One Year Later

"Last year, when the shipping lanes had to be shut down, how hard would it have been to simply allow the Imperial inspections that most other planets welcome?"
―Dee Shambo[3]

"One Year Later" is the first episode of the second season of the web-TV series Star Wars: Andor. The episode was written by showrunner Tony Gilroy and aired on April 22, 2025 as part of a three-episode block. It had an early showing at Celebration Japan, on April 19.

Official description

An undercover mission. A sanctuary threatened. A Chandrilan wedding. A chilling Imperial plan.

Plot summary

The starfighter heist

In 4 BBY, a human woman named Niya in a white and orange jumpsuit approaches a parked TIE Avenger starfighter in a white hangar, walking past a black trapezoid droid. She climbs into the starfighter's cockpit and inspects the flight instruments. After exiting the TIE Avenger, she slots her datapad into the black droid. The hangar is shown to be part of Sienar Test Facility 73 - it is nighttime, dark and snowy, with bright city lights in the distance.

Inside of an empty cafeteria, a disguised Cassian Jeron Andor waits at an open window, disguised as an Imperial pilot as a pair of range troopers walk past. Niya tells him that the starfighter is ready for a test flight in the morning and that the password is Kafrene. When Andor asks for the key, Niya explains that they have to wait for her supervisor to leave, explaining that he never stays late. Andor asks if they are safe, and Niya suggests a cover story of pretending to flirt if they are discovered. Niya is nervous about the operation, but Andor reassures her. Niya admits having fun at the test facility and that she is afraid of change. Andor tells her that she is brave.

Niya chats with another female colleague, claiming that Andor was a new recruit who could not sleep and needed company. After the female colleague leaves, Niya tells Andor that she said that Andor was cute. Niya says she is afraid of dying tonight and asks if their heist will be worth it. Andor reassures Niya that she made the right decision in choosing to aid the Rebellion and encourages her to be strong. Niya requests a twelve minute head start for her escape and Andor promises to meet her along the road.

Andor then proceeds to the TIE Avenger's bay and prepares the ship for departure. When the black trapezoid droid investigates the noise, Andor shoots it with his blaster. He unplugs the ship and closes the rear hatch. Once inside, he begins powering up the ship's instruments and systems. He attempts to take off but is unfamiliar with the TIE Avenger's controls. As Andor struggles to gain control of the TIE Avenger, stormtroopers enter the hangar to investigate, with one expressing confusion at what they are seeing. They open fire on the TIE Avenger, forcing Andor to open fire back on them.

A range trooper by the hangar door prepares to fire a Smart Rocket at Andor. While toying with the controls, Andor manages to fire one of the TIE Avenger's laser cannons, taking out the soldier and blasting a hole through the hangar door. Andor uses the starfighter's laser cannon to blast his way out and then skids down a frozen slope. The starfighter stops at the end of an embankment and powers down. Andor manages to power up the TIE Avenger again before it is hit by two incoming missiles. He flies the starfighter through a narrow canyon, with two TIE/ad v1 starfighters in pursuit.

Following a brief chase, Andor manages to lose them by using his starfighter's cannons to blast rocks above an approaching tunnel. While Andor's starfighter flies through the tunnel, the two pursuing TIEs are crushed. Andor pants before flying into the skies.

Bix's nightmare

Meanwhile, on an agricultural farm world named Mina-Rau, Bix Caleen experiences a nightmare of being stalked by her former Imperial interrogator Doctor Gorst. Brasso, Talia, Wilmon Paak and B2EMO wake up, tending to and comforting her. Brasso says that they will talk about this in the morning and B2EMO powers down. The Ferrix survivors are holed up in Talia's compact stationary home, where they seem to have been living for the past year since the Rix Road riot.

The Mothma Estate and wedding preparations

On the core world of Chandrila, preparations for the arranged marriage between Leida Mothma and Stekan Sculdun are underway. Leida leads her peer group into the bridal suite to unveil her traditional Chandrilan wedding gown. Meanwhile, high-status guests - relatives, dignitaries, and political figures - begin arriving at the estate.

Senator Mon Mothma and her husband Perrin Fertha greet early arrivals, including Perrin's uncle, Sordo and his wife, Squidna. Mon holds a brief conversation with ally Erskin Semaj, who informs her that Governor Klavin's new vessel is occupying two reserved docking spaces on the estate's private platform. Perrin joins them shortly after, Mon casually passing the issue off to him, calling it a "parking problem" and suggesting that he handle it with Erskin. She departs, masking her frustration, which resurfaces upon noticing Luthen Rael's arrival.

Avoiding direct contact, Mon proceeds along the deck, exchanging formalities with passing guests. On a large staircase, she pauses to discreetly ask her cousin and rebel associate, Vel Sartha, if she noticed Luthen's presence. Vel looks distraught, glancing toward the lower level.

Continuing down toward the courtyard, Mon encounters Senator Beeva and, moments later, Tay Kolma, a childhood Chandrilan confidant who, a year prior, advised her to work with Davo Sculdun to obscure the disappearance of 400,000 credits. Kolma requests a private word, but when Mon asks if it's urgent, he hesitates and ultimately declines.

Mon reaches Luthen and greets him with formal courtesy before questioning his presence. Luthen offers no details, calling it a secret. Davo Sculdun joins them and jokingly suggests that he hopes Luthen hasn't spoiled their surprise. Mon, growing uneasy, remarks on Luthen's poor ability to keep secrets. Davo implies she has other matters requiring attention, and Mon politely excuses herself, slightly disturbed by their alliance.

Vel approaches Mon again and asks about Luthen. Mon responds that he is accompanying Sculdun for undisclosed reasons and departs, leaving Vel to observe as Kleya Marki approaches. Kleya quietly relays to Luthen that the Sienar team confirmed Andor's escape with the TIE Avenger, though the only signal received was a pulse code. Luthen expresses concern over the lack of further communication, but Kleya reminds him that transmissions are impossible to hide on Chandrila. She reiterates that she warned him prior to landing. Exposed and without a secure signal, they are operating blind. Luthen instructs her to keep listening and walks away, leaving Kleya visibly frustrated.

Imperial arrival on Mina-Rau

Back on the world of Mina-Rau, Bix and Wilmon work on an irrigation tower in the middle of a remote crop field during daylight hours. They rotate out components and calibrate the system, but as they finish adjustments, Bix spots someone approaching and asks Wilmon if he's thirsty. The visitor is Beela, a young woman with a clear interest in Wilmon. Bix teases him, pointing out Beela's determination given the long walk from the silos. Embarrassed, Wilmon pleads with Bix to behave, mentioning that Beela's mother disapproves of him. When Bix presses, he admits it's because they're "toolies" - unregistered laborers without visas or land shares.

Bix shrugs it off, reminding him about others like Talia and Brasso. Wilmon, frustrated, tells her to drop it. Just then, the vaporator activates, releasing water from the top. Beela arrives, winded but cheerful, and offers Wilmon and Bix a container of water.

Above the fields, an Imperial scan cruiser descends into view. Wilmon continues making small talk with Beela while Bix watches the ship closely, her expression darkening - uneasy at its presence.

Andor and the rebel band

Elsewhere, Andor flies his stolen TIE Avenger and lands in a forest clearing. He powers down the ship and looks out through the window at a camp. He climbs out of the starfighter through the rear hatch and calls to Porko. He looks around the forest for Porko. The voice of Gerdis tells him to stop right there because he has 15 blasters pointed at him. Another man named Bardi argues with Gerdis about revealing the actual number. When Andor says that he is not an Imperial pilot, Gerdis says he is not going to shoot him while Bardi orders him to toss the blaster and get on the ground. Andor complies, raises his hands and kneels to the ground. Several men in green uniforms emerge from the clearing and surround him.

Meanwhile, Andor is bound by the rebels, who believe that he is an Imperial pilot. Andor tells his captors that he had stolen the Imperial ship for the rebellion, prompting one of the rebels to ask which rebellion. Andor explains that he was supposed to rendezvous with a friend. One of the captors says that his friend was not friendly and made the mistake of shooting at them. A woman named Rika accuses Andor of lying and presents an Imperial helmet. She says that Andor was a test pilot, prompting the rebel band to level their blasters at him.

Bardi and Rika examine the TIE Avenger, whose systems they are unfamiliar with. Andor is present in the cockpit under armed guard. He warns Rika against touching an instrument. When Bardi asks what it is, he says that he is not sure. Andor appears to be evasive, prompting Bardi to threaten him. Gerdis says they need to focus while Rika adds that they need to find a way to get the TIE Avenger to fly. Gerdis says that they don't have enough room for everyone. When a rebel asks if there is any food inside, the others say no.

Later, Bardi says that Rika can fly the TIE Avenger. Rika says that the starship controls are confusing. One of the rebels suggests getting Andor to teach her how to fly the ship. Andor watches the campsite meeting from a distance under armed guard. The guard warns him not to think about escaping. When Andor suggests that the guard escape with him, he spits on the ground. Bardi, Gerdis and the others continue arguing. When Andor tells the guard that the others don't trust him, the guard warns that he doesn't need an excuse to strike him. Andor plays with his emotions, reminding him that they have been two days without food, prompting the guard to demand at blasterpoint how he knows that. He answers that this group wasn't here three days prior when he left.

As Bardi and another rebel named Flek argue, Andor approaches with his guard and deduces that the group are the Maya Pei Brigade. From the quarrelsome rebels, Andor learns that Maya Pei has perished and that her group lost six ships and 40 fighters and that Bardi's brother allegedly abandoned them on this planet, though Bardi insists he went back for survivors. When Rika asks how he knows Maya, Andor explains that she was a customer and that his group has been supplying the Brigade. Andor emphasizes that they are part of the same Rebellion but Bardi reminds him that his friend was hostile. Andor explains that they were on a mission to steal an Imperial test ship. When Flex asks who he is working for, Andor refuses to tell him. The guard grabs Andor, prompting the other rebels to try and restrain him.

Andor chats with three of his rebel captors, asking them why they haven't gone elsewhere for food and water and one answers that there are beasts in the forests. Meanwhile in the TIE Avenger cockpit, Rika wants to let Andor fly the ship but Bardi does not trust him. Andor asks his guards who is charge. Just then, Bardi touches the TIE Avenger's laser cannon controls, which causes it to blast some trees, unleashing fallen branches and debris; Andor comments that operating the ship is harder than it looks.

A secret meeting

At the snowy Maltheen Divide, Director Orson Krennic presides over a top-secret Imperial meeting, emphasizing that it is "off the books." He warns the participants to maintain utter secrecy including memory wiping all service and transport droids. He adds if their colleagues and superiors are not in this room, that means they are not cleared for the project. Krennic adds that his superiors Colonel Wullf Yularen and Governor Wilhuff Tarkin will be personally notified about the meeting by Emperor Palpatine at the time of his choosing. The conference attendees include Dedra Meero and Major Lio Partagaz.

Krennic describes the group in this room as the closest of "tight circles" and warns that any security violations will be brought to the Emperor's personal attention. Krennic lowers the blinds and begins playing a promotional tourism video about the Great Valleys of Ghorman, Ghorman garments and the Ghorman Valley Horn. The video documentary then talks about the Ghorlectipods (or Ghorman spiders), explaining that 40 billion Ghorlectipods are housed in webberies across the planet, which are bound into 60 billion bolts of Ghorman twill. The documentary explains that Ghorman twirl is exhibited in the planetary capital for galactic consumers. Krennic ends the video by saying that Ghorman is of "great interest" to the Empire.

Back at the Maltheen Divide, Krennic explains that realizing the Emperor's dream of energy independence has been frustrating and fraught with delays and setbacks. Krennic says that he met with the Emperor yesterday and that the Emperor emphasized that the Energy Initiative remains central to his agenda, claiming that access to stable, unlimited power will transform the galactic economy and solidify Imperial authority. Krennic explains that the Empire is interested in a mineral beneath Ghorman's surface.

A doctor explains that Ghorman is home to a mineral called kalkite. Krennic explains that the Empire needs Ghorman kalkite to coat the reactor lenses within three years. Should they fail to find kalkite alternatives, he says that they need to extend control over Ghorman. He tells the attendees that they have been selected to come up with a plan to subjugate Ghorman. When Major Partagaz asks if the kalkite extraction will be an invasive process, an engineering officer explains that it would present stark challenges to the local population.

When an Imperial officer named Admiral Daysar asks him to clarify, the engineering officer says that removing the kalkite would render the planet unstable. He says that gouge mining would destabilize the planet's core. Krennic concedes there is a risk of the planet collapsing. Admiral Daysar says that the planet is home to nine cities and 800,000 Ghormans. Krennic says he prefers relocating the population but that they need to consider alternatives, all of which would require preparation. Partagaz warns that Ghorman is not obscure or without political clout, adding that the Ghormans would not go quietly. Krennic says that this is exactly why they are here.

Krennic tells the attendees that the suppression of Ghorman is not a easy matter, adding that this is not their first meeting on the subject. He introduces Dee Shambo and Nisus Osar from the Ministry of Enlightenment, explaining that they would be their partners. Shambo and Osar propose framing the Ghormans as being intransigent and difficult by not allowing Imperial inspections. Osar suggests that the Ghormans put themselves first and explains that the Ministry concocted the story of the Ghormans killing an Imperial inspector out of misplaced pride. Shambo suggests turning galactic public opinion against the Ghormans. Osar says they love the spiders but suggests that the Ghorman's concocted aggressive streak can be traced to the creatures. As Osar becomes too enthusiastic with his speech, Krennic cuts him off, assuring that everyone gets the idea.

Later, as they are taking refreshments, Admiral Daysar suggests using an epidemic or stage a natural disaster to make the Ghorman relocate. An ISB officer named Lieutenant Moy informs him that they have considered it, but it would get out of control very quickly. Partagaz speaks with the engineering officer, who informs him that the mining equipment is being assembled and once they're prepared, they could be up and running in a matter of weeks. Partagaz reminds that there isn't a strong Imperial presence on Ghorman at present, only to learn that Krennic had already planned to build an armory in the capital of Palmo starting tomorrow, much to his surprise. Krennic speaks with Meero, noticing that she has been quiet. Meero says that she prefers to listen, adding that she learns quickly. Krennic remarks that some people have not recovered from the Ferrix incident. He then asks if she has not been won over by the anti-Ghorman whispering campaign. Meero replies that she is still forming an opinion. Krennic doesn't buy that and observes that she has already formed a plan and asks for her assessment. Meero responds that propaganda will only get them so far and adds that they need an insurgency to justify Imperial actions on Ghorman. When Krennic asks her to clarify, she says that the Empire "will need Ghorman rebels they can depend on to do the wrong thing." Meero walks away, leaving Krennic to reflect on her suggestion.

Where is Andor?

On Mina-Rau, B2EMO asks Brasso about Andor. Brasso steps into the red cabin and meets up with Talia, Paak and Caleen. They discuss the upcoming Imperial Supply Census, which Brasso describes as an audit. Brasso says that the Empire wants to know what they have gotten. He says that the Empire is right now focusing on the Council Five Hundred. When Caleen expresses concern that the Imperials will check visas, Talia reassures them that she will not let anything happen to her. Paak checks the radio transmitter for Andor while Talia hugs Brasso.

Wedding intrigue

Meanwhile on Chandrila, Rael asks Marki if she has heard from Andor or Porko. Marki says that she has spent the day listening to frequencies. Rael says that they know that Andor escaped the Sienar facility and that Porko was waiting. Marki heads to fetch a drink and tells Rael that the monitor is switched on. At the wedding party, Davo Sculdun meets with Perrin Fertha. The two watch Leida and Stekan Sculdun socializing. Fertha remarks that Leida will not be easy and asks Sculdun if his son will be tough enough for her. Davo replies that his son will either learn or be led. The two men sip wine with Fertha wishing Davo’s son all the best.

Elsewhere at the wedding, Rael chats with an officer who has been transferred from Steergard recently, asking where everyone is going. While sipping wine, Marki chats with Vel Sartha, who remarks that the wedding feast has two more days to go. When Sartha asks what Marki is doing on Chandrila, she says that Sculdun is a client and brought a gift for the betrothed. The two pose as two single women surveying the prospects.

Mothma speaks with Kolma, who admits that his business has gone sour. He hopes to stay for the weekend but says he might have to leave. When Mothma asks if Marni is joining him, Kolma reveals that they have been living apart and expresses surprise that Mothma is unaware. Kolma explains that it is a recent development and moves to the topic of her foundation. When Mothma asks if there is a problem, Kolma says it will not be a problem. Shortly later, Runai Sculdun arrives and tells Mothma that Leida and Stekan have had their first fight, and that Leida has run off. Mothma finds her daughter crying alone in an empty room, sitting on the floor. Leida says that Stekan is a child who keeps rebuffing her. Mothma apologizes to her daughter and comforts her.

Pandemonium

Meanwhile, Bardi, Gerdis, Rika and the other rebels argue about Andor and the leadership of the rebel band following Maya Pei's death. A rebel named Crab loses his temper and points his blaster at Bardi. When Rika taunts him, Crab shoots her, throwing the camp into pandemonium. Andor tries to escape but is pinned down by two rebels who pull him to safety. The episode ends on a cliffhanger.

Credits

By type
Cast Uncredited cast Crew Uncredited crew Special thanks

Cast

Crew

"Welcome To Ghorman"

  • Second Unit Director – Ben Strebel
  • Second Unit Producer – Suzi Wilson
  • Second Unit Director of Photography – Iain Struthers
  • Second Unit First Assistant Director – Tom Rye
  • Unit Production Manager – Samuel Sharpe
  • Assistant Producer – Suzi Wilson
  • Production Supervisors – Rachel Beaconsfield Press, Catherine Mednick
  • Production Coordinator – Christopher Mullen
  • Assistant Production Coordinators – James Hunter, Holly Mann
  • Travel & Accommodation Coordinator – Sarah Jones
  • ATL Accommodation Consultant – Janie Nugent
  • Production Secretaries – Bryn M Davies, Robin Hepwood, Harry Ring
  • Production Assistants – Dylan Davies, Tamanna Rahman, Sophia Barron, Luca Emanuel
  • BFI Production Trainee – Georgia Gill
  • Executive, Office of Kathleen Kennedy – Athena Sammy
  • Executive Producer's Assistant to Diego Luna – Gina Leon-Flores
  • Producers' Production Assistant – Shamara Adams
  • Assistant to Ariel Kleiman – Miles Ahmad
  • Physical Asset Coordinator – Lennard Sillevis
  • Tandem Unit Production Manager – Matt Spooner
  • Tandem Unit Production Coordinator – Sarah Evans
  • Tandem Unit Assistant Production Coordinator – Jenny Martin
  • Tandem Unit Production Secretary – Jonathan Stern
  • Tandem Unit Production Assistants – Jessica Duncan, Emily Glaze
  • Financial Controller – Gareth Brock
  • Production Accountants – Georgia Fletcher, Veronica Barnett
  • First Assistant Accountants – Sally Stabler, Luke Tuck, James Wesolowski
  • Accounts Payable Supervisor – Sophie Cain
  • Cost Accountant – Holly Asquith
  • Payroll Accountants – Philip Hewitt, Hannah McCartney, Poppy Taylor, Sophie Tyler
  • Assistant Payroll Accountants – Jack Burke, Gurvinder Gill, Poppy Griffiths, Billy Wiz
  • Assistant Accountants – Laura Anderson, Emma Bowen, Saran Brar, Abbie Cain, Daniel Cusa B. Karmeniani, Morgaine Fitzsymons, Sophie Havell, Sally Hemsworth, Joanna Price, Jessica Smith, Sam Thomas, Connor Tuck
  • Accounts Trainee – Temi Adegbesan
  • BFI Accounts Trainee – Billie Carter
  • Floor Second Assistant Director – Alexander Lloyd
  • Base Third Assistant Directors – Marlon Beyer Rieger, Stefan Maile
  • Floor Third Assistant Directors – Lauren Gallagher, Vanluke Watson
  • Set Production Assistants – Camille Hatcher, Dylan Henricson, Eilisha McNally, Elliot Plumridge, Catriona Reid
  • VFX Unit First Assistant Directors – Tom Edmondson, Andrew Perry
  • Tandem Unit Floor Third Assistant Director – Jordan McInnes
  • Crowd Second Assistant Director – Camilla Southwell
  • Crowd Coordinator – Kristy Tsois
  • Crowd Third Assistant Director – Emily Johnson
  • Crowd Production Assistants – Harry Purdie, Ben Sheridan
  • Stand-Ins – Steve Morphew, Laura Southall
  • BFI Assistant Director Trainee – Ellie-Mai Lothian
  • Tandem Unit Set Production Assistants – Riccardo Melis, Catriona Reid
  • UK Casting Associate – Sacha Garrett
  • Script Editor – David Girvan
  • Script Supervisor – Norina Mackey
  • Dialect Coach – Naomi Joy Todd
  • Storyboard Artist – Ashwin Kumar
  • Assistant Script Supervisor – Emily Richardson
  • Script Assistant – Avgerinos Karadimas
  • Tandem Unit Sides Production Assistant – Lorelin Howie
  • Unit Publicists – Sophie Scott, Claudia Kalindjian
  • EPK Camera Operator – Hannah Mitchell
  • BFI Publicity Trainee – Luigi Espindola
  • Star Wars Lore Advisor – Pablo Hidalgo
  • Supervising Art Director – Toby Britton
  • Senior Art Director – Peter Dorme
  • Art Directors – Juan Cámara, Jake Hall, Gary Jopling, Charlie King, Pippa Punch, James M Spencer
  • Assistant Art Directors – John Adkins, Oscar Allan
  • Action Vehicles Art Director – Richard Campling
  • Art Director - 3D Set Designer – Max Klaentschi
  • Senior Draughtsperson – Denise Ball
  • Draughtspersons – Callum Courtney, Jimmy Davies, Rebecca Lewis, Paul Weedle
  • Action Vehicles Senior Draughtsperson – Archie Campbell-Baldwin
  • Standby Art Directors – Rachel Aulton, Pierre Farinole
  • Lead Graphics Designers – Barry Gingell, Dominic Sikking
  • Graphics Designer – Elle McKee
  • Assistant Graphics Designers – Lauren Dix, Fionnlagh Finlayson
  • Graphics Assistant – Tereza A. Hudakova
  • Concept Artists – Chester Carr, Giorgio Grecu, Randolph Watson
  • Model Maker – Pierre Greenway
  • Art Department Coordinator – Gracie Mila
  • Junior Draughtspersons – Louise Armour, Matthew Geldard, Jack Haggerty, Magdalena Kronenberg-Seweryn, Richard Wooller, Paulina Camacho Diaz, Nick Ramsay
  • Art Department Assistants – MJ Moan, Jake Rose
  • BFI Art Trainee – Lydia Leneghan
  • Atris - Lead Digital Asset Manager – Kyle Wetton
  • Atris - Digital Asset Manager – Nahiyan Muhaymeen
  • ATRIS & Art Digital Assets Manager – Andrew G Johnson
  • Clearance Coordinators – Chris Cook, Gina Cook
  • Computer Graphics Design & Animation by – Blind LTD.
  • Computer Graphics Supervisor – Andrew Booth
  • Computer Graphics Producer – Helen Baker
  • Design Consultant – Shaun Yue
  • Lead Screen Graphics Designer – Miles Corless
  • Screen Graphic Designers – Jonas Elsgaard, Mungo Horey, Ryan Anthony Ward
  • Computer Playback by – Compuhire
  • Graphics Playback Supervisor – Mark Jordan
  • Graphics Playback Producer – Sam Jones
  • Graphics Playback Technicians – Will Nash, Richard Neale, Joe Patrick, Jasper Thompson
  • Graphics Playback Programmer – Harrison Kons
  • Graphics Playback Coordinator – Will Wright
  • Set Decorator – Rebecca Alleway
  • Senior Production Buyer – Corina Floyd
  • Senior Assistant Set Decorators – Jo Graysmark, Guy Mount, Samantha Redwood
  • Assistant Set Decorator – Rob King
  • Buyer – Helen Player
  • Assistant Buyer – Jeff Clarke
  • Petty Cash Buyer – Edie Moles
  • Department Coordinator – Eleanor Bailey
  • Researcher – Nicola Barnes
  • Set Dec Assistants – Rebecca Hawkes, Mattie Williams
  • Senior Art Directors – Julia Dehoff-Bourne, Emma Vane
  • Art Directors – Solomon Honey, Andrew Proctor
  • Draughtsperson – Katie Dadswell
  • Junior Draughtspersons – Robert Hainsworth, Jake Jerrard-Dinn, Matthew Seccombe
  • Concept Artist – Keith Seymour
  • Drapesmaster – Chris Lewry
  • Assistant Drapesmaster – Alex Lewry
  • Drapesmen – Steve Cashin, Daniel Lewry
  • BFI Set Dec Trainee – William Dixon
  • Supervising Set Dec Carpenter – Tom O'Neill
  • Set Dec Chargehand Carpenter – Josh O'Neill
  • Set Dec Carpenters – Joe Cox, Kevin McNeil
  • Supervising Set Dec Painter – Bobby West
  • Set Dec Chargehand Painters – Tink Cant, Dean Lancaster, Thomasin Marshall
  • Set Dec Painters – Georgie Berryman, Callum Hall, Kallum Hall, Richard Lancaster, Lily Mathiszig-Lee, Rosie Murray, Caroline Shelley, Elizabeth West, Jonathan Winney
  • Set Dec Improver Painter – Lydia Ducker
  • Home Economists – Katharine Tidy, Olivia Somary

Visual Effects Crew

  • Visual Effects Production Manager – Cecy Falls
  • Visual Effects On-Set Supervisor – Marcus Dryden
  • Visual Effects Coordinators – Ashley Wild, Ali Pak, Amy Gibson
  • Visual Effects Assistant Coordinator – Alex Payne
  • Visual Effects Production Assistants – Tehreem Faisal, Tosin Ogunleye
  • Visual Effects Lead Data Wrangler – Steven Barham
  • Visual Effects Assistant Data Wranglers – Lewis Watts, Tom Hoyle, Adam Thomas Wright
  • Visual Effects Data Wrangler - Tandem Unit – Simon Chiu
  • Visual Effects Digital Assets Manager – Gordon Anderson
  • Visual Effects Concept Artist – Alexander Dudar
  • In-House VFX Supervisor – Paolo D'Arco
  • In-House VFX Coordinator – Viktoria Yankova
  • In-House VFX Producer – Andrey Polezhayev
  • Visual Effects Compositors – Mariya Andriichuk, Kayleigh Boshoff, Amelia Braekke, Matt Carter, Matt Foster, Milo Marshall, Matt O'Leary, Haluk Tarcan, Eva Wagner, Yeuk Hei Dick Wan
  • Green Screen Supervisor – Éamonn McKinney
  • Green Screen Chargehand – Yudhveer Yogi Bassi
  • Tandem Unit Green Screen Supervisor – Joe Neeson
  • Tandem Unit Green Screen Chargehand – Séamus Walsh
  • Green Screen Riggers – Mason Barry, Jordan Bruno, Frankie Connolly, Dwayne Duncan, Lenny Harris, Harry Kelly, David Lockyer, Dom MacAuley, James McGinty, Séamus Sharkey, Amphon Supharee, Jermaine Yamoah
  • Visual Effects and Animation by – Industrial Light & Magic, A Lucasfilm Ltd. Company
  • Prop Master – Ben Wilkinson
  • Assistant Prop Master – Matthew Cooke
  • Supervising Props Storeman – Tom Gardner
  • Props Coordinator – Abi Elliston
  • Action Prop Buyer – Jonathan Downing
  • Assistant Buyer – Natalie Marquis
  • Action Props Concept Artist – James Wheeldon
  • Supervising Standby Props – Jason Torbett
  • Standby Props – Robin Chiu
  • Junior Floor Person – Seb Davies
  • Props Driver – Gavin Shepherd
  • Hand Props/Weapons Supervisor – Jonathan Wallace
  • Crowd Props Supervisor – Sonny Merchant
  • Supervising Standby Weapons – Jonathan James Evans
  • Standby Weapons – Christopher Beaumont
  • Workshop Supervisor – Christian Short
  • Workshop Chargehand – Jack Ferguson
  • Assistant Storeperson – Colin Merchant
  • Archive Storeperson – James Cooke
  • Junior Storeperson – Jessica Pearson
  • Supervising Dressing Props – Peter Bigg, Craig Tarry, Pete Watson
  • Chargehand Dressing Props – Louis J Boon, Paul Burgess, Tony Price, Jake Wells
  • Dressing Props – Jake Chancellor, Lauren Conlon, Luke Daniels, John Dempster, Ryan Dyer, Michael Fleming, David Forsyth, Laird Galloway, Ben Green, George Haylett, Kevin Herbert, Gary Ixer, Jak Lawson-Wells, Richard Preston, Daniel Ralph, Andy Rolfe, Mark Timson, Dan Valentine, Katie-Jo Watson, Stacey Watts, Steve Westley
  • Junior Dressing Props – Tyler Adlem, Austin Timson, Hannah Watkins-Lewis
  • Trainee Dressing Props – Mia Cooke
  • BFI Props Trainee – Cianna Cunningham
  • Supervising Prop Painter – Stuart J Hall
  • Junior Painter – Claudia Freeman
  • Chargehand Painter – Peter Le Pard
  • Workshop Chargehand – Terry Whitehouse
  • Tandem Unit Supervising Standby Props – Buddie Wilkinson
  • Tandem Unit Standby Props – Dan Valentine
  • Tandem Unit Junior Floor Person – Saskia Lane
  • Tandem Unit Supervising Standby Weapons – Christopher Beaumont
  • Tandem Unit Standby Weapons – Katie-Jo Watson
  • HOD Props & Set Dec Manufacturing – Tim Wildgoose
  • Props Manufacturing Coordinator – Maia Alvarez Stratford
  • Petty Cash Buyer – Berry Wasik
  • Assistant Buyer – James Reynolds
  • Senior Modellers – Wasili Angelopoulos, Pete Fielding, Alan Hardy, Will Sumpter, David Farrow, Mark Yeo
  • 3D Modellers – Tara Barzetovic, Matt Street, Nayda Venizelos
  • Workshop Manager – David Sillery
  • Senior Supervising Modellers – Stuart Meridew, Emily Bick, Graham Bowen, Martin Campbell, Holly Martin
  • Advanced Modellers – Kirby Allen-D'Cruze, Noel Glennon, Miguel Quina, Dave Tincombe, Colin Armitage, Luisa Toledo, Paula Vine
  • Modellers – Joe Fysh, Beth Harris, Jason Larcombe, Alex Lloyd, Fen Lundberg, Adam McGee Abe, Marie Parsons, Tim Pratt, Ben Ressa, Benjamin Saunders, Camay Sungu, Daniel Weymouth
  • Junior Modellers – Katy Chrysafi, Sophie King, Elsie Mortimer, Fran Pulford, Claudia Sawyer
  • Advanced Mould Maker – Adrian Brady
  • Mould Maker – Kittie Dashwood
  • Junior Mould Maker – Isobel Campbell
  • Trainee Modeller – Lily Krempel
  • BFI Prop Making Trainee – Becca Taylor
  • Prop Painter – Jessica Martin
  • Junior Prop Painter – Isabelle Wilkins
  • Leather Worker – Chloe Stanyon
  • Sculptor – Faye Wildgoose
  • Construction Consultant – Paul Hayes
  • Construction Manager – Will Stickley
  • Construction Supervisor – Nicole Keating
  • Assistant Construction Coordinator – Katy Hayes
  • Buyer – Stuart Bradley
  • Construction Storeman – Adam Peacock
  • HOD Carpenter – Bradley Cooper
  • HOD Painter – Paul Whitelock
  • HOD Rigger – Shane Brady
  • HOD Plasterer – Martin Moran
  • HOD Metal Worker – Kevin Nugent
  • HOD Stagehand – Steve Bovingdon
  • HOD Sculptor – Ben Johnson
  • HOD Electrician – David White
  • Scenic Artists – Tom Kirkwood, Matthew Walker, Marcus Williams
  • Rigging Inspector – Gary Goble
  • Supervising Carpenters – Bill Bennett, Lee Biggs, Marcus Ehren, Chris Frewin, Conor Hayes, Joe Laidlaw, Marius Moseley, Graham Shepherdly, Mark Titmus, Jason Whyman
  • Supervising Painters – Mark Antill, Mitchel Cooper, Connor Kennedy, Andy Harvey, Joe Hansford, Tom Kingsley, Scott Meeking, Brian Morris, Steve Sibley, Michael Wescott
  • Supervising Riggers – Adam King, Jack Quelch, Jamie Wyatt
  • Supervising Stagehands – Jim Bowden, Brian Stachini, Lee Stachini, Max Stachini
  • Supervising Plasterers – Darren Blanchard, Rees Hayes, Morgan Moran
  • Trainee Painter – Jack Locket
  • Action Vehicles HOD – Warren Stickley
  • Workshop Supervisor – Graham Dale
  • Department Coordinator – Marie Korf
  • Lead Model Maker – Ray Widdowson
  • Petty Cash Buyer – Claudia De Wolf
  • Fabricators – Anton Chivers, Jay Cole, Caspar Phillips, Rhys Stickley
  • Model Makers – Martin Cook, Martin Dallinger, Claire Green, David Larkin, Will Slatter, Robert Thorn
  • Painter – Joe Goodbrand
  • Trainee – Hugo Ricketts
  • Junior Fabricator – Sam Bentley
  • Greens Services provided by – Greens Team Ltd.
    • Greens HOD – Pete Manger
    • Greens Coordinators – Kevin Bennett-Teasdale, Megan Armitt
    • Greens Supervisors – Dave Wooster, Gabor Biro
    • Greens Key Standby – Laura Collins
    • Greens Standbys – Jake Stoll, Toby Banon West, Patrick Auton, Myles Smart
  • Director of Photography - VFX Unit – Iain Struthers
  • A Camera/Steadicam Operators – Joe Russell, John Ferguson
  • B Camera Operator – Iain Struthers ACO
  • A Camera First Assistant – Jamie Phillips
  • B Camera First Assistants – Dean Murray, Ryan King
  • A Camera Second Assistant – Amber Osborne
  • B Camera Second Assistant – Neil McConville
  • Central Loaders – Kofi Richards, Robbie Mayo
  • Camera Trainee – Nia Berry
  • BFI Camera Trainee – Nicole Rumball
  • Tandem Unit A Camera/Steadicam Operator – Will Humphris
  • Tandem Unit B Camera Operator – Sam Barnes
  • Tandem Unit A Camera First Assistant – Benjamin Adefarasin
  • Tandem Unit B Camera First Assistant – Jonathan Wright
  • Tandem Unit A Camera Second Assistant – Giles Taylor
  • Tandem Unit B Camera Second Assistant – Ryan Bessin
  • Tandem Unit Central Loader – Chloe Knight
  • Tandem Unit Camera Trainee – Stanley Blundell
  • Drone Services provided by – XM2 Ltd.
  • Drone Pilot – Jan Urbanski
  • Drone Tech – Nic Batten
  • Drone Camera Operator – Jim Swanson
  • Drone Coordinator – Emma Stokes
  • Key Grip – Russell Diamond
  • Best Boy Grip – Andy Levett
  • A Camera Grip – Glen Dunning
  • B Camera Grip – Matt Clyne
  • Crane Grip – Alex Colthart
  • Crane Techs – Aiden Bell, Brendan Senden
  • Libra Head Tech – Lester Plant
  • Rigging Grips – Rory Single, Simon Muir
  • Standby Rigger – Rob Armstrong
  • Standby Carpenter – JP McHugh
  • Standby Painter – Ryan Wilcox
  • Standby Stagehands – Sean McKeown, Mark Metcalfe
  • Grip Trainees – Elliot Izzard, Alfie Diamond
  • BFI Grip Trainee – Callum Bampton
  • Tandem Unit Key Grip – Jody Knight
  • Tandem Unit Best Boy Grip – Peter Blewden
  • Tandem Unit B Camera Grip – Ken Musson
  • Tandem Unit Crane Grips – Keith Manning, Gary Pocock
  • Tandem Unit Crane Techs – Chris Lethbridge, Nic Murray
  • Tandem Unit Trainee Grip – Dan Dykes
  • Tandem Unit Libra Head Tech – Gareth Viner
  • Tandem Unit Standby Carpenter – John Ryan
  • Tandem Unit Standby Painter – Simon Hutchings
  • Tandem Unit Standby Rigger – Lawrence Carter
  • Tandem Unit Standby Stagehand – Jamie Reed
  • Production Sound Mixer – Nadine Richardson, AMPS
  • First Assistant Sound – Jim Hok, Kyle Pickford, Tom Fennell
  • Second Assistant Sound – Mo Concas
  • Sound Trainee – Owen McClure
  • BFI Sound Trainee – Jodi Morrison
  • Tandem Unit Sound Mixer – Tim White
  • Tandem Unit First Assistant Sound – James Gibb, Emma Meaden
  • Tandem Unit Second Assistant Sound – Phil Stander
  • Tandem Unit Sound Trainee – Louis Lovelace
  • Digital Imaging Operators – Mustafa Tyebkhan, Marc Jason Maier
  • Data Managers – Ashley Cooke, Andre Turazzi
  • DIT Assistants – Francesca Stone, Caua De Paula
  • DIT Trainee – James Hsing Kwan
  • Tandem Unit Data Manager – Oliver Smith
  • Tandem Unit DIT Assistants – Tara Dreyfous, Adam Jasinski
  • Video Playback Operator – Richard Shean
  • Video Assistant – Sam Louka
  • Video Trainee – Josh Allen
  • Tandem Unit Video Operator – Matthew Fox
  • Tandem Unit Video Assistant – Nia Ashby
  • Gaffer – Karl Goff
  • Best Boys – Luke Farrow, Adrian Sworn
  • Floor Best Boys – Connor Drew Jones, Russell Tann
  • Shooting Desk Operators – Danny Cunningham, Samuel O'Riordan
  • DMX Assistant – Paul Hyland
  • Standby Practical Electricians – Josh White, George Davies
  • Standby Riggers – Paul Moore, Ben Ifill
  • Tandem Unit Gaffer – Mark Alvarez
  • Tandem Unit Best Boy – Richard Anderson
  • Tandem Unit Floor Best Boy – William Sheffield
  • Tandem Unit Shooting Desk Operator – Tom North-Davies
  • Tandem Unit Data Technician – Tim Corke
  • Tandem Unit Standby Rigger – Amphon Supharee
  • BFI Electrical Trainee – Belle Palmano
  • Lighting Technicians – James Brothers, Andrew George, Liam Harris, Sam Elvin, Harvey Faulkner, William Lewis
  • Tandem Unit Lighting Technicians – Renee Illian, Andy O'Driscoll, Nick Rogers, Zack Scott, Gary David Warn
  • HOD Practical Electrician – Colin Townsend
  • Supervising Practical Electrician – George Clifford
  • Chargehand Practical Electricians – Michael Barham, Warren Davies, Normen Luzinsky
  • Practical Electricians – Ethan Finnis, Matt Fitzgerald, Richard Follett, Dean Hitchcock, Alex Killoran, James Marks, Matt Olsen, Simon Purdy, Harry Patrick Thompson
  • Rigging Gaffer – Jason Martin
  • Best Boy – Darren Harvey
  • Supervising Desk Operator – Andy Munday
  • Rigging Electrical Board Operators – Stavros Kyriacou, Charlie Stallard-Smith
  • Floor Supervisor – Matthew Martin
  • Chargehand Rigging Electricians – Charlie Dixon, Lee Hatcher, Lee Martin
  • Rigging Electricians – Alex Bond, Josh Crisp, Joshua Faulkner, Cody Hatcher, Edward Horton, Craig Lawson, Robbie Martin, Jock Norton, Richard Philbert
  • HOD Rigger – Paul Wellstead
  • Supervising Electrical Riggers – Garry Ridgwell, Luke Ridgwell
  • Chargehand Electrical Riggers – Barry Brown, Aaron Duncan, D A Horsley
  • Electrical Riggers – Brian Allen, Joe Dilworth, Fred Faulkner, Cassidy Gillivan, Mark Horsley, Jonathan Maynard, Del Norbury, Cliff Proctor, Colin Seers, Charlie Webster
  • Costume Supervisor – Kate O'Farrell
  • Assistant Costume Designers – Richard Davies, Paula Fajardo
  • Costume Design Assistants – Ellen Conrad, Stephanie Potter
  • Junior Design Assistant – Mikolaj Wasowski
  • Chief Textile Artist – Jackie Moody
  • Senior Textile Artists – Francesca Ackerson, Sadie Tilbury
  • Textile Artists – Niamh Cunningham, Betty Lee, Victoria Morgan, Caroline Weston
  • Textile Trainee – Eloise Lloyd Adams
  • Principal Cutters – Malin Anderson, Robert Sutherland
  • Creatures & Crowd Cutter – Geoff Slack
  • Junior Cutters – Linards Augusts, Jonathan Burniston
  • Key Senior Standby – Felicity Goldsworthy
  • Senior Principal Standbys – Maite Chemin, Lois Connell, Talulah Mason, Amy Wallace
  • Principal Standby – Harriet Town
  • Costume Dept Coordinators – Kyle Trenton Stewart, Corinna Kennedy White
  • Senior Buyer – Sarah Tiffin
  • Buyers – Jessica Curties, Rachele Verrecchia
  • Junior Buyer/Assets Coordinator – Francesca Ulanoff
  • Cutter – Francis Campbell
  • Senior Makers – Michela Clegg, Emily Jane Hudson, Marzena Majzon, Kaye Woodcock
  • Makers – Pauline Bidegaray, Carla Bonilla Amadeo, Alice Brown, Valeria Cantelli, Eve Collins, Claire Emerson, Bethany Morton, Ellen Murgatroyd, Rosie Neate, Kate Peters
  • Junior Makers – Christian Hudson, Poppy Lees, Jodie Roberts, Cecile Shills
  • Tandem Unit Principal Standbys – Chloe Holdforth, Leigh Nicol, Lucy Pugh-Bevan
  • Tandem Unit Junior Standbys – Emily Chung, Emily Grace Kirby
  • Crowd Wardrobe Supervisor – Shirley Nevin
  • Crowd Wardrobe Mistress – Catherine Woolston
  • Crowd Assistant Wardrobe Mistress – Nell Rapley
  • Crowd Mistress – Nicole Hayter
  • Crowd Fitters – Laura Johnson, Phillip Lester
  • Crowd Alterations Hand – Phoebe Riley
  • Alterations Hands – Tracey Stiles, Hilary Mills
  • Crowd Senior Dresser – Finn McCleave
  • Crowd Costume Assistants – William Evans, Katie Hudson, Jacqueline Magloire, Jessie McKenzie, Chris Schubert, Grace Taylor-Shaw
  • Crowd Costume Juniors – Charlotte Moroney, Sorcha Ni Fhloinn, Rhiannon Noke, Bronagh Petticrew, Sonam Tobgyal, Lydia Hughes
  • Senior Costume Assistant - Stunts – Paul Harvey
  • Costume Gangsman – Craig Morrison
  • Tandem Unit Key Crowd Standby – Grace Taylor-Shaw
  • Tandem Unit Standby Crowd Assistants – Meg Brittle, Jamie Harvey
  • Costume Trainees – Whitley Glass, Freya Alcock, Calum Marshall, Tallulah Brown, Izzi Clews
  • Costume Props/Armoury by Makinarium UK Ltd. – Amanda Darby, Skye Everson, David McLaughlin, Robin Lawrence, Graeme McCracken, Stefanie Pengilly, Kirsty Peters, Kathryn Prince, Stephen Rogers, Amber Rose Thompson, Josh Webb
  • Hair & Makeup Supervisor – Gerda Lauciute
  • Hair & Makeup Artist/Wigmaker – Colette Fishlock
  • Hair & Makeup Artists – Mathilda Austin, Holly Caddy, Sally Crawshaw, Amy Cuppage, Hayley Gittins, Suhyun Kang, Natalie Mitchell
  • Hair & Makeup Juniors – Emmalee Etherington, Yasmin Munro, Issy Walton
  • Hair & Makeup Trainees – Yasmine Johnson, Megan Keepence, Katie Narramore
  • BFI Hair & Makeup Trainee – Erin Grace Wheatland
  • Crowd Hair & Makeup Supervisor – Nicola Mount
  • Crowd Hair & Makeup Artists – Daisy Almond, Leigh Crawford, Emily Dodge, David Dorling, Katie Finch, Kamen Glover, Lizzie Judd, Rebecca Kempton, Molly Lister, Gary Machin, Lynsey McIlwaine, Laura Morse, Nina Pratley, Tamara Ramsey-Crockett, Natasha Richards, Emma Sherry, Lauren K Smith, Morag Smith, Caitlin Tanner, Georgia Thompson
  • Crowd Hair & Makeup Barbers – Maisie Caen-Reilly, Lisa Otterburn
  • Crowd Hair & Makeup Junior – Rosalyn Fochs
  • Crowd Hair & Makeup Trainees – Hannah-Louise Callaghan, Holly Chambers, Alice Holgate, Ellie Jarvis
  • CFX Production Supervisor – Katie Newitt
  • CFX Assistant Production Supervisor – Samantha Langridge
  • CFX Project Manager – Vanessa Bastyan
  • Animatronic & Performance Coordinator – Derek Arnold
  • CFX Assistant Coordinators – Joe Carlyle, Emma Green
  • CFX Production Assistant – Rosie Hardiman
  • Creature Concept Designers/Senior Sculptors – Ivan Manzella, Martin Rezard, Louis Wiltshire
  • Creature Concept Designers/Sculptors – Tom Blake, Stefano Cordioli, Andre Gilbert
  • Sculptor – Justin Pitkethley
  • Senior Modellers – Brian Best, Tom Packwood
  • Senior 3D Modeller – Scott Riley
  • Paint Design Supervisor – Henrik Svensson
  • Hair & Fur Supervisor – Jodi Corpe
  • Senior Hair & Fur Technician – Stephanie Hovette
  • Hair & Fur Technicians – Sophie Ablett, Maisie Powell-Jones, Sophie Rechtberger
  • Junior Hair & Fur Technician – Zoe Mansfield-Nieberg
  • Supervising Foam Modeller – Jimmy Bernardinis
  • Supervising Skin Modeller – Cerina Knott
  • HOD Model Mouldshop – Kenny Wilson
  • Modelmaking Supervisor – Paul Szebesta
  • Senior Modelmaker – Lee Towersey
  • Modellers – Mitchell Chamberlain, Gemma Fee, Samuel Johnson, Luca Riboni, Francesca Rivera-Arill, Bobbi Roberts, Nick Tyrrell
  • Animatronic Design Supervisor – Gustav Hoegen
  • Senior Animatronic Designers – Tim Berry, Karl Gallivan, Joshua Lee, Adrian Parish
  • Animatronic Designers – Matthew MacMurray, Ashton McCarthy-Gould, Gerard Moore
  • Junior Animatronic Designers – Nicolas Ferrard, Matthew Hart, Kieran Meadows
  • Electronic Design & Development Supervisor – Matthew Denton
  • Fabrication Design Supervisor – Fiona Barnes
  • Senior Fabrication Designers – Sherri Hazzard, Jessie Hinton, Lotta Hoegen, Thea Keenan
  • Fabrication Designers – Claire Bannister, Rebecca Simm
  • Fabricators – Natalie Pettigrew, Christopher Barlow
  • Junior Fabricator – Bethany Harkess
  • Fabrication Assistant – Emily Booth
  • Mouldmakers – Robert Skene, Jessica Tucker
  • Silicone Technician – Molly Bowen-Schofield
  • Paint Finish Artist – Patrick Caracedo-Barbet
  • Junior Mouldmaker – Isobel Wood
  • Mouldshop Assistants – Mabli Non Jones, Yannis Petridis
  • Modelmaking Assistants – Harry Helsdon, Archer Hodges
  • Key Prosthetic Artists – Elizabeth Barlow, Jennifer Kewley, Megan Thomas
  • Prosthetic Assistant – Samanta Maslauskaité
  • 3D Manufacturing Coordinator – Robyn Andrews
  • Carpenter – Lily Aleck
  • BFI CFX Trainees – Rowena Smith, Ben Dalitz
  • Special Effects Supervisor – Luke Murphy
  • Floor Supervisors – Jody Eltham, Dean Ford
  • Prep Supervisor – Darrell Guyon
  • Workshop Supervisors – Phil Ashton, Michael Fox
  • Wire Supervisor – Mark Berry
  • Lead Senior Technicians – Craig Leong, Phoebe Tait
  • SFX Coordinator & Buyer – Jake Edwards
  • SFX Coordinator – Courtney Hooper
  • Senior Technicians – John Duffy, Russell Farns, Bruce Mayhew, Daniel Meaker, Declan O'Donnell, Tori Williams, Paul Hodges
  • SFX Rigger – Tom Smith
  • Technicians – Chris Arnott, James Miller, David Rigley-Williamson, Adam Sawatzki, Josh Seatherton, Jackson Wise, Tom Costelloe, Dean Mitchell, Ben Ember
  • SFX Driver – Richard Wallace
  • Assistant Technicians – Nathan Chidgey, Barnaby Jay, Dean Lomas, James McKnight, Holly Pomfret, Jeffrey Tansey
  • SFX Trainees – Joss Cleary, Joe Homewood, Blake Hooper, Callum Lumbard
  • Supervising Location Manager – Richard Hill
  • Location Managers – Joanna Beckett, Liam Irving, Luke Stevenson
  • Unit Manager – Sam Turner
  • Assistant Unit Manager – Sjors Fiege
  • BFI Locations Trainee – Melissa Sorrell
  • Locations Marshals – Thomas Brackenridge, Tom Smart
  • Location Coordinator – Lucy Foulds
  • Assistant Location Managers – Stephanie Andrew, Jeanne Caboche, Alice Doughty, Zak Jarvis, Jess Testro
  • Location Assistants – Flynn Berry, Jordi Torrens Heppell
  • Production Services in Italy provided by – K+ Srl.
  • Line Producer – Nicola Fedrigoni
  • Production Supervisor – Gabor Agoston
  • Production Supervisor Assistant – Carlotta Bonelli
  • Production Coordinator – Gloria Zanette
  • Aerial DOP – Irmin Kerck
  • Heli Pilot – Gabriel Kostner
  • Tech Assistant Aerial DOP – Justin Webber
  • Heli Ground Assistant – Manuel Kostner
  • Studio Unit Manager – Duncan E. Newland
  • Studio Unit Coordinator – Ben Orr
  • Studio Unit Electrician – Callum Longstaff
  • Studio Production Assistants – Dean Hassell, Connor Higgs, Will Jenkins, Robert Walker
  • Co-Assistant Studio Unit Managers – Matt Howard, Shane Reynolds
  • Studio Unit Assistants – Pearce Coxsey, Sofia Hummelin
  • Sustainability Consultant – Jimmy Keeping
  • Sustainability Production Assistant – Jack Hornett
  • Sustainability Coordinator – Yasmeena Daya-Resek
  • Waste & Recycling Coordinator – Becki Nash
  • Lead VFX Editor – Emma Bayat
  • VFX Editor – Kate McCoid
  • Lead First Assistant Editor – Gary Leon Bowyer
  • Additional First Assistant Editor – Gemma Bourne
  • VFX Assistant Editors – Paul Gardner, Mike Dziennik
  • Second Assistant Editors – Jesús Gerdel, Ina Huber
  • Additional Second Assistant Editor – María Alonso Araujo
  • Post Production Coordinator – Toby Paul Jones
  • Post Production Assistant – Cat Easterbrook
  • Post Production Runner – Karla Rojas Tarazón
  • AVID Editing Equipment and Cutting Rooms supplied by – Hireworks
  • Hireworks Technical Supervisor – Steve Good
  • Main Titles designed by – Neil Kellerhouse, Devastudios, Inc.
  • End Credits by – Scarlet Letters
  • Digital Intermediate provided by – Company 3, London
  • Digital Colourist – Jean-Clément Soret
  • Colour Producer – Ellora Soret
  • DI Editor – Thomas Crews
  • Digital Intermediate Workflow Manager – Charles Bedwell
  • Image Science – John Quartel, Brett Rayner
  • Post Production Manager – Christopher Foster
  • Head of Broadcast Sales – Becky Start
  • Head of Picture Operations – Alice Greenland
  • Front End Services by – Picture Shop London
  • Supervising Producer – Jason T. Morrow
  • Dailies Producer – Holly Charge
  • Dailies Lab Operators – Michael Pearce, Luke Hyde
  • Technical Manager – Charbel Bou-Antoun
  • Assistant Technical Managers – David Valent, Harry Nichols
  • VFX Pulls by – Picture Shop London powered by Pulse
  • Pulse Operations Manager – Michael McKnight
  • Pulse Producer – Hannah McLaughlin
  • Pulse Operations – Alexandra Karanassos, Elise Wallbridge, Kerr Matheson
  • Visual Effects by – Industrial Light & Magic
  • VFX Associate Supervisor – Tania Richard
  • CG Supervisors – Laurent Hugueniot, Markus Sterner
  • Compositing Supervisors – Claudio Bassi, Sarika Sailian, Lies Veldeman
  • Environments Supervisors – Hasan Ilhan, Guy Williams
  • VFX Associate Producer – Arlyn Bantog
  • ILM VFX Executive Producer – Adele Jones-Venables
  • Animation Supervisors – Michael Dharney, Mathieu Vig
  • Layout Supervisors – Kiro Biye, Abbie Kennedy
  • Lighting Supervisor – Wes Franklin
  • FX Supervisor – George Kuruvilla
  • Production Manager – Frederique Dupuis
  • Associate Production Managers – Zak Morris, Khushboo Walia
  • Production – Dayton Boorsma, Louisa Ellison, Zeila Fernandez, Girindra Ghandi, Cerys Hopkins, Lane Howard, Yik Man Law, Marissa Lea, Dayo Omibiyi, Dora Phanouvong, Liam Pym, Stephanie Rallison, Hannah Saveall, Vishwapriya Swaminathan, Akshara Vidya Shankar, Vishal Vyas
  • Lead Digital Artists – Siksit Boonyodom, Michael Cashmore, Kamelia Chabane, Sandra Chocholska, Javier Fernandez, Kevin George, Dziga Kaiser, Yann Le Corre, Shawn Mason, Taisa Monteiro, Luke Rawcliffe, Diego Rebello, Michelle Redman, Vijayakumar Srinivasan
  • Digital Artists – Joseph Adams, Josh Aitken, Silvio Alberti, Daniel Alejo, Christine Ammann, Kamilla Bak, Matthew Ball, Ankit Bansal, Daniel Bartha, Mangesh Borkar, Andre Boulet, Dan Brittain, Jennifer Burke, Frank Campos, Nikola Canic, Brendan Carroll, Rakesh Chakraborty, Nardeep Chander, Andrew Hung Chiu, Amanda Costa, Han Dance, Jonald Delos Santos, Shivani Dubey, Ellie Dupont, Kate Edge, Colin Elliott, Emma Ellul, Kornel Farkas, Bianca Farquharson, Tyler Fawkes Kim, Brody Fikkert, Dan Finnegan, Chris Fryer, Katarina Gacevska, Shubhra Neel Ghosh, Vinit Girkar, Steffen Hampel, Rebecca Hung Han Yun, Seona Hwang, Joe Inglis, Jadine Ingram, Pratyush Jaiswal, Jack Jenkins, Erik Johnson, Tomos Jones, Chaitanya Kapu, Ravi Kasumarthy, James Keegan, Daniel Kemeys, John Kennedy, Daeyoung Kim, Edee Yiryeong Kim, Mirang Kim, Kristian Kirk, B Vimal Kumar, Andrèanne Lamoureux, James Lee, Luke Letkey, Lilia Qiang Liao, Wing Yi Luk, Aiste Lukaseviciute, Akash Maji, James Mann, Timothee Maron, Gordon Marshall, Federico Martini, Kiran Medhekar, Adamya Mehta, Marco Meyer, Damiano Moltisanti, Aidana Murat, Bartosz Napieralski, Yvonne Oh, Christopher Overby, Ashish Jayesh Patel, Irshad Patel, Connor Paterson, Ashley Pay, Sharon Peng, Daniel Pomares Gonzalez, Jordan Potts, Owen Rachel, April Rhee, Matt Roe, Nicolas Maximilian Rolke, Selva Rt, Aritra Saha, Stephanie Saillard, Kirdana Sairathan, Alba Sanchez-Serrano, Toby Sanderson, Jörg Schmidt, Luke Sikking, Renato Suetake, Daisy Summerfield, Ying Sun, Hiroki Takemoto, Vatsal Tamboli, Theophane Tan, Hantong Tang, Jamie Tilston, Alessandra Tomassi, Alberto Vangelista, Max Vogt, Jonathan Vuillemin, Arni Naga Govind Vuppala, Yukun Wang, Hollie Whitehouse, Tiffany Yung
  • VFX Editors – Nicole Cedic, Rob Woiwod
  • Production Accountants – Dipa Mistry, Samuel Nicholls, Camille Torion
  • ILM Image Unit – Alyssa Cabaltera, K.S. Haddock, Stephanie Larusso, Eric Leven, Melissa Lin, Brian Luzzi, David Marsh, Deirdre McCarthy, Libby Peterson, Paris Premdas, Ryan A. Smith
  • ILM Studio Operations – Yesun Rachel Ahn, Sumriti Bhogal, Rimmi Dayani, Lauren Evans, Lauren Glover, Traci Higbee, Aoife Hodnett, Ng Jinghan, Kyle Johnson, Miriam Kallweit, Katarina Mead, Kyleigh Naughton, Bhumika Paithankar, Reza Sarkamari, Morgan Telfer, Kimberly Teo, Francine Torres, Libby White, Pranam Yadav, Pamela Yamzon
  • ILM Public Relations – Chris Hawkinson, Ian Kintzle, Andrea Zavala
  • ILM Executive Staff – Rebecca Barbour, Francois Chardavoine, Khuyen Dang, Spencer Kent, Jeanie King, Ben Morris, Toban Taplin, Amber Wong
  • Additional Visual Effects by – SDFX Studios
  • Additional Visual Effects by – Yannix
  • ILM Technology – Jeannine Abiva, Mark Adams, Akshita Aggarwal, Ahmad Akkaoui, Sreenivas Alapati, Eshlie Alcantara, Laura Aldridge, Dennis Allarey, Andrew Allen, Scott A. Allen, Nathan Aragones, Lisa Aron, Scott Atkins, Fiorenza Bagnariol, Dan Bailey, Wayland Bang, Collin Banko, Trent Bateman, Ben Batty, Jaime Bentley, Mathew Berglund, Daniele Bernabei, Steve Besselman, Ken Beyer, Mohamed Noor Bin Rashid, Stewart Birnam, Gabriel Blanco, Paulo Roberto Boccia Rizkalla, Vladimir Bogak, Mark Boorer, Ryan Bottriell, Stephen Bowline, Maria Brill, Rachel Brook, Susan Brown, Alan Bucior, Zack Bunker, Emily Burch, Tommy Burnette, James Canavan, Meggie Capri, Fiona Chai, Michael Chan, Thomas Chan, Kirk Chantraine, Teo Say Chong, Alexis Chow, Dylan Coates, Luke Cole, Katie Cooper, Jamie Stretch, Roger Cordes, Samuel Cordingley, Joseph Japril Cudilla, Eoghan Cunneen, Neetu Das, Derek Davison, Paul Debaun, Mark Anthony Dela Cruz, Chong Deng, Michael Di Como, Adrian Diaconu, Steven Dixon, Firuz Dumlupinar, Frank Dumont, Nathan Dunahoo, Jon F. Dutko, Ryan Dwyer, Philip Eccles, Jono Echols, Chris Edwards, Kyle Fawcett-Shell, Dado Feigenblatt, Adam Ferrall-Nunge, Marianna Ferrante, Justin Fiksel, Daniel Flood, Tim Fogarty, Tristan Franco, Andrew Freckelton, Victor Frenkel, Alex Fry, David Galeano, John Ganshorn, Greg Garson, David Gatenby, Grantland Gears, Jason Geiger, Chee Jun Ghai, Sirak Ghebremusse, Payton Gilbertson, Chris Gilmer, Barry Dexter A. Gonzaga, Katharine Gooday, Amarnath Gopalan, Alex Grant, Todd Greshuk, Ben Grimes, Josè Luis Gûmez Dìaz, Stefan Habel, Eric Haber, Samuel Hall, Jonathan Hamot, Dave Peh Thiong Han, Rick Hankins, John Hannon, Garth Henson, Ricky Herrera, Kalin Hershey, David Higgins, Lucky Phil Higgins, Stephen Hill, Mary Hinman, David Hirschfield, Akira Hiyama, Henrik Hoffgaard, Paul Hogbin, Sam Holloway, Emma Holthouser, Bryan Horvat, Alain Hostettler, Peter Hricak, Rodney Huff, Christoffer Hulusjo, Bayu Indra, Lenard Izaq, Brian Jackson, Sherin Jacob, Richard Dean Jang, Li Ji, Briana Johnson, Edward Jones, Richard Jones, Nadia Jurkovich, Mike Jutan, Ferit Tankut Kalaycioglu, Ciku Karanja, Jay Kashiwabara, Anisha Kaul, Zach Kenemer, Julie Kogura, Elvin Korkuti, Sundar Krishnamurthy, Peter Kyme, Frank La Monaca, Phillip Lacey, Lianne Lardizabal, Charles Latham, Lutz Latta, Matthew Lausch, Frederick LeMaster, Sam Leung, Felix Levert, Noah Lockwood, Peter Lord, Mike Lyons, Raj Mahendran, Azmi Mohamed Maniku, Brian Marinari, David Marte, Justin Martin, Tawfeeq Martin, Matt Martinis, Mackenzie Matthews-Freeman, Andrè Mazzone, Nick McComber, Riley McDougall, Ian McGonigal, Andrew Melnyk, Woon Wai Meng, Patrick T. Milano, Antoine Milliez, Robyn E. Milne, Kuo Ming Yen, Marty Miramontez, Billy Mitchell, Christopher Moller, Kaz Mori, Colette Mullenhoff, Steven Muniz, Will Muto, Jeffrey Nagasuga, Aayana Nedd, Greg Newman, Kevin Ng, Khang Ngo, An Nguyen, Erik Nguyen, Michael Nguyen, Karki Nisha, Kevin O'Connor, Matthew O'Neil, Jeff Odell, Kaori Ogino, Lindsay Oikawa Pflum, Ayesha Omarali, Noorwallid Osman, Sudhakar P, Harrison Parker, Mayur Patel, Aditi Kapoor, Adrian Paul, Andrew Paxson, Dylan Penhale, Maggie Perlman, Phil Pham, Cary Phillips, Stephanie Pichel, Manny Ponce, Mike Potoczny, Aish Prasad, Ratinder Preet, Alexander Prigarin, Nick Proulx, Sebastian Tan Hua Pui, Ron Radeztsky, Nick Rasmussen, Megan Reitan, John Relosa, Scott Richards, Barnaby Robson, Dane Rockingham, Rachel Rose, Matthew Rubin, Alistair Russell, Julian Salvador, Robert Santos, Sanpech Satrawaha, Matthias Scharfenberg, Jeroen (J) Schulte, Sarah Scialli, Brent Segura-Bowers, Davide Selmo, Randy Severson, Fahad Shaikh, Zhixiang Shao, Betty Shaw, Sanket Shembekar, Sandra Sheppard, Kirk Shimano, Gagandeep Singh, Sharanpreet Singh, Jayavel Sivakumar, Ted Slominski, Calvin Smith, Charlie Smith, Zachary J. Snyder, Evan Sonderegger, Kimberly Soo Hoo, Asi Soudai, James Spadafora, Adam Spendlove, Indraneel Srivastava, Greg St. Germain, Joseph Stafford, Ari Stamatopoulos, Jenna Starr, Jonathan Stone, Tim Straubinger, Grant Street, Alex Suter, Bharanidharan T N, Alvin Tan, Veronica Tello, Christina Tempelaar-Lietz, Jeremy Therrien, Shivas Thilak, Esha Thomare, Jill Thomas, Gary Thompson, Cheryl Jean (CJ) Tollola, Chris Tomkins, James Tomlinson, Caitlin Torsney, Tony Tran, Rick Tuckness, Michael Tuffy, Ahmed Turki, Selim Tuvi, Ihimu Ukpo, Jim Vanns, Marvin Vasquez, Katie Vit, Mark Westbury, Robb Whiting, Fyfe Williams De Bique, Joey Wittmann, Kevin Wooley, David Wortley, Ted Yadeta, Renee Yang, Jeffery Yost, Erin Young, Raphael Zanluchi, David Zbriger
  • Visual Effects by – Scanline VFX
  • Visual Effects Supervisor – Sue Rowe
  • Visual Effects Producer – Marlene Nehls
  • Scanline VFX – Adam Barde, Adam Cline, Akash Desai, Alan Stucchi, Amanda Roop, Amit Narwani, André Cabaço, Ashley Blyth, Ashutosh Singh, Azzard Gordon, Benjamin Brown, Benjamin Lepine, Benjamin Ross, Benoit Paya, Bhargav Karne, Carolina Plata Rico, Chaeyeon Park, Cherub Nakayama, Christian Pokorny, Cindy Khoo, Colin Dorssers, Corinne Teo, Darrshan V. Bane, David Capon, David Yiu Chung Man, David Michielsen, Delphine Thimothé, Denis Tomov, Elisa-Ann Dion, Estivaliz Zaragoza Gascon, Eva Marda, Felix Wolf, Gautam Kansar, Greg Anderson, Guillaume Gaussuron, Harry Mukhopadhyay, Iskander Mellakh, Iurii Muzyria, Jacob Zaguri, Jaehee Jung, Jaeil Seo, Jasveen Hora, Jeff Shapiro, Jibraan Taimuri, Jimmy Zhu, Johann Dsilva, Johannes Peter, Jonathan Hermand, Jordan Gillet, Kae Hwai Tan, Kaitlyn Fuchs, Khaled Zeidan, Kishor Deore, Laura Jane Dart, Lauren McCallum, Lucy Luong, Lyubomir Kirkov, Marc Ostroff, Marie-France Latour, Marie-Pier Avoine, Marija Jancevska Stojanovska, Maverick Han, Maxime Monette, Mike Juszczyk, Minhee Kim, Murtuza Khargunwala, Nadia Volodina, Natalia de la Garza, Nicholas Ng, Nick Crew, Nikhil Ashok Chougule, Oliver Vogel, Olivia Starr, Patrick Redmond, Patrick W Hall, Pedro Dietrich, Rachel Ajorque, Rachel Ulicny, Rafael Martins, Rémi Stompe, Rene Grasser, Rhett Kim, Riya Jain, Samantha Fosado, Santosh Kumar Dey, Scott Anderson, Scott M. Fedor, Scott Wakeford, Sebastian Sylwan, Sebastien Carrillo, Sebastien Leclerc, Shakil Nadkarni, Shakti Singh, Shaylene Sall, Simran Takhar, Sofia Zapata, Stephan Trojansky, Sungyeon Bae, Sylvie Baillargeon, Terence Guilpin, Thelma Rangel, Tilo Spalke, Vinay Kumar, Virag Anna Kutny, Vivek Shedge, Wakeel Ahmad, Wolfgang Haas, Yenumula Bhanu, Yuting Chen
  • Visual Effects by – Midas VFX
  • Additional Visual Effects by – Hybride, A Ubisoft Division
  • Visualization by – The Third Floor, Inc.
    • Visualization Supervisor – Jen Kitching
    • Visualization Coordinator – Liam O'Keeffe
    • Visualization Leads – Maksims Aleksejevs, Jaime Visedo Cañizares
    • Visualization Editor – Martin Voller
    • Asset Artists – Dominic Martin, Ashley Gin-Sing, Nicholas Freeston, Matthew Squires, Mads Simonsen, Raul Alves, Eva Barchino, Amber Price, Jazmin Coe
    • Visualization Line Producers – Helen Langley, Kathrin McCarthy
    • Head of Production – Tilly Holton-Newman
    • Visualization Artists – Sebastian Kuder, Manon Huez, Eric Tsui, Valério Marques, Dan Copping, Dylan Wyn Owen, Harry Pearson, Douglas Fletcher, James Burr, Stefan Klauss, Michael McCrea, Arnaud Boulanger, Eduardo Ramos, Sagar Funde, Linn Maw, Andy Mulligan
    • Executive Producer – Joël Maguet
    • Head of Creative – Hamilton Lewis
    • Head of Assets – Phil Tsang
    • Head of Talent – Kotryna Lasaite
    • Casting Manager – Abigail Sullivan
    • Vice President, Finance – Allie Koppel
    • Financial Accountant – Kasey Lau
    • Heads of IT – Luke Weller, Sean Thomas
    • IT Support – John Densham, Dom Collins
    • Pipeline – Keith Pang, Michael Hindley
  • Character, LIDAR & Prop Scanning by – Clear Angle Studios
  • Additional Music – Alexander Bornstein, Maxwell Karmazyn
  • Music Editor – John Finklea
  • Conductor/Booth Reader – Matt Dunkley
  • Score Recording Engineer & Mixer – Geoff Foster
  • Recordist – Alex Ferguson
  • Score Editor – Chris Barrett
  • Studio Assistants – Felipe Gutierrez, Tom Coath
  • Score Sound Design & Additional Programming – Adamo Di Giorgio
  • Score Technical Assistant – Andrew Lembo
  • Concertmaster – Everton Nelson
  • Orchestrations – Matt Dunkley
  • Music Librarian – David Hage for Dakota Music
  • Additional Librarian – Booker White
  • Orchestra Contractors – Jenny Goshawk, Lucy Whalley for Isobel Griffiths
  • Musicians – Corinne Bailey, Max Baillie, Chris Baron, Nigel Black, Fiona Bonds, Natalia Bonner, Ben Buckton, Ian Burdge, Reiad Chibah, Philip Cobb, Rebecca Crawshaw, Alison Dods, Jonathan Evans-Jones, Rob Farrer, Richard George, Sophie Harris, Clare Hayes, Tracy Holloway, Ben Hulme, Martin Humbey, Ian Humphries, Diego Incertis, Katherine Jenkinson, Helen Kamminga, Patrick Kiernan, Paul Kimber, Rick Koster, Peter Lale, Steve Mair, Kate Moore, Kate Musker, Everton Nelson, Odile Ollagnon, Frank Ricotti, Mary Scully, Owen Slade, Dave Stewart, Laurence Ungless, Bozidar Vukotic, Richard Watkins, Daniel West, Neal Wilkinson, Andy Wood, Tony Woollard, Chris Worsey
  • Score Recorded at – British Grove Studios, London
  • Post Production Sound Services by – Skywalker Sound, A Lucasfilm Ltd. Company, Marin County, California
  • Mix Stages provided by – Warner Bros. De Lane Lea, London
    • Sound Mix Technician – Ross Western
    • Sound Engineer – George Hooker
    • Head of Technology – Matthew Amos
  • Health & Safety Supervisor – Jonathan Hill
  • Health & Safety Advisors – Jason McNaught, Philip Start
  • Health & Safety Advisor CDM – Matthew Peacock
  • Health & Safety Coordinator – Charlotte Curd
  • Production Fire Safety Officer – Ray Newstead
  • Fire Safety Advisor – Michael Ryan
  • Lifting Management Appointed Person – Mark Parsons
  • Main Unit Nurse – Caron Ireland
  • Tandem Unit Medic – Alison Sebek
  • Construction Medics – Alison Bage, Vince Peacock
  • Paddock Lot Medic – Ally McPhee
  • Executive, Lucasfilm Security – John Caldwell
  • Manager, Lucasfilm Security – Matthew Thorne
  • Security Coordinator – Christopher Davies
  • Senior Manager, Lucasfilm Security – Craig Etherton
  • Security Administrator – Abigail Bristow
  • Security Services courtesy of Main Unit Location Services Limited – Aaron Afonso, Joshua Peter Afonso, Alam Ahmadi, Previllo DaSilva, Anthony Pereira, Ben Waldron
  • Unit Photographer – Des Willie
  • Franchise Supervisor – Sussanah Madden
  • Lead Photo Editor/Retoucher – Barry Hurley
  • BFI Franchise Trainee – Patrick Barnard
  • Portrait Gallery & Tandem Unit Photographer – Hayley Benoit
  • Franchise Coordinator – Diane Pognan
  • Show Photo Editor – Jon Eriksson
  • Additional Unit Photographers – Kev Baker, Jay Maidment
  • Lucasfilm Stills & Physical Assets
  • Transport Manager – Gary Birmingham
  • Transport Captain – Chris Dudley
  • Transport Dispatcher – Danny Clow
  • Driver to Diego Luna – Gary Wardley
  • Unit Drivers – Ricky Adams, Steve Bull, David Burns, Mark Burton, Martyn Giles, Mark Hasler, Simon Hudnott, Martin Janes, Phil Matthews, Andy McLeod, Shahin Moatazed-Keyvany, Andy Moore, Gideon Mullins, Michael Murray, Sean O'Connor, Johnny O'Neill, Jim Stephens, Nigel White
  • Tandem Unit Transport Captain – Ollie Birmingham
  • Tandem Unit Driver – Ted Birmingham
  • Technology Support – Ryan Butts, Morgan Chambers, Ian Felchlin, Carwyn Gange, Rhodney Gerada, Joe Gill, Caris Huffine, Jonathan Kutner, Jennifer Lewicki, Konrad Long, Nik Woodley
  • Location Technology support by – TEGH Ltd
  • Technician – Ellie Ling
  • Catering by – Red Chutney Ltd.
  • HOD Red Chutney – Fiona Gilbert
  • Senior Managers – Ali Chamberlain, Michelle Pokoati
  • Catering Manager – Louis Gabriel
  • Tandem Unit Catering Manager – Millie Brazier
  • Chefs – Satish Amanaganti, Jonny Ashton, Illona Lukauskiene, Yild Mustafa, Mark Robinson
  • Front of House – Max Alders, Ecaterina Baleanu, Marina Balogh, Mia Ferraris, Courtney Norman, Sophia Harding
  • ADF Facilities HODs – Anthony James, Nigel Roberts
  • ADF Crew – Paul Bendon, Corey Casey, Stephen Farnham, Matt Gatfield, Lenny Gelston, Josephine Roberts, Bogdan Vesegal
  • Lays Facilities Tech HOD – Ken Price
  • Lays Facilities Tech Crew – John Salter, Matthew Start

Lucasfilm Ltd.

Walt Disney Studios

  • Filmed at – Pinewood Studios, London, England and Longcross Serious Studios Ltd, Surrey, England
  • Tax Incentive Consulting services provided by – Entertainment Partners Canada
  • Produced with the support of the British Film Commission and the UK Government's High-End Television Tax Relief
  • With the participation of the Canadian Film or Video Production Services Tax Credit
  • With the participation of the Province of British Columbia Production Service Tax Credit
  • Produced with film and television tax credit assistance from the Government of Ontario
  • This production has benefited by the Spanish International Tax Rebate (36.2 CIT) with the support of the Spanish Government, the Valencia Film Office and Cataluña Film Commissions
  • This production was shot in Valencia, Ciutat de les Arts i les Ciencies and Palau de les Arts "Reina Sofia", Xativa, Castell de Xátiva, and Barcelona, L'Abadia de Montserrat and Parc Natural de la Muntanya de Montserrat

Appearances

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Characters

Organisms

Droid models

Events

Locations

Organizations and titles

Sentient species

Vehicles and vessels

Weapons and technology

Miscellanea

Sources

Notes and references

  1. ↑ 1.0 1.1 1.2 1.3 1.4 1.5 1.6 StarWars.com First Andor A Star Wars Story Teaser Trailer and Poster Revealed on StarWars.com (backup link)
  2. ↑ TwitterLogo Star Wars Holocron @ SWCJ (@sw_holocron) on Twitter (post on April 19, 2025): "The first episode of ANDOR Season 2 will be shown exclusively to the Star Wars Celebration crowd!" (backup link)
  3. ↑ 3.0 3.1 Andor logo new Star Wars: Andor — "One Year Later"
  4. ↑ Andor logo new Star Wars: Andor — "One Year Later" dates itself to 4 BBY.
  5. ↑ Andor logo new Star Wars: Andor — "Rix Road"

External links

Andor logo new
Season 1
1 · 2 · 3 · 4 · 5 · 6 · 7 · 8 · 9 · 10 · 11 · 12
The Complete First Season
Season 2
1 · 2 · 3 · 4 · 5 · 6 · 7 · 8 · 9 · 10 · 11 · 12
Soundtrack
Season 1
1-4 · 5-8 · 9-12
Season 2
1-3 · 4-6 · 7-9 · 10-12
Related media
Special Look · Season 2 Special Look
Dawn of Rebellion: The Visual Guide
The Art of Star Wars: Andor · REBELIÓN: An Andor Zine
Rogue One: A Star Wars Story
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