For other uses, see Kassa .

"Kassa! Kassa!"
―Kerri to young Cassian Andor[3]

"Kassa" is the premiere episode of the first season of Star Wars: Andor. The episode is directed by Toby Haynes and written by Tony Gilroy.[1] It premiered on September 21, 2022 alongside the second and third episodes.[2]

Official description

Cassian Andor's reckless search for answers about his past makes him a wanted man.

Expanded description

Long before the mission to secure the Death Star plans made him a hero of the Rebellion, a reckless Cassian Andor searches for information about his past. This obsession takes him to the seedy quarters of a world where an encounter with authorities brands Cassian as a wanted criminal. His attempt to lay low on Ferrix brings his problems home.

Plot summary

Trip to Morlana One

Cassian Jeron Andor walks down a dreary causeway. Making his way into the Leisure Zone on Morlana One, he enters a brothel and orders a beverage at the bar. Andor is served by a humanoid female hostess with afro hair. Two Pre-Mor Security Inspection team sentry guards, Verlo Skiff and Kravas Drezzer, take umbrage at the slight of Andor being served first, despite their longer wait. The hostess tells the men to behave, but the older of the two guards, Drezzer, wants to pick a fight with Andor.

Andor inquires about a woman from Kenari in the Mid Rim, but is told that the only woman by that description left "several months ago." When Andor persists with his questions, the hostess asks about his relationship with the woman. Andor explains that he is looking for his sister. The hostess replies that she disappeared and advises Andor to leave. When Andor asks about his sister's name, the hostess replies that nobody gives their real name.

Andor leaves the brothel and walks through the street. He is followed by the two guards from the brothel, who demand that he produce identification. When Andor doesn't respond, Drezzer raises a blaster. Andor raises his hands while the guards quip about abusing their power. Andor tricks them into close proximity with lure of credits in his pocket. Once Skiff's head is right behind Andor; he delivers a backward skull bash to Skiff, then throat punches Drezzer, body slams him then takes the blaster. He forces Drezzer to tend to his comrade Verlo Skiff at gunpoint. They quickly discover that Skiff has died from head injuries. Drezzer pleads for mercy by offering to cover up Andor's role in Skiff's death. Andor is unmoved and shoots Drezzer in the face, then flees offworld on a starship.

Life on Ferrix

Later on the planet Ferrix, a red B2 groundmech salvage assist unit named B2EMO travels through a town's dirt streets. The droid encounters a pack of Corellian hounds. One of the creatures urinates on the droid but it drives the hound away with its electro-shock prod. The groundmech heads back to Andor's transport and tells Andor that he has brought back what he told him to get.

Andor experiences a flashback of his sister Kerri and fellow Alpha children watching a starship crashing into the mountains. In the present, B2EMO asks Andor where he went but Andor refuses to share the information. B2EMO tells his master that Jezzi and Femmi brought supper and Maarva's medicine. B2EMO also tells him that his friend Brasso was looking for him and that Maarva is concerned that Andor is mixing with bad company and getting himself into trouble. Andor tells the droid to conceal his whereabouts before fixing one of the droid's wires.

Andor later travels into town and meets Brasso outside of his workplace. He tells Brasso to lie about meeting Andor for a drink the previous night. Brasso agrees, but embellishes the account with a story about Andor getting drunk and injuring himself, to cover for the scrape on his forehead.

Hushing up a crime

At the Corporate Security Headquarters on Morlana One, Pre-Mor Deputy Inspector Syril Karn informs his superior Chief Inspector Hyne about the death of two of his colleagues the previous night. Hyne makes a passing remark about the security officer's modified uniform before mentioning that one of the fallen guards was named Kravas Drezzer, a former commander who had been reduced to the rank of corporal. Hyne expresses his distaste for Drezzer before turning his attention to the suspect, who is described as a human with dark features asking about a Kenari girl. After learning that the two guards had not been robbed, Hyne opines that it will be a tough case to solve.

After turning off the recording system, Hyne tells Karn that the case bears the hallmarks of "regrettable misadventure." He tells Karn to cover up the deaths of the Pre-Mor security guards and to falsify key details including situating it outside the Leisure Zone. Karn insists that they were murdered, but Hyne surmises the men were killed having picked a fight after visiting a brothel and drinking Revnog, none of which they were supposed to be doing. Hyne tells him to invent that the security guards died in the line of duty.

Hyne wants to cover up the deaths since he is heading to an Imperial Regional Command review and wants to present a favorable report about criminal activity within Preox-Morlana territory in order to prevent Imperial interference. Hyne's words unnerve the deputy inspector.

Trying to make ends meet

Meanwhile, Andor visits the mechanic Bix Caleen at her garage. Caleen notices Andor's injury, but he is evasive when asked about it. Andor says that he wants to sell an object immediately, but the mechanic explains that she does not sell single objects, preferring to bundle things. She tells Andor that a Tac Corvette will be visiting this week looking for scrap. Caleen suggests scavenging some Imperial technology but Andor is impatient. He explains that he has obtained an untraceable Imperial N-S9 Starpath Unit and will be meeting with a contact. Caleen is reluctant to get involved, but Andor is determined to go ahead with his plan.

Timm Karlo enters the garage with news about an upcoming Wobani run and asks Caleen if she is interested. Caleen says she will get back in touch. Sensing that Caleen has feelings for Karlo, Andor asks if Karlo knows anything about his clandestine work. Caleen reassures him that Karlo knows nothing. Later, Andor speaks with Karlo about finding a life partner. In a flashback scene, Andor and his tribe participate in an initiation ceremony which involves painting black paint stripes on their faces.

Elsewhere, Syril tasks a signals officer with tracking Andor's starship, which landed on Morlana One illegally. Later, Andor is confronted by Nurchi, who wants Andor to pay back his deposit. Andor says he is unable to at the moment. Andor is also cornered by Vetch, who is serving as Nurchi's "muscle." Andor accuses Vetch of selling him out to Nurchi. Andor promises to pay back his deposit before walking away.

Caleen tells Karlo she is leaving the garage to run some errands. Karlo follows her through the streets, bumping into a mechanic on the way. Caleen visits a dealer, telling him that she is looking for a Bendine Mesh-Tech filter. He tells her that it is in the yellow racks at the back. Caleen heads into the garage and climbs up a ladder where she taps into a circuit box.

In another flashback, the group of children prepare to investigate the fallen ship, putting black smears on their faces and preparing dart weapons. Kassa is originally left out, but a girl, the eldest of the group and the leader, lets him don his disguise, as well.

Trouble approaching

Karn asks his team of analysts if they have uncovered any leads on Kenari males on Ferrix. The analysts have little information about the planet Kenari with the most recent census dating back six years. Karn is determined to pursue the murder investigation and issues an order for Kenari human men on Ferrix to be questioned.

Back on Ferrix, a bearded man named Pegla meets with Andor aboard his transport. Pegla asks Andor what he is doing and tells him that he is in the office. Andor tells him that he has refueled the ship. Pegla notices that Andor has swapped the ship's chip logs. The boss, Zorby, speaks over the overhead projectors and asks Pegla to explain what is going on. Pegla claims that yard rats are back. Zorby tells him to deal with a customer and to set the hounds on the rats. Andor asks if he could borrow his ship but Pegla is unwilling to get involved in Andor's activities. He tells Andor to finish his work and not to return.

In a flashback scene, a young Kassa and his tribe gather to retrieve supplies from the fallen ship. Kassa's sister Kerri wants to follow but is too young. Kassa promises to return.

Development

For a short period of time after "Kassa" was released, Disney+ simply titled it "Episode 1."

"Kassa" marks the first on-screen use of the 'ABY-BBY' dating system.

Media

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Collected in

Credits

By type
Cast Uncredited cast Crew Uncredited crew Special thanks

Cast

Crew

Visual Effects Crew

Construction Services provided by – Palace Scenery[3]

Greens Services provided by – Greens Team[3]

  • A Camera Operator – Ben Wilson
  • B Camera Operator – Iain Struthers
  • A Camera First Assistant – Sam Barnes
  • B Camera First Assistant – Gordon Segrove
  • A Camera Second Assistant – Adrian Stephens
  • B Camera Second Assistant – Ryan Adams
  • Central Loader – Martina Massimei
  • Camera Trainee – Molly Burcham
  • BFI Camera Trainee – Cecily Bedner
  • Tandem Unit A Camera Operator – Simon Finney
  • Tandem Unit B Camera/Steadicam Operator – Chris Bain
  • Tandem Unit A Camera First Assistant – Jonathan Wright
  • Tandem Unit B Camera First Assistant – Russell Kennedy
  • Tandem Unit A Camera Second Assistant – Ryan Bessin
  • Tandem Unit B Camera Second Assistant – Giles Taylor
  • Tandem Unit Central Loader – Clare Seymour
  • Tandem Unit Camera Trainee – Chloe Knight
  • Key Grip – Russell Diamond
  • Best Boy Grip – Andy Levett
  • A Camera Grip – Stuart Bunting
  • B Camera Grip – Matt Clyne
  • Trainee Grip – Alex Colthart
  • Crane Grips – Glen Dunning, Dean Morris
  • Crane Tech – Martin Elvin
  • Libra Tech – Connor Penfold
  • Standby Rigger – Rob Armstrong
  • Standby Carpenter – Vito Walker
  • Standby Painter – Nick Williams
  • Standby Stagehand – Brad Bede
  • Tandem Unit Key Grip – Jody Knight
  • Tandem Unit Best Boy Grip – David Littlejohns
  • Tandem Unit Grips – Ben Emerson, Simon Fogg
  • Tandem Unit Grip Trainee – Harvey Sebestyen Regan
  • Tandem Unit Standby Carpenter – Paul Jones
  • Tandem Unit Standby Painter – Terry Heggerty
  • Tandem Unit Standby Rigger – Thomas McDonald
  • Tandem Unit Standby Stagehand – Steven Matthews
  • Production Sound Mixer – Danny Hambrook
  • First Assistants Sound – Orin Beaton, Lee Thompson
  • Second Assistant Sound – Jordan Feemster
  • Sound Trainee – Imogen Jeffery Badger
  • Tandem Unit Sound Mixer – Tim White
  • Tandem Unit First Assistants Sound – Peter Davis, Tom Fennell
  • Tandem Unit Additional First Assistant Sound – James Gibb
  • Tandem Unit Second Assistant Sound – Julia Hardecka
  • DIT – John Paxton
  • Assistant DIT – Jess Pezet
  • Data Manager – Ollie Smith
  • Tandem Unit DIT – Jesse Llande
  • Tandem Unit DIT Wrangler – Matt England
  • Tandem Unit DIT Assistant – Dan Howard
  • Video Assist Operator – Zoe Whittaker
  • Video Assistant – Sean Ip Fung Chun
  • Network Infrastructure Technician – Alex McCormick
  • BFI Video Trainee – Phoebe Cullum
  • Creatures Video Assistant – Dean Ainscough
  • Tandem Unit Video Operator – Jarvis Coxwell
  • Tandem Unit Video Assistant – Henry Reece
  • Tandem Unit Video Trainee – Tom McGoldrick
  • Gaffer – Andy Lowe
  • Best Boy – Chris Stones
  • Lighting Console Operator – Nathan Porter
  • Chargehand Electrician – Duncan Riedl
  • Shooting Genny Op – Mark Sullivan
  • Standby Electrical Riggers – Cameron Berry, Emily Heffernan
  • Standby VFX Riggers – Adam Hubbard, Chris Rice
  • Standby Practical Electrician – Joel Ward
  • Tandem Unit Best Boy – Dominic Aronin
  • Tandem Unit Lighting Console Operator – Adam Millard
  • Tandem Unit Standby Electrical Rigger – Charlie Cole
  • Electricians – Dan Addis, Dan Chaytor, Vianney Kernanet, Marina Lewin-Richter, Max Lovell, Daniel McCormick, Pawel Polak, David Sedgwick, Dan Stones, Owen Varley
  • Tandem Unit Electricians – Dave Allen, Chris Broomfield, Tony Caja, Bradley Currie, Gian Pottieri, Sunny Singh, Ana Vilar-Bergua
  • HOD Practical Electrician – Colin Townsend
  • Electrical Rigging Gaffer – John Antill
  • Supervisor – Billy Clifford
  • Chargehand Electricians – Michael Barham, Normunds Luzinskis, Simeon Purdy
  • Standby Electrician – Joel Ward
  • Electricians – George Clifford, Steve Cole, Warren Davies, James Marks, Terry Townsend, Charles Woollard
  • Rigging Supervisor – Chris Dickinson
  • Rigging Chargehand – Gary Parnham
  • Rigging Desk Operator – Jaime Fletcher
  • Rigging Electricians – David Clayton, George Fox, Jack Geddes-Hopkins, Bobby Hankins, Brett Parnham, Richard Philbert, Roy Rowland, Dave O'Shaugh, Jay Stevens
  • HOD Electrical Rigger – Francis King
  • Chargehands – Lewis Beer, Mark Spring
  • Electrical Rigging Supervisor – Alex Glover
  • Riggers – Sam Cashman, Tyler Gibson, Paul King
  • Costume Supervisor – Kate O'Farrell
  • Assistant Costume Designers – Francoise Fourcade, Eloise Park, Laura Smith
  • Junior Design Assistants – Ellen Conrad, Amy Costello
  • Concept Artist – Andrey Ryabovichev
  • Costume Dept Coordinator – Claire Watson
  • Costume Assistant Dept Coordinator – Dulcie Menzie
  • Costume Trainee – Eryl Davies
  • Crowd Supervisor – Shirley Nevin
  • Crowd Wardrobe Mistress – Victoria Conte
  • Crowd Fitters – Mike Hodge, Maria Smith, Charlotte Ward
  • Senior Principal Standbys – Terry Archer, Maite Chemin, Lois Connell, Felicity Goldsworthy, Talulah Mason
  • Crowd Costume Assistants – Sekina Baker, Lucy Brookes, Daisy Dempsey, Hannah Elliman, Will Evans, Lucy Fage, Teddy George-Poku, Tom Hood, John Laurie
  • Crowd Costume Juniors – Nathan Grant, Joe Taylor-Beechley
  • Crowd Costume Trainee – Megan Brittle
  • Head Buyer – Nicola Sandford
  • Buyer – Izzy Stafford
  • Chief Textile Artist – Jackie Moody
  • Senior Textile Artists – Francesca Ackerson, Henrietta Thomas, Sadie Tilbury
  • Textile Artists – Lili Giblin-McGrady, Victoria Morgan
  • Junior Textile Artist – Niamh Cunningham
  • Principal Cutters – Malin Anderson, Rob Sutherland
  • Creatures & Crowd Cutter – Geoff Slack
  • Senior Makers – Giulia Chini, Emily Hudson
  • Makers – Carmen Barclay, Jonathan Burniston, Valeria Cantelli, Sylvaine Champeau, Nicole Dempster, Eve Herbert, Beth Morton
  • Junior Makers – Carly Andrews, Lottie Yearby Taylor
  • Cutter – Sara Fay
  • Trainees – Poppy Lees, Jodie Roberts, Cecile Schils
  • Costume Props/Armoury by Makinarium UK Ltd.Alfie Bones, Amanda Darby, Adrian Getley, Stewart Good, Adam Harris, Elizabeth Herring, Alex Hughes, Steve Kill, Robin Lawrence, Phil O'Connell, Kirsty Peters, Chris Schubert, Kate Wakefield
  • Hair & Makeup Supervisor – Gerda Lauciute
  • Senior Hair Artist – Julio Parodi
  • Senior Hair & Makeup Artist – Nuria Mbomio-Mba
  • Hair & Makeup Artists – Holly Caddy, Amy Cuppage, Daniele Nastasi, Inma Azorin
  • Hair & Makeup Junior – Issy Walton
  • Hair & Makeup Trainees – Emmalee Etherington, Ava Giles
  • Crowd Hair & Makeup Supervisor – Nicola Mount
  • Crowd Hair & Makeup Artists – Daisy Almond, Ria Biggerstaff, Leigh Crawford, David Dorling, Kamen Glover, Josephine Hoy, Lizzie Judd, Lynsey McIlwaine, Nina Pratley, Tamara Ramsey Crockett, Emma Sherry, Bianca Stewart, Caitlin Tanner, Georgia Thompson
  • Crowd Hair & Makeup Junior – Yasmin Munro
  • Crowd Hair & Makeup Trainees – Hannah Louise Callaghan, Holly Chambers, Rosalyn Fochs
  • Tandem Unit Hair & Makeup Supervisor – Jemma Carbello
  • Tandem Unit Senior Hair & Makeup Artists – Sharon Colley, Samantha Denyer
  • Tandem Unit Hair & Makeup Artists – Julia Finch, Niall Mann
  • Tandem Unit Hair & Makeup Trainee – Lily Harling
  • CFX Creature & Droid Creative Supervisor – Neal Scanlan
  • CFX Production Supervisor – Katie Newitt
  • CFX Coordinator – Samantha Langridge
  • Fabricator – Claire Bannister
  • CFX Buyers/Production Assistants – Joe Carlyle, Emma Green
  • Fabrication Assistant – Natalie Pettigrew
  • Creature Designer – Jacob Lunt Davies
  • Prosthetics Supervisor – Liz Barlow
  • Creature Designers/Senior Sculptors – Luke Fisher, Ivan Manzella
  • Paint Design Supervisor – Henrik Svensson
  • Senior Sculptors – Colin Jackman, Martin Rezard
  • Modeller – Cerina Knott
  • Sculptor – Justin Pitkethley
  • Supervising Foam Modeller – Jimmy Bernardinis
  • HOD Model Mouldshop – Kenny Wilson
  • Fabrication Designer – Thea Keenan
  • Senior Modellers – Brian Best, Karen Purvis
  • Hair & Fur Supervisor – Maria Cork
  • Animatronic Design Supervisor – Gustav Hoegen
  • Model Makers – Paul Szebesta, Lee Towersey
  • Senior Animatronic Designers – Giles Hannagan, Joshua Lee
  • Dressers – Chris Barlow, Emilie Carruthers, Bobbi Roberts
  • Animatronic Designers – Tim Berry, Gerard Moore
  • Electronic Design & Development Supervisor – Matthew Denton
  • Prosthetic Artists – Suzi Battersby, Emily Bilverstone, Jen Buck, Jen Kewley, Becca Olen, Megan Thomas
  • Creature Fabrication Design Supervisor – Vanessa Bastyan
  • Senior Fabrication Designers – Fiona Barnes, Sherri Hazzard
  • Silicone Technician – Rosie Whittle
  • Animals Provided by – Birds & Animals UK
  • Dog Handlers – Sue Eld-Weaver, Collette Mackenzie, Jo Vaughan, James Weller
  • Special Effects Supervisor – Richard Van Den Bergh
  • Workshop Supervisor – Jody Taylor
  • Coordinator/Buyers – Louise Davis, Hamish Riddell, Flora Warrington
  • Senior Designers – Daniel Burnett, Steve Middleton
  • Assistant Designers – Brett Ellis, Isobel McInness
  • Senior Modeller – Richard Thomas
  • Senior Mould Technician – Oscar Williams
  • Mould Technician – Joe Birdsey
  • Assistant Mould Technician – Tansy Boutrell
  • SFX Assistant – Charly Nolan
  • Lead Senior Technicians – Tony Ciccarelli, Darren May
  • Senior Technicians – Gergö Bajczar, Gary Cohen, Neil Damman, Garth Guttridge, Julian Marsh, Karl Openshaw, Hayden Watson
  • Lead Technician Breakaways – George Spensley-Corfield
  • Floor Supervisor – David Roddham
  • Supervising Wire Technician – Kevin Matthews
  • Wire Technician – Louis Davis
  • SFX Driver – Andy Rowland
  • Technicians – Dorian Burnett, Luke Corbyn, Mark Douglas, Steve Scott, Peter Sellers, Leigh Stevens
  • Assistant Technicians – Paul Gilston, Max Hemmett, Bailey Watson
  • SFX Trainees – Joe Holden, Ashton McCarty-Gould, James Smith
  • Supervising Location Manager – Richard Hill
  • Location Managers – Jo Beckett, Luke Stevenson, Jojo Warne
  • Assistant Location Managers – Stephanie Andrew, Charlie Burdon, Jeanne Caboche, Jess Waluga
  • Location Coordinator – Carolyn O'Reilly
  • Unit Manager – Sam Turner
  • Tandem Unit Manager – Dillon Beagley
  • Assistant Unit Manager – Sjors Fiege
  • Tandem Assistant Unit Manager – Oliver Northover
  • Unit Assistant – Zak Jarvis
  • Location Assistants – Flynn Berry, Ziggy Grey, Izzy Peters, Matthew Pyle
  • Location Unit Electricians – Neil Ashton, Ed Boltbee
  • Canary Islands Aerial VFX Unit courtesy of – Sur Films Canarias SL.
  • Sur Films Executive Producer – Andreas Wentz
  • Sur Films Line Producer – Bea Fluxa
  • Location Manager Lanzarote – Ismael Curbelo
  • ILM Aerial Supervisor – Scott Pritchard
  • ILM Environment Supervisor – Guy Williams
  • Aerial Cinematographer – Irmin Kerck
  • Aerial DIT – Rafael Rodriguez Lamas
  • VFX Photographer – Ben Plant
  • Helicopter Pilot – Marcel Albi Perez
  • Studio Manager – Jon Hills
  • Assistant Studio Manager – Martin Oliver
  • Studio Assistants – Kat Buckley, Alex Chakraborty, Antony Frederick, Matthew 'Tennessee' Graham, Marcus Mills, Peter Quinn
  • Post Production Supervisor – Elaine Waugh
  • Lead VFX Editor – Liyana Mansor
  • VFX Editor – Beaumont Loewenthal
  • VFX Assistant Editor – Kenny Li
  • First Assistant Editors – Laura Mountford, Craig Walters, James Barham
  • First Assistant Editor (New York) – Max Ethan Miller
  • Series First Assistant Editor – Danny Salas
  • Dailies Assistant Editor – Holly Laura Burn
  • Trainee Assistant Editor – Lucy Heyworth
  • Post Production Assistant – Holly Remmett
  • Main Titles designed by – Neil Kellerhouse, Devastudios, Inc.
  • End Credits by – Scarlet Letters
  • Front End Services by – Picture Shop London
  • Supervising Producer – Jason T. Morrow
  • Technical Manager – Tristan Hey
  • Dailies Producer – Victoria Burrows
  • Assistant Technical Manager – Alessio Ciattini
  • Dailies Lab Operators – Miles Anderson, Thomas Matthews
  • VFX Pulls by – Picture Shop London, Powered by Pulse
  • Pulse Operations – Dexter Kong, Michael McKnight, Daniel Youlton
  • Digital Intermediate provided by – Picture Shop London
  • Colourist – Jean-Clement Soret
  • Digital Intermediate Workflow Manager – Grace Lan
  • Colour Pipeline Supervisor – Alex Gascoigne
  • Digital Intermediate Consultants – Matthew Adams, Louise Stevenson
  • Online Editor – Simon Giblin
  • Head of Picture Operations – Charlotte Laing
  • DI Editors – Jenny-Jayne Webb, Maikel Popic
  • Post Production Managers – Alec Holroyd-Doveton, Colin Davis
  • Visual Effects by – Industrial Light & Magic
  • Lead Artists – Michael Cashmore, Wesley Chandler, Scott Dawkins, Javier Fernandez, Simon Herden, Kristin Sedore, Perry Hyun-Woo Sohn, Shivas Thilak, Terry Tsang, Talmage Watson
  • ILM Production – Lily Anderson, Lucy Davis, Kezia Feinson Dwyer, Marla Kate Fuller, Jarrett Krissa, Brendan Little, Alicia B. Reymann, Jack Sutcliffe, Benjamin Todd
  • Artists – Tim Adams, Audun Ase, Jeff Bartzis, Nunzio Bitetti, Fernando Brandao De Braga, Jennifer Burke, Bryan H. Carr, Solene Chan-Lam, Jae Young Chang, Michael Chang, Youngwoo Choi, Marko Chulev, Thomas Coster, Nancy Cristina, Eleonora D'Onofrio, Hannes Doornaert, Anand Dorairaj, Robert Dorris, Claire Duthie-Pagdiwalla, Corinne Dy, Vinicius Favero, Marco Juan Roxas Firme, Fernando Flores, Christopher James Ford, Clinton Ford, Richard Fry, Philip Gifford, K.S. Haddock, Michael Hipp, Michael Holmes, Jan Hrebicek, Ellen Jaram, Lucas Jardim Nunes, Neil Jianoran, Ryan L. Jones, Tomos Jones, Paria Kamyab, Joaquin Karlsen Gutierrez, Mark Keetch, Jeannie Kim, Kayla Lane, Melissa Leamon, Eric Leven, Brian Luzzi, Ramez Mahdi, Timothee Maron, Scott Marriott, Gordon Marshall, Ian Mathews, Deirdre McCarthy, Ryan McDonald, Cedric Moens De Hase, Alex Murtaza, Nozomi Nakano, Winfield O'Brien, Ciaran O'Connor, Shinya Onda, Daniele Orsetti, Rikin Patel, Matthias Peiffer, David Picarda, Fernanda Pizzolatto, Ed Pulis, Owen Rachel, Diego Rebello, Timothy Russell, Alba Sanchez-Serrano, Katherina Schuhmacher, Brian Schultz, Klaus Seitschek, Priya Short, Natalie Smith, Jordan Snow, Chris Stefiuk, Stefano Strabla, Josh Thornhill, Lee Tibbetts, Oscar Tornincasa, Roger Tortosa Aras, Chris Turner, Marian-Serban Ungureanu, Luke Vallée, Alejandro Vela-Castro, David Vivaldini, Kynan Voyeaud, Zoe Westbrook, Jason Wheatley, Kaitlyn Williams, Robin Witzsche, Chun Chun Yang, Isaac Zuren
  • ILM Executive Staff – Francois Chardavoine, Spencer Kent, John Knoll, Sue Lyster, Ben Morris, Luke O'Byrne, Jeff White
  • ILM Additional Support – Scott Atkins, Ryan Bottriell, Shanice Clarke, Kevin Cochet, Daniel Cote, Selina Cox, Christian Dahlberg, Simon Davies, Chong Deng, David Gatenby, Samuel Hall, John Hannon, Michelle Hebert, Mary Hinman, Ali Jafargholi, Michelle Kennedy, Amanda Knight, Phillip Lacey, Matt Leonard, Mike Lyons, Azmi Mohamed Maniku, Kati Maull, Stephanie Meyerink, Jarod Moschenross, Jamie Mundy, April Nagasawa, An Nguyen, Samuel Nicholls, Daniel O'Gorman, Noorwallid Osman, Duncan Parks, Maggie Perlman, Dan Pettipher, Riya Ramani, Rachel Rose, Lorraine Rozon Smiths, Betty Shaw, Jenny Spader, Jenna Starr, Davi Stein, Andre Sterling, Chris Tomkins, Whitney Townsley, Briony Warren, Indiana Wilson, Toh Zijing
  • Additional Visual Effects by – Stereo D, Whiskeytree Inc, Yannix
  • Visual Effects by – Hybride, A Ubisoft Division
  • Visual Effects Supervisor – Joseph Kasparian
  • Visual Effects Producers – Louise Bertrand, Mélanie Carignan, Richard Martin
  • Hybride – Olivier Beaulieu, Pierre Blain, Maryse Bouchard, Christophe Damiano, Olivier Gravel, Danny Lévesque, Steve Pelchat, Kenneth Steel, Philippe Théroux, Marco Tremblay, Cédric Arsenault, Stéphane Arsenault, Marie-Claude Aubry, Eduardo Azcue, Thomas Bacanu, Manuela Balk, Michel Barrière, David Bédard, David Bélanger-Dambremont, Yannick Bissonnette, Alex Blaquière, Samuel Cardinal, Jordan Cassidy, Marlène Circé, Michaël Coutu, Patrick Couturier, Joanie Croteau, Charles-Étienne D'Amours, Audrey Deschênes, Ashish Dewan, Annie Dufresne, Timo Fahrbach, Patrice Ferron-Craig, Doréa Fontaine, Gabriel Forbes, Anne Fortin, Yanick Gaudreau, Maxime Grenier, Christopher Grifasi, Justin Hébert, Léo-Patrick Houde, Alexandru Ichim, Alexy Jukic-Prévost, Mélissa Laframboise Maillé, Mathieu Lalonde, Catherine Lecavalier, Elsa Lemire, Jade Lessard, Samuel Loriault-Goulet, Martine Losier, Gabrielle Marchand, Belly Mingmuong, Laurence-Émilie Miron, Gabriel Monette, Benoît Morin, Sergio Mucino, Mohammadali Nezafat, Marie-Ève Pelletier, Jonathan Perth, Jordan Picotte, Sylvain Régnié, Myriam Ricard-Lalonde, Sébastien Rioux, David Roberge, Samuel Rousseau, Nicolas Scuntaro, Matthew Smith, Marc St-Gelais, Audrey-Anne Surprenant, Patrick Tassé, Alexandre Tessier, Emma Tessier-Langevin, Philippe Vachon, Jessica Vallée, Eduardo Villarreal, Valérie Villemure, Valérie Villeneuve, Michel Bergeron, Jimmy Caron, Zacharie Dufault, René Filion, David Gary, Dominic Gaudreau, Stephan Gervais, Bruno-Pierre Jobin, Mathieu Leclaire, Olivier Painchaud, Patrick Piché, Vincent Quintal, Sylvain Rioux, Michel Rock, Daniel Silva, Yannick Tétreault, Olivier Amah, Caroline Bélisle, Isabelle Desrochers, Marie Nakhlé, Sylvie Talbot, Anne Tremblay, Michel Murdock, Thierry Delattre, Mathieu Boucher, Pierre Raymond
  • Visual Effects by – Soho VFX
  • Visual Effects Supervisors – Keith Sellers, Berj Bannayan
  • Visual Effects Producers – Kelly McCarthy, Allan Magled
  • Soho VFX – Hakyung Chang, Ramil Ahmadov, James Albiez, Janeane Aranas, Vikas Chander, Daniel Hunyoung Choi, Kenneth Dietrich, Dong Guo, Turenne Huang, Joshua Kiyoshi Huestis, Ingyun Hwang, Amelia Im, Olivia Hayoung Jo, Graham Kartna, Minyoung Kim, Youngwook Lee, Wei Li, Luis Lima, Dangee Lo, Ruiyu Long, Daniel Lu, Tyler Magled, Tara Mason, Arun Midha, Harshal M. Mistry, Rishikhant Pandian, Seong-Tae Simon Park, Dominic Pileggi, Dan Power, Vasisht Ramachandran, Jorge Razon, Ruben I. Salazar, Rushabh Shah, Jon Shin, Daniel St-Amant, Mike Terrigno, Ahad Tunio, Siddharthan Uk, Paul Wojdylo, Sunny Wong, Shuqiao Xu, Rong Zhou
  • Additional Visual Effects by – Midas VFX
  • Visualization by – The Third Floor, Inc.
    • Visualization Supervisor – Jen Kitching
    • Visualization Coordinators – Merika Sam-German, Janneke Vennema-Osborne, Jana Pšenková
    • Visualization Line Producer – Tilly Holton-Newman
    • Visualization Leads – Dan Copping, Jaime Visedo Cañizares
    • Asset Artist – Dominic Martin
    • Head of Production – Lisa Brodie-Tsotsos
    • Visualization Artists – Sebastian Kuder, Manon Huez, Dylan Wyn Owen, Rachel Wright, Desirée Meduri, Bobby Strain, Eric Tsui, Raul Alves, Gabor Kiss
    • Executive Producer – Tim Keene
    • Head of Assets – Phil Tsang
    • Talent Manager – Kotryna Zabulionyte
    • Finance Managers – Brendon Dublin, Gayaneh Sahakian
    • Executive Producer – Marcus Alexander
    • IT Support – Luke Weller, Dawid Jadkowski
    • Pipeline Support – Keith Pang, Imran Rehman
    • Casting Manager – Abigail Sullivan
  • Character and Prop Scanning by – Clear Angle Studios
  • Lidar Scanning Services by – We Shoot Lasers
  • Music Editor – John Finklea
  • Conductor – Matt Dunkley
  • Score Recording Engineer – Tommy Vicari, CAS
  • Score Mixer – Casey Stone, CAS
  • Recordists – John Prestage, Rowan McIntosh
  • Second Engineers – Jack Mills, Eve Morris, Jedidiah Rimell
  • Score Technical Assistance – David Giuli
  • Concertmaster – Everton Nelson
  • Orchestrations – Matt Dunkley, Nicholas Britell
  • Music Librarian – David Hage, Dakota Music
  • Additional Librarian – Michael McCoy
  • Orchestra Contractors – Jenny Goshawk, Lucy Whalley, Isobel Griffiths Ltd.
  • Studio Manager - Lake George Entertainment LLC – Christopher Ruskis
  • Musicians – Corinne Bailey, Max Baillie, Chris Baron, Annie Beilby, Mark Berrow, Richard Bissill, Fiona Bonds, Natalia Bonner, Nicholas Bootiman, Adrian Bradbury, Catherine Bradshaw, Ben Buckton, Ian Burdge, Jonny Byers, Emil Chakalov, Reiad Chibah, Paul Clarvis, Barry Clements, Richard Cookson, Nick Cooper, David Daniels, Caroline Dearnley, Sue Dench, Alison Dods, Philip Eastop, Dave Elliott, Jonathan Evans-Jones, Rob Farrer, Melissa Favell-Wright, Byron Fulcher, Richard George, Kathy Gowers, Tim Gill, Sophie Harris, Clare Hayes, Marianne Haynes, Tracy Holloway, Martin Humbey, Ian Humphries, Jeremy Issac, Magnus Johnston, David Juritz, Helen Kamminga, Francis Kefford, Thomas Kemp, Patrick Kiernan, Nicholas Korth, Rick Koster, Nicholette Kuo, Peter Lale, Rachael Lander, Roger Linley, Lydia Lowndes-Northcott, Dorina Markoff, Vicky Matthews, Ciaran McCabe, John Mills, Perry Montague-Mason, Frank Moon, Steve Morris, Phil Munds, Kate Musker, Everton Nelson, Mark Nightingale, Odile Ollagnon, Martin Owen, Tom Pigott-Smith, Julian Poole, David Pyatt, Rupert Ring, Jenny Sacha, Frank Schaefer, Mary Scully, Sarah Sexton, Lucy Shaw, Robert Smissen, Dave Stewart, Nicky Sweeney, Ed Tarrant, Ian Thomas, Cathy Thompson, Michael Thompson, John Thurgood, Michael Trainor, Laurence Ungless, Bozidar Vukotic, Allen Walley, Matt Ward, Richard Watkins, Alexei Watkins, Daniel West, Debbie Widdup, Paul Willey, Jonathan Williams, Stephen Williams, Andy Wood, Phil Woods, Tony Woollard, Chris Worsey
  • Score Recorded at – Air Studios, London, British Grove Studios, London
  • Post Production Sound Services by – Skywalker Sound, A Lucasfilm Ltd. Company, Marin County, California
    • Supervising Sound Editor/Sound Designer – David Acord
    • Supervising Sound Editor – Margit Pfeiffer
    • Dialogue Editor – Richard Quinn
    • Foley Editor – Shaun Farley
    • Foley Artists – Shelley Roden, John Roesch
    • Foley Mixer – Scott Curtis
    • Engineering Services – Dusty Jermier
    • Post Production Sound Accountant – Jessica Engel
    • Head of Production Finance & Planning – Mike Peters
    • Head of Engineering – Steve Morris
    • Re-Recording Mixer – David Acord
    • Sound Effects Editor – J.R. Grubbs
    • ADR Editors – Daniel Laurie, Steve Slanec
    • Assistant Supervising Sound Editor – Dug Winningham
    • Loop Group Mixer – Matthew Wood
    • Assistant Re-Recording Mixer – Danielle Adams
    • Digital Editorial Support – Ivan Piesh
    • Client Services – Eva Porter
    • Studio Capacity Manager – Carrie Perry
    • Head of Production – Jon Null
    • SVP/General Manager – Josh Lowden
  • Mix Stages provided by – Warner Bros. De Lane Lea, London
  • Sound Mix Technician – Ross Western
  • Sound Mix Assistant – Kirsten Kidwell
  • Sound Engineer – George Hooker
  • Health & Safety Officer – Jonathan Hill
  • Health & Safety Advisor – Ben McMullen
  • Health & Safety Coordinator – Charlotte Curd
  • Unit Paramedic – Rachel Bucknor
  • Construction Nurse – Mary Watt
  • Crowd Nurse – Ruth Bayliss
  • Tandem Unit Nurse – Carissa Simpe-Asante
  • Tandem Unit Health & Safety Advisors – Simon Biggs, David Ronson
  • Disney Health & Safety Manager – Dion Bowes
  • Disney Health & Safety Supervisors – Rob Beggs, Jordan Short
  • Disney Health & Safety Advisor – Jazz Pritchard
  • Production Health & Safety Coordinators – Caroline Houghton, Sam Sorbie, Naomi Weiner
  • Production Health & Safety Secretaries – Harvey Diack, Eleanor Hoppe
  • Production Health & Safety PPE Coordinators – Tim Noakes, Chris Rouse
  • Production Health & Safety PPE Production Assistants – Kieran Kavanagh, Mikey Lloyd, Sam White, Jess Bevan, Lois Constantinou
  • Production H&S PPE Location Assistant – John Peddie
  • Senior Security Manager – Connor Nolan
  • Security Manager – Craig Etherton
  • Security Coordinator – Matthew Thorne
  • Security Administrator – Malwina Palus
  • Security Services courtesy of Main Unit Location Services LTD.Mike Anderson, Rich Easter, Jean Paul Greenwood, Terry Holdaway, Paul Hopkins, Barry Lehec, Rob Sipson, David Taylor, Mark Williams, Tom Wyatt
  • Asset Coordinator – Claire Scott
  • Portrait Galley & Tandem Unit Photographer – Ed Miller
  • Photo Editors – Leah Evans, Barry Hurley
  • IT Support – Rameez Daureeawoo, Dilany Koyratty
  • Franchise Accountant – Polly Fletcher
  • Franchise Supervisor – Laura Evans
  • Franchise Coordinator – Diane Pognan
  • Technology Support – Manny Ponce, Jono Echols, Rick Tuckness, Phil Lacey, Peter Hricak, Susan Brown, Jason Geiger, Tim Fogarty, Zack Bunker, Matt Martinis, Jeff Nagasuga, Caitlin Torsney, Greg Garson, Renee Yang, Calvin Smith
  • Catering by – Red Chutney Ltd.
  • Transport Captain – Jimmy Carruthers
  • Transport Co-Captains – Matthew Sampson, David J Rosenbaum
  • Transport Coordinator – Ashley Isaac
  • Driver to Diego Luna – Lee Isgar
  • Unit Drivers – Stephen Casey, Wayne Cotham, Kieran Crowley, John Doran, Bob Hole, Robert Isaac, Patrick Sands, Christian Scott, Ed Shanley, Ross Vasco, Tony Wadsworth, Keith Wignall
  • Mini Bus Drivers – Paul Ashby, Mark Bedford
  • Main Unit Support Driver – Andrew Pocock
  • Tandem Unit Transport Captain – Peter Trotman
  • Tandem Unit Drivers – Costas Anastasiou, Gary Wardley
  • Tandem Unit Van Driver – Carl Isherwood
  • Movie Makers Facilities HOD – Tim Simpson
  • Movie Makers Crew – Lucian Lungu, Costa Popa, Alex Sirb, Paul Smith, Jason Waite, Paul Williams
  • Lays Tech HOD – Phil Taylor
  • Lays Tech Crew – Kerri Allen, Chris Blackman, Jason Brown, Steve Mickleburgh

Lucasfilm Ltd.

Walt Disney Studios

  • American Humane monitored the animal action.
  • AVID Editing Equipment and Cutting Rooms supplied by – Hireworks
  • Filmed at – Pinewood Studios, London, England
  • Produced with the support of the British Film Commission and the UK Government Film Tax Relief
  • With the participation of the Province of British Columbia Production Services Tax Credit
  • Digital and Visual Effects undertaken in South Australia with the support of the South Australian Film Corporation

Appearances

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By type
Characters Organisms Droid models Events Locations
Organizations and titles Sentient species Vehicles and vessels Weapons and technology Miscellanea

Characters

Organisms

Droid models

Events

Locations

Organizations and titles

Sentient species

Vehicles and vessels

Weapons and technology

Miscellanea

Sources

Notes and references

  1. 1.0 1.1 1.2 1.3 1.4 1.5 1.6 Disney.com Andor Media Kit on Disney's official website (backup link)
  2. 2.0 2.1 SWYT-Logo Andor | Official Trailer | Disney+ (2:25) on the official Star Wars YouTube channel (backup link) (Posted on StarWars.com)
  3. 3.000 3.001 3.002 3.003 3.004 3.005 3.006 3.007 3.008 3.009 3.010 3.011 3.012 3.013 3.014 3.015 3.016 3.017 3.018 3.019 3.020 3.021 3.022 3.023 3.024 3.025 3.026 3.027 3.028 3.029 3.030 3.031 3.032 3.033 3.034 3.035 3.036 3.037 3.038 3.039 3.040 3.041 3.042 3.043 3.044 3.045 3.046 3.047 3.048 3.049 3.050 3.051 3.052 3.053 3.054 3.055 3.056 3.057 3.058 3.059 3.060 3.061 3.062 3.063 3.064 3.065 3.066 3.067 3.068 3.069 3.070 3.071 3.072 3.073 3.074 3.075 3.076 3.077 3.078 3.079 3.080 3.081 3.082 3.083 3.084 3.085 3.086 3.087 3.088 3.089 3.090 3.091 3.092 3.093 3.094 3.095 3.096 3.097 3.098 3.099 3.100 3.101 3.102 3.103 3.104 3.105 3.106 3.107 3.108 3.109 3.110 3.111 3.112 3.113 3.114 3.115 3.116 3.117 3.118 3.119 3.120 3.121 3.122 3.123 3.124 3.125 3.126 3.127 3.128 3.129 3.130 3.131 3.132 3.133 3.134 3.135 3.136 3.137 3.138 3.139 3.140 3.141 3.142 3.143 3.144 3.145 3.146 3.147 3.148 3.149 3.150 3.151 3.152 3.153 3.154 3.155 3.156 3.157 3.158 3.159 3.160 3.161 3.162 3.163 3.164 3.165 3.166 3.167 3.168 3.169 3.170 3.171 3.172 3.173 3.174 3.175 3.176 3.177 3.178 3.179 3.180 3.181 3.182 3.183 3.184 3.185 3.186 3.187 3.188 3.189 3.190 3.191 3.192 3.193 3.194 3.195 3.196 3.197 3.198 3.199 3.200 3.201 3.202 3.203 3.204 3.205 3.206 3.207 3.208 3.209 3.210 3.211 3.212 3.213 3.214 3.215 3.216 3.217 3.218 3.219 3.220 3.221 3.222 3.223 3.224 3.225 3.226 3.227 3.228 3.229 3.230 3.231 3.232 3.233 3.234 3.235 3.236 3.237 3.238 3.239 3.240 3.241 3.242 3.243 3.244 3.245 3.246 3.247 3.248 3.249 3.250 3.251 3.252 3.253 3.254 3.255 3.256 3.257 3.258 3.259 3.260 3.261 3.262 3.263 3.264 3.265 3.266 3.267 3.268 3.269 3.270 3.271 3.272 3.273 3.274 3.275 3.276 3.277 3.278 3.279 3.280 3.281 3.282 3.283 3.284 3.285 3.286 3.287 3.288 3.289 3.290 3.291 3.292 3.293 Andor logo new Star Wars: Andor — "Kassa"
  4. Andor logo new Star Wars: Andor — "Kassa" dates itself to 5 BBY.
  5. Star Wars: Dawn of Rebellion: The Visual Guide establishes that Cassian Jeron Andor was twenty-seven years old during the events of Andor Season 1, the events of which are dated to 5 BBY by that same book. StarWars-DatabankII Cassian Andor in the Databank (backup link) establishes that Andor was nine years old when he left Kenari, with StarWars.com "Reckoning" Episode Guide | Andor on StarWars.com (backup link) establishing that this occurred before the Confederacy of Independent Systems had formed. Rise of the Separatists and The Star Wars Book establish that the formation the CIS occurred two years before the First Battle of Geonosis, which Star Wars: Timelines and other sources date to take place in 22 BBY. For all this information to be true, Cassian Andor had to have been born in 33 BBY, with his departure taking place after his birthday, but before the Raxus Address in 24 BBY, and the events of Andor taking place before his birthday in 5 BBY.

External links