided by – Picture Shop London
  • Colourist – Jean-Clement Soret
  • Digital Intermediate Workflow Manager – Grace Lan
  • Colour Pipeline Supervisor – Alex Gascoigne
  • Digital Intermediate Consultants – Matthew Adams, Louise Stevenson
  • Online Editor – Simon Giblin
  • Head of Picture Operations – Charlotte Laing
  • DI Editors – Jenny-Jayne Webb, Maikel Popic
  • Post Production Manager – Alec Holroyd-Doveton
  • Head of Production – Todd Kleparski
  • Visual Effects by – Industrial Light & Magic
  • Lead Artists – Michael Cashmore, Scott Dawkins, Javier Fernandez, Simon Herden, Kristin Sedore, Perry Hyun-Woo Sohn, Shivas Thilak, Terry Tsang, Talmage Watson
  • ILM Production – Lily Anderson, Lucy Davis, Kezia Feinson Dwyer, Marla Kate Fuller, Brendan Little, Alicia B. Reymann, Jack Sutcliffe, Benjamin Todd
  • Artists – Tim Adams, Jeff Bartzis, Nunzio Bitetti, Jennifer Burke, Bryan H. Carr, Brendan Carroll, Solene Chan-Lam, Jae Young Chang, Youngwoo Choi, Thomas Coster, Nancy Cristina, Javier Cuellar, Hannes Doornaert, Robert Dorris, Claire Duthie-Pagdiwalla, Marco Juan Roxas Firme, Fernando Flores, Christopher James Ford, Clinton Ford, Richard Fry, Philip Gifford, K.S. Haddock, Michael Hipp, James Hodgart, Michael Holmes, Jan Hrebicek, Brian Insua, Ellen Jaram, Lucas Jardim Nunes, Neil Jianoran, Tomos Jones, Paria Kamyab, Jeannie Kim, Kayla Lane, Yann Le Corre, Melissa Leamon, Eric Leven, Brian Luzzi, Timothee Maron, Scott Marriott, Gordon Marshall, Ian Mathews, Deirdre McCarthy, Ryan McDonald, Desiree Meduri, Juan Carlos Mendoza, Cedric Moens De Hase, Pietro Leonardo Nichelatti Nicolodi, Winfield O'Brien, Ciaran O'Connor, Shinya Onda, Daniele Orsetti, Rikin Patel, Matthias Peiffer, David Picarda, Fernanda Pizzolatto, Ed Pulis, Owen Rachel, Diego Rebello, Alba Sanchez-Serrano, Katherina Schuhmacher, Brian Schultz, Priya Short, Ryan Sluman, Natalie Smith, Jordan Snow, Josh Thornhill, Lee Tibbetts, Oscar Tornincasa, Roger Tortosa Aras, Chris Turner, Marian-Serban Ungureanu, Luke Vallée, Alejandro Vela-Castro, Luca Vitali, David Vivaldini, Kynan Voyeaud, Zoe Westbrook, Jason Wheatley, Kaitlyn Williams, Robin Witzsche, Gwen Zhang, Isaac Zuren
  • ILM Executive Staff – Francois Chardavoine, Spencer Kent, John Knoll, Sue Lyster, Luke O'Byrne, Jessica Teach, Jeff White
  • ILM Additional Support – Scott Atkins, Amy Backwell, Esme Bannister, Rebecca Barbour, Ryan Bottriell, Shanice Clarke, Kevin Cochet, Daniel Cote, Selina Cox, Christian Dahlberg, Chong Deng, Jasmine Finnamore, David Gatenby, Matthew Grillo, Samuel Hall, John Hannon, Michelle Hebert, Mary Hinman, Ali Jafargholi, April John, Michelle Kennedy, Amanda Knight, Phillip Lacey, Matt Leonard, Leanne Loughran, Mike Lyons, Azmi Mohamed Maniku, Katarina Mead, Stephanie Meyerink, Jarod Moschenross, Allison Smith Murphy, April Nagasawa, An Nguyen, Taran Nijjar, Noorwallid Osman, Maggie Perlman, Lydia Prior, Riya Ramani, Rachel Rose, Lorraine Rozon Smiths, Betty Shaw, Helen Smitheman, Jenna Starr, Andre Sterling, Chris Tomkins, Toh Zijing
  • Additional Visual Effects by – Stereo D, Whiskeytree Inc, Yannix
  • Virtual Production Technology and Content Creation by – ILM StageCraft
  • StageCraft Virtual Production Supervisor – Charmaine Chan
  • Stage Supervisor – Jack Brown
  • Brain Bar Supervisor – Christopher Django Johnston
  • StageCraft Associate Producer – Chris Jestico
  • Virtual Production Color TD – Miguel Santana da Silva
  • Stage Technicians – Anna Smith, Tizoc Flores
  • Media Systems Engineers – Joshua de Marcos, Ben Batty
  • Color Scientist – Mark Boorer
  • StageCraft Technical Supervisor – Patrick Lowry
  • StageCraft Production Coordinator – Jade Carter
  • StageCraft Production Assistant – Marcia Gillespie
  • Senior Network Specialist – Tamas Pataki
  • Technical Support Specialist – Derek Phan
  • LED Management by – VSS
  • Technical Director – Jonny Hunt
  • LED Technicians – Kenny Maclean, Damo
  • E2 Operator – Ben Thurston
  • Rigger – Ralph Farebrother
  • Visual Effects by – Hybride, A Ubisoft Division
  • Visual Effects Supervisor – Joseph Kasparian
  • Visual Effects Producers – Louise Bertrand, Mélanie Carignan, Richard Martin
  • Hybride – Olivier Beaulieu, Pierre Blain, Maryse Bouchard, Christophe Damiano, Olivier Gravel, Steve Pelchat, Kenneth Steel, Philippe Théroux, Marco Tremblay, Cédric Arsenault, Marie-Claude Aubry, Eduardo Azcue, Thomas Bacanu, Manuela Balk, Michel Barrière, Tania Beaulieu, David Bédard, Anthony Bélanger, David Bélanger-Dambremont, Jordan Benning, Simon Bergeron, Yannick Bissonnette, Alex Blaquière, Rachel Bouchard, Samuel Cardinal, Jordan Cassidy, Charles Christoforou, Michaël Coutu, Patrick Couturier, Joanie Croteau, Alexandra Dennie, Xavier Doyon, Annie Dufresne, Timo Fahrbach, Patrice Ferron-Craig, Doréa Fontaine, Gabriel Forbes, Anne Fortin, Yanick Gaudreau, Maxime Grenier, Christopher Grifasi, Justin Hébert, Léo-Patrick Houde, Alexandru Ichim, Stéphane Jean-Mary, Tanya Kular, Alain Lacroix, Mélissa Laframboise Maillé, Mathieu Lalonde, Catherine Lecavalier, Geneviève Legault, Elsa Lemire, Jade Lessard, Samuel Loriault-Goulet, Martine Losier, Gabrielle Marchand, Andrew Mc Greevy, Belly Mingmuong, Laurence-Émilie Miron, Benoît Morin, Sergio Mucino, Mohammadali Nezafat, Érika Normandin, Robert Pellerin, Marie-Ève Pelletier, Jonathan Perth, Jordan Picotte, Myriam Ricard-Lalonde, Sébastien Rioux, David Roberge, Samuel Rousseau, Nicolas Scuntaro, Matthew Smith, Marc St-Gelais, Audrey-Anne Surprenant, Josef Sy, Patrick Tassé, Emma Tessier-Langevin, Alexandre Tessier, Philippe Vachon, Jessica Vallée, Eduardo Villarreal, Valérie Villemure, Valérie Villeneuve, Mary Yang, Michel Bergeron, Mahmoud Boubetra, Jimmy Caron, Zacharie Dufault, René Filion, David Gary, Dominic Gaudreau, Stephan Gervais, Bruno-Pierre Jobin, Mathieu Leclaire, Olivier Painchaud, Patrick Piché, Vincent Quintal, Sylvain Rioux, Michel Rock, Yannick Tétreault, Olivier Amah, Caroline Bélisle, Isabelle Desrochers, Marie Nakhlé, Sylvie Talbot, Anne Tremblay, Michel Murdock, Thierry Delattre, Mathieu Boucher, Pierre Raymond
  • Visual Effects by – Soho VFX
  • Visual Effects Supervisors – Keith Sellers, Berj Bannayan
  • Visual Effects Producers – Kelly McCarthy, Allan Magled
  • Soho VFX – Hakyung Chang, Ramil Ahmadov, Bakar, Vikas Chander, Daniel Hunyoung Choi, David Clair, Matthew D'Orazio, Kenneth Dietrich, Cameron Heald-Brown, Turenne Huang, Joshua Kiyoshi Huestis, Ingyun Hwang, Amelia Im, Graham Kartna, Minyoung Kim, Luis Lima, Ruiyu Long, Daniel Lu, Tara Mason, Arun Midha, Harshal M. Mistry, Anindya Moqsud, Seong-Tae Simon Park, Dominic Pileggi, Vasisht Ramachandran, Jorge Razon, Ruben I. Salazar, Jon Shin, Philip Sy, Mike Terrigno, Siddharthan Uk, Paul Wojdylo, Sunny Wong, Shuqiao Xu, Dante (Zhixin) Zhou, Rong Zhol
  • Visual Effects by – Scanline VFX
  • Visual Effects Supervisor – Jelmer Boskma
  • Visual Effects Producers – Oliver Eikhoff, Alexandra Vaillancourt
  • Scanline VFX – Ali Oukaci, André Cabaco, Andreas Vrhovsek, Andrew Winters, Ariele Podreider Lenzi, Benjamin Jennrich, Benjamin Ross, Christoph Hoffmann, Emil Rosenberger, Felix Wolf, Hanna Sundman, Jae Won Kim, Jasmin Hasel, Jens Schneider, Johannes Peter, Kaan Yilmaz, Kaitlyn Fuchs, Kwai Ip, Leon Schmidl, Michael Mielke, Nadia Volodina, Nicholas Ng, Nicolas Pellkofer, Olivia Starr, Pamella Pesareli, Patrick Zentis, Rebecca Hung, Richard Klein, Rob Eckert, Sebastian Schmall, Shane Jaeger-Collins, Tanja Krampfert, Tilo Spalke, Vahagn Amirkhanyan, Walid Ben Henda, Walid Mouawad, Wathinee Donsuypae, Wolfgang Haas, Zoran Kazic
  • Additional Visual Effects by – Midas VFX
  • Visualization by – The Third Floor, Inc.
    • Visualization Supervisor – Jen Kitching
    • Visualization Coordinators – Merika Sam-German, Janneke Vennema-Osborne, Jana Pšenková
    • Visualization Line Producer – Tilly Holton-Newman
    • Visualization Leads – Dan Copping, Jaime Visedo Cañizares
    • Asset Artist – Dominic Martin
    • Head of Production – Lisa Brodie-Tsotsos
    • Visualization Artists – Sebastian Kuder, Manon Huez, Dylan Wyn Owen, Rachel Wright, Desirée Meduri, Bobby Strain, Eric Tsui, Raul Alves, Gabor Kiss
    • Executive Producer – Tim Keene
    • Head of Assets – Phil Tsang
    • Talent Manager – Kotryna Zabulionyte
    • Finance Managers – Brendon Dublin, Gayaneh Sahakian
    • Executive Producer – Marcus Alexander
    • IT Support – Luke Weller, Dawid Jadkowski
    • Pipeline Support – Keith Pang, Imran Rehman
    • Casting Manager – Abigail Sullivan
  • Character and Prop Scanning by – Clear Angle Studios
  • Lidar Scanning Services by – We Shoot Lasers
  • Music Editor – John Finklea
  • Conductor – Matt Dunkley
  • Score Recording Engineer – Tommy Vicari, CAS
  • Score Mixer – Geoff Foster
  • Recordists – John Prestage, Jack Mills, Rowan McIntosh
  • Second Engineers – Jedidiah Rimell, Gianluca Massimo, Alex Ferguson, Eve Morris
  • Concertmasters – Everton Nelson, John Mills
  • Orchestrations – Nicholas Britell, Matt Dunkley
  • Music Librarian – David Hage, Dakota Music
  • Additional Librarian – Michael McCoy
  • Orchestra Contractors – Jenny Goshawk, Lucy Whalley, Isobel Griffiths Ltd.
  • Score Technical Assistance – David Giuli
  • Studio Manager - Lake George Entertainment LLC – Christopher Ruskis
  • Musicians – Max Baillie, Chris Baron, Annie Beilby, Simon Benson, Richard Bissill, Natalia Bonner, Nicholas Bootiman, Adrian Bradbury, Catherine Bradshaw, Ben Buckton, Jonny Byers, Emil Chakalov, Reiad Chibah, Paul Clarvis, Richard Cookson, David Daniels, Sue Dench, Alison Dods, Phillip Eastop, Dave Elliott, Jonathan Evans-Jones, Rob Farrer, Melissa Favell-Wright, Byron Fulcher, Richard George, Tim Gill, Kathy Gowers, Sophie Harris, Marianne Haynes, Tracy Holloway, Martin Humbey, Jeremy Isaac, Katherine Jenkinson, David Juritz, Francis Kefford, Thomas Kemp, Nicolette Kuo, Peter Lale, Rachael Lander, Oli Langford, Roger Linley, Jens Lynen, Kirsty Mangan, Dorina Markoff, Ciaran McCabe, John Mills, Perry Montague-Mason, Frank Moon, Kate Musker, Everton Nelson, Mark Nightingale, Odile Ollagnon, Martin Owen, Julian Poole, David Pyatt, Rupert Ring, Jenny Sacha, Frank Schaefer, Mary Scully, Sarah Sexton, Hetty Snell, Dave Stewart, Nicky Sweeney, Ian Thomas, Michael Trainor, Jonathan Tunnell, Laurence Ungless, Bozidar Vukotic, Jake Walker, Allen Walley, Alexei Watkins, Richard Watkins, Daniel West, Debbie Widdup, Jonathan Williams, Andy Wood, Tony Woollard, Chris Worsey
  • Score Recorded at – Air Studios, London, British Grove Studios, London
  • Post Production Sound Services by – Skywalker Sound, A Lucasfilm Ltd. Company, Marin County, California
    • Supervising Sound Editor/Sound Designer – David Acord
    • Supervising Sound Editor – Margit Pfeiffer
    • Dialogue Editor – Richard Quinn
    • Foley Editor – Shaun Farley
    • Foley Artists – Shelley Roden, John Roesch
    • Foley Mixer – Scott Curtis
    • Engineering Services – Dusty Jermier
    • Post Production Sound Accountant – Jessica Engel
    • Head of Production Finance & Planning – Mike Peters
    • Head of Engineering – Steve Morris
    • Re-Recording Mixer – David Acord
    • Sound Effects Editor – J.R. Grubbs
    • ADR Editors – Daniel Laurie, Steve Slanec
    • Assistant Supervising Sound Editor – Dug Winningham
    • Loop Group Mixer – Matthew Wood
    • Assistant Re-Recording Mixer – Danielle Adams
    • Digital Editorial Support – Ivan Piesh
    • Client Services – Eva Porter
    • Studio Capacity Manager – Carrie Perry
    • Head of Production – Jon Null
    • SVP/General Manager – Josh Lowden
  • Mix Stages provided by – Warner Bros. De Lane Lea, London
  • Sound Mix Technician – Ross Western
  • Sound Mix Assistant – Kirsten Kidwell
  • Sound Engineer – George Hooker
  • Health & Safety Officer – Jonathan Hill
  • Health & Safety Advisor – Jazz Pritchard
  • Health & Safety Coordinator – Charlotte Curd
  • Unit Paramedic – Rachel Bucknor
  • Construction Nurse – Mary Watt
  • Crowd Nurse – Ruth Bayliss
  • Tandem Unit Nurse – Carissa Simpe-Asante
  • Disney Health & Safety Manager – Dion Bowes
  • Disney Health & Safety Supervisor – Rob Beggs
  • Production Health & Safety Coordinator – Sam Sorbie
  • Production Health & Safety Ass't Coordinator – Eleanor Hoppe
  • Production Health & Safety Secretaries – Harvey Diack, Beatriz Pereira
  • Production Health & Safety PPE Coordinator – Chris Rouse
  • Production Health & Safety PPE Production Assistants – Kieran Kavanagh, Mikey Lloyd, Sam White, Jess Bevan, Lois Constantinou
  • Production H&S PPE Location Assistant – John Peddie
  • Senior Security Manager – Connor Nolan
  • Security Manager – Craig Etherton
  • Security Coordinator – Matthew Thorne
  • Security Administrator – Malwina Palus
  • Security Services courtesy of Main Unit Location Services LTD. – Mike Anderson, Rich Easter, Jean Paul Greenwood, Terry Holdaway, Paul Hopkins, Barry Lehec, Rob Sipson, David Taylor, Mark Williams, Tom Wyatt
  • Security Services courtesy of Zion Security LTD. – Kevin George, Faz Ashraf
  • Asset Coordinator – Claire Scott
  • Portrait Galley & Tandem Unit Photographer – Ed Miller
  • Photo Editors – Leah Evans, Barry Hurley
  • IT Support – Rameez Daureeawoo, Dilany Koyratty
  • Franchise Accountant – Polly Fletcher
  • Franchise Supervisor – Laura Evans
  • Franchise Coordinator – Diane Pognan
  • Technology Support – Manny Ponce, Jono Echols, Rick Tuckness, Phil Lacey, Peter Hricak, Susan Brown, Jason Geiger, Tim Fogarty, Zack Bunker, Matt Martinis, Jeff Nagasuga, Caitlin Torsney, Greg Garson, Renee Yang, Calvin Smith
  • Catering by – Red Chutney Ltd.
  • Transport Captain – Jimmy Carruthers
  • Transport Co-Captains – Matthew Sampson, David J Rosenbaum
  • Transport Coordinator – Ashley Isaac
  • Driver to Diego Luna – Lee Isgar
  • Unit Drivers – Will Bennett, Stephen Casey, John Doran, Robert Isaac, Patrick Sands, Christian Scott, Ed Shanley, Ross Vasco, Keith Wignall
  • Mini Bus Drivers – Paul Ashby, Mark Bedford
  • Utility Drivers – Dan Vale, Mickey Davie
  • Main Unit Support Driver – Andrew Pocock
  • Costume Support Driver – Terry Smith
  • Tandem Unit Transport Captain – Peter Trotman
  • Tandem Unit Drivers – Costas Anastasiou, Gary Wardley
  • Tandem Unit Van Driver – Carl Isherwood
  • Movie Makers Facilities HOD – Tim Simpson
  • Movie Makers Crew – Lucian Lungu, Costa Popa, Alex Sirb, Paul Smith, Jason Waite, Paul Williams
  • Lays Tech HOD – Phil Taylor
  • Lays Tech Crew – Kerri Allen, Chris Blackman, Jason Brown, Steve Mickleburgh

Lucasfilm Ltd.

Walt Disney Studios

  • AVID Editing Equipment and Cutting Rooms supplied by – Hireworks
  • Filmed at – Pinewood Studios, London, England
  • Mary's Shell Sculpture courtesy of – Stephen Broadbent, Broadbent Studio
  • Produced with the support of the British Film Commission and the UK Government Film Tax Relief
  • With the participation of the Province of British Columbia Production Services Tax Credit
  • Digital and Visual Effects undertaken in South Australia with the support of the South Australian Film Corporation

Appearances

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By type
Characters Organisms Droid models Events Locations
Organizations and titles Sentient species Vehicles and vessels Weapons and technology Miscellanea

Characters

Organisms

Droid models

Events

Locations

Organizations and titles

Sentient species

Vehicles and vessels

Weapons and technology

Miscellanea

Sources

Notes and references

  1. ↑ 1.0 1.1 1.2 1.3 1.4 1.5 1.6 1.7 Disney.com Andor Media Kit on Disney's official website (backup link)
  2. ↑ 2.0 2.1 TwitterLogo Star Wars (@starwars) on Twitter (post on August 10, 2022): "This is what revolution looks like. Watch #Andor, a Star Wars Original Series, streaming only on @DisneyPlus September 21." (backup link)
  3. ↑ 3.000 3.001 3.002 3.003 3.004 3.005 3.006 3.007 3.008 3.009 3.010 3.011 3.012 3.013 3.014 3.015 3.016 3.017 3.018 3.019 3.020 3.021 3.022 3.023 3.024 3.025 3.026 3.027 3.028 3.029 3.030 3.031 3.032 3.033 3.034 3.035 3.036 3.037 3.038 3.039 3.040 3.041 3.042 3.043 3.044 3.045 3.046 3.047 3.048 3.049 3.050 3.051 3.052 3.053 3.054 3.055 3.056 3.057 3.058 3.059 3.060 3.061 3.062 3.063 3.064 3.065 3.066 3.067 3.068 3.069 3.070 3.071 3.072 3.073 3.074 3.075 3.076 3.077 3.078 3.079 3.080 3.081 3.082 3.083 3.084 3.085 3.086 3.087 3.088 3.089 3.090 3.091 3.092 3.093 3.094 3.095 3.096 3.097 3.098 3.099 3.100 3.101 3.102 3.103 3.104 3.105 3.106 3.107 3.108 3.109 3.110 3.111 3.112 3.113 3.114 3.115 3.116 3.117 3.118 3.119 3.120 3.121 3.122 3.123 3.124 3.125 3.126 3.127 3.128 3.129 3.130 3.131 3.132 3.133 3.134 3.135 3.136 3.137 3.138 3.139 3.140 3.141 3.142 3.143 3.144 3.145 3.146 3.147 3.148 3.149 3.150 3.151 3.152 3.153 3.154 3.155 3.156 3.157 3.158 3.159 3.160 3.161 3.162 3.163 3.164 3.165 3.166 3.167 3.168 3.169 3.170 3.171 3.172 3.173 3.174 3.175 3.176 3.177 3.178 3.179 3.180 3.181 3.182 3.183 3.184 3.185 3.186 3.187 3.188 3.189 3.190 3.191 3.192 3.193 3.194 3.195 3.196 3.197 3.198 3.199 3.200 3.201 3.202 3.203 3.204 3.205 3.206 3.207 3.208 3.209 3.210 3.211 3.212 3.213 3.214 3.215 3.216 3.217 3.218 3.219 3.220 3.221 3.222 3.223 3.224 3.225 3.226 3.227 3.228 3.229 3.230 3.231 3.232 3.233 3.234 3.235 3.236 3.237 3.238 3.239 3.240 3.241 3.242 3.243 3.244 3.245 3.246 3.247 3.248 3.249 3.250 3.251 3.252 3.253 3.254 3.255 3.256 3.257 3.258 3.259 3.260 3.261 3.262 3.263 3.264 3.265 3.266 3.267 3.268 3.269 3.270 3.271 3.272 3.273 3.274 3.275 3.276 3.277 3.278 3.279 3.280 3.281 3.282 3.283 3.284 3.285 3.286 3.287 3.288 3.289 3.290 3.291 Andor logo new Star Wars: Andor — "Announcement"
  4. ↑ Star Wars: Dawn of Rebellion: The Visual Guide dates the events of "Announcement" to 5 BBY.
  5. ↑ Star Wars: Dawn of Rebellion: The Visual Guide states that Cassian Jeron Andor was arrested for confronting Imperials in 19 BBY. As seen in "Announcement," that attack was preceded by the Rix Road protest of the Imperial Era: as the Galactic Empire is formed in 19 BBY according to Dawn of Rebellion, the protest occurs in 19 BBY by virtue of occurring after the formation of the Empire but before Andor's arrest.
  6. ↑ TwitterLogo David W. Collins (@DavidWCollins) on Twitter (post on October 19, 2022): ""#andorspoilers > > > > "Are you a part of it?" A gloriously disdainful shoretrooper VO performance by @SamWitwer #Andor #voiceover #LoopGroup"" (backup link) (screenshot)
  7. ↑ TwitterLogo Sam Witwer (@SamWitwer) on Twitter (post on October 19, 2022): "Are you a part of it?" (backup link) (screenshot)

External links

Andor logo new
Season 1
1 · 2 · 3 · 4 · 5 · 6 · 7 · 8 · 9 · 10 · 11 · 12
The Complete First Season
Season 2
1 · 2 · 3 · 4 · 5 · 6 · 7 · 8 · 9 · 10 · 11 · 12
Soundtrack
Season 1
1-4 · 5-8 · 9-12
Season 2
1-3 · 4-6 · 7-9 · 10-12
Related media
Special Look · Season 2 Special Look
Dawn of Rebellion: The Visual Guide
The Art of Star Wars: Andor · REBELIÓN: An Andor Zine
Rogue One: A Star Wars Story
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