Ever Been to Ghorman?

"Ever been to Ghorman?"
"Where they make the fabric? No."
―Cassian Andor and Luthen Rael[2]

"Ever Been to Ghorman?" is the fourth episode of the second season of the web-TV series Star Wars: Andor. The episode was written by Beau Willimon, and was released on April 29, 2025 as part of a three-episode block set in 3 BBY, jumping forward a year from the prior arc.

Official description

Cassian and Bix adjust to a Luthen safehouse. All eyes are on Ghorman. Wilmon visits Saw Gerrera.

Plot summary

Bix's nightmare

The episode opens with a close-up of a control console. The camera then shifts to show Bix Caleen rising from a bed that she was sharing with Cassian Jeron Andor, who is still asleep. Caleen exits the bedroom and picks up a hidden blaster. She walks past a window covered with several colored glass panels, where the silhouette of a figure can be seen outside. Caleen enters a room where Doctor Gorst has finished interrogating an unconscious human man with crew-cut hair. Gorst boasts about torturing and interrogating the prisoner while Caleen aims her blaster at him.

Andor gently pries the gun away from Caleen's hand, revealing the encounter with Gorst to be a hallucination stemming from Caleen's trauma. Caleen stares out of the window into the city skyline. Andor asks Caleen if she wants to talk about her past trauma but Caleen says she is trying to relax in their new home. She changes the topic to wanting to purchase towels and plates for their new home. Andor comforts Caleen, allowing her to hug him and weep. The camera pans out to reveal that Andor and Caleen are living in a large, bustling metropolis on Coruscant.

Secondment on Ghorman

Elsewhere, the camera pans out to reveal a landscape shot of a city on the planet Ghorman, nestled between the mountains and a blue body of water. Inside a spacious house, Syril Karn combs his hair. He is wearing an elegant black suit with a white shirt. While staring at the mirror, he sees a repairman on a rooftop staring at his direction. When Karn peers out of the circular window, the repairman averts his eyes and continues on his work. Karn retrieves a spool from a box between two spider figureheads. Exiting his apartment, he threads the string between two rivets at the bottom of the door.

Karn exits the building into the streets of the city. Several pedestrians walk while others ride hoverbikes and landspeeders. He walks through the streets of the Ghorman city. Karn walks up a white flight of steps into a grand central plaza dominated by a grand colonnade. Karn's mother Eedy Karn chats with him via comlink. Eedy wants to keep an eye on her son's movements but Syril reassures her that she will be alright. Karn walks past a group of protesters outside a memorial. While walking into the Bureau of Standards Ghorman field office, Karn chats with Eedy, who expresses her disapproval of her son's decision to work outside on Ghorman, citing his Uncle Harlo. Karn counters that his job on Ghorman is a promotion because he is in charge.

Eedy attempts to disparage her son's new job but he tries to ignore her. She then criticizes him for seemingly walking away from Dedra Meero and a respectable career on Coruscant. When Karn says that he assumes she won't be visiting, Eedy says that she hates Ghormans because they are too uppity. Karn counters that she is watching too much Imperial News. Eedy defends her opinion, but Karn counters that the Ghormans are decent people.

Karn and Eedy's conversation is being tapped by two Ghorman men and a woman, who are revealed to be Ghorman rebels. Karn expresses concern about the Empire's growing anti-Ghorman sentiment and the introduction of new directives including loyalty oaths. Karn tells his mother that Ghorman is hardly a threat to the Empire but she parrots Imperial talking points. After Eedy warns her son not to become too much of an individual, he terminates the conversation on the pretext of having to work.

The prospect

On the streets, an elderly man with silver hair named Carro Rylanz walks into an unremarkable building with early pastel colors. An elderly human woman sits outside the building with her dog. The elderly man listens to Karn and Eedy's conversation. Speaking in the Ghor language, a man named Samm says that Karn is conflicted while the woman Enza Rylanz describes his mother as "terrifying." The third younger man says that Karn's conversations with his mother have been like this for the past few weeks. Enza believes that Karn is sympathetic to their group. Rylanz decides to approve the mission before Karn is replaced. The three younger Ghorman rebels smile while Rylanz gives a weary look.

Later, Karn exits the field office where anti-Imperial protesters chant in the Ghorman language about stopping the Empire and the building. The rebel member Samm, now working as a vendor, speaks to Karn, telling him that he knows that he is not a tourist. He hands Karn a spider figurine, telling him there is candy inside with information on the wrapper. Samm invites Karn to a meeting before leaving Karn with the figurine.

Later that evening on Ghorman, Karn walks home, jogging past three passing Imperial armored speeders. He walks a narrow alleyway that leads to his apartment. Ivy grows on the building. Karn kneels by the door and removes the thread at the bottom. Once inside his apartment, he opens the spider figurine and unwraps the candy inside. He reads the message and then eats the candy. He places the spider figurine back on the shelf.

Undercover on Coruscant

On Coruscant, Andor and Caleen discuss their plans. Andor wears a hoodie to hide his appearance. Caleen convinces Andor that they should find a meal. They enter Samo's, a bodega, walking past a tusked alien. While Andor pockets a metal box, Caleen buys three fruits from Ukio. The bearded human shopkeeper is familiar with Caleen, who has shopped at his store before. Behind the shopkeeper, a critter struggles in its cage. Caleen notices some Moski peppers and orders two, claiming that her "husband" Andor likes them. Andor looks away, hiding his discomfort.

Back at their safehouse, Caleen cleans some machinery and tools while Andor grills some food. The two talk about leaving stuff in their apartment. Caleen asks Andor what they are going to tell Luthen Rael about her encounter with the Imperial soldier during an earlier mission. While chopping ingredients, Andor replies that sometimes people have to do difficult things. He says that the soldier was a threat and says that when he put on the uniform, he took her chances. Andor says that it can be tough being boxed in. Caleen says she cannot stop seeing the face of the soldier. Andor tells Caleen that they are in a war and that justifies killing the Imperial soldier, adding that the two of them are alive because he is dead.

Later that evening, Caleen and Andor have dinner together. Rain pours down outside. Caleen invites Andor for a walk in a big park. Andor warns that the Imperials have cameras stationed there and suggests other places. Andor says that the insanity of the city keeps them safe. When Caleen asks why he is so paranoid, Andor explains that he is trying to keep them safe. Caleen takes issue with Andor for trying to protect her, describing it as warping. When Andor says that he doesn't want to lose her again, Caleen says that he is not responsible for protecting her.

She confides that she find its hard living on the run between missions. Caleen accepts they are living in a war but adds that it is not up to them to decide what to save. She affirms her love for Andor but says that she is not trying to count on anything more. Andor walks away angrily towards the grill, asking what did he mess up. Caleen says that she can handle more than he thinks. When Andor questions why she is unable to sleep normally, Caleen counters that she is not Maarva Carassi Andor or his sister Kerri. When Andor asks what he is messing up, Caleen tells him that he killed the Imperial soldier because he saw her face. Andor sits down on the table and asks what is the difference. Caleen does not know but says she resolves to win.

The safe room

Later that night, Syril Karn makes his way to the lower level of colonnade, walking through several branch columns holding up the empty tier. He walks past a street cafe to the Imperial office. He tells two black uniformed Imperial guards that he left some files in his office. Karn identifies himself as the Division Chief for the Bureau of Standards. The guards initially refuse to permit him entry but Karn manages to "sweet talk" them into letting him into his office. Once inside, Karn picks up a datapad and walks through a corridor to a safe room.

Meanwhile on Coruscant, Dedra Meero closes the shades in her apartment and video-conferences with Karn using a computer. Karn tells Meero that he has made contact with the Ghorman Front who have invited him to a townhall meeting. When Meero asks how she knows it was the Ghorman Front, Karn says that knows he is being watched. He says that they started breaking into his apartment and is aware that they are tapping the office comms. Karn assumes that he is being followed all the time. Meero gives a skeptical look. Karn decides to go ahead with tomorrow's meeting. Meero approves of his plan. When Karn asks about informing Major Partagaz, Meero says he will want more information.

The board meeting

The following morning, Meero attends an ISB Board meeting. Captain Lagret reports about 12 successful raids, which led to eight seizures worth 200,000 credits, 75 restricted weapons and 34 arrests. However, Major Partagaz is unsatisfied with Lagret's report and the raids. Partagaz then turns his attention to Supervisor Avril Heert, who has taken an interest in the Axis case. Heert says that some supplies seized came from the Axis supply chain. Partagaz is unsatisfied that the raids have not yielded intelligence on their rebel enemy. When Partagaz questions the effectiveness of the arrest for counter-insurgency, Lagret responds that it is disappointing on many levels. He says he sees a variety of causes but Partagaz impatiently asks him to pick one.

Supervisor Lonni Jung suggests that they are arresting too many people, adding that they can't take it all in. Partagaz allows Jung to continue. Jung explains that some of them have more people in custody than they can process. Partagaz agrees with Jung's observation and says that Colonel Wulff Yularen will be meeting with Emperor Palpatine to discuss improving the intake process for arrests. Partagaz thanks Jung for reminding them all how their meeting is supposed to function. In private, Lagret thanks Jung for speaking up and invites him for a private meeting.

As they depart, Meero takes the time to speak with her former colleague Heert, who confirms that he is onto something. She asks about his operations recovering 75 restricted Imperial weapons in the span of ten days. Heert responds that it is his job now. When Meero asks him why he has not kept her updated or solicited her services, he replies that he will contact her if he needs her services. Meero reiterates that Andor must be found. When Meero suggests that Heert can take credit for capturing the rebel fugitive, Heert replies that Partagaz assigned him to the Axis case because he is not interested in glory. Following a tense standoff, Meero says that he has given her a lot to think about and says that the door is still open.

Jung then takes the time to speak with Heert. The two men think that Meero is jealous that Heert has been assigned the Axis case. Heert thanks Jung for speaking up and saving him and Lagret from being torn to shreds by Partagaz. When Heert asks how he can thank him, Jung asks if he could buy him lunch. Heert accepts the offer.

A lone voice in the wilderness

Elsewhere on Coruscant, Senator Mon Mothma meets with Ghorman's senator Dasi Oran to discuss their opposition to the Emperor's Public Order Resentencing Directive (PORD). Mothma tells Oran that she is working on legislation opposing PORD and asks if she can count on his support. Mothma speaks with another human male senator in orange and yellow robes, seeking his support for her legislation. He rebuffs her, claiming that she is confusing criminality and politics with freedom and liberty. Back in the office, Oran says he is reluctant to support her bill since that would chafe the Emperor. He acknowledges that Ghorman is being persecuted intensely.

While walking down a white hallway, Mothma speaks with an Tarsunt senator while a colleague walks with an Ottegan senator. When Mothma asks about the startling crime rate on 75 worlds since the implementation of PORD, the Tarsunt questions the figures. Back in the office, Mothma tells Oran that if they do not stand together, they will be crushed. Mothma then speaks with a plump Cingulon senator in green robes about the startling rise in crime on peaceful worlds like Kaifo, Tepasi and Ghorman. The Cingulon senator responds that he doesn't think linking anything to Ghorman right now is a good idea.

When Mothma tells Oran that she played a big role in lobbying for the lifting of the embargo on Ghorman, Oran replies that he has never stopped thanking her. Oran describes Ghorman as a single-product economy and that they import everything else. When she speaks about the blockade, Oran says that he cannot support her bill opposing PORD. He says that he has tried to reason with his people not to make things worse. He says that voting against the Emperor would endanger Ghorman.

The turbolift meeting

Later that night, Jung descends in a turbolift into the Coruscant Underworld. Just then, the turbolift comes to a sudden jerk, prompting Jung to hold on for dear life. When it stops, he grabs his blaster. The lift door opens and Rael forces his way inside. When Rael says that Jung kept him waiting for three months, Jung replies that he did not have anything solid until today. When Rael insists on getting to business, Jung revels that Meero has been secretly running Ghorman for the past year while hiding it. He says that he doubts that there are three people in the building who know this information.

When Rael asks why the Imperials are interested in Ghorman, Jung admits that he doesn't know and says he can't believe that they kept it so quiet. Jung says that everyone believes that Meero has been put out to pasture since the debacle on Ferrix. Rael asks why the Empire is interested in Ghorman beyond the propaganda. He tells Jung that a smear campaign is an opening move and not an endgame. He reiterates that he needs the endgame. Jung says that he is trying to solve the puzzle.

When Rael asks about Meero, Jung confirms that she has been reassigned from the Axis case. Rael tells Jung that he cannot wait another three months since there is too much going on. Jung counters that Rael used to tell him to wait. Rael responds that those days are gone and asks if he is up to date about the signal sequence. Jung confirms this is the case and Rael leaves.

The townhall meeting

On Ghorman, a human man with graying hair named Sunif Brecanti addresses a packed Town Hall meeting. He introduces himself as the broker for a webberie co-op in the Beldoni Valley. He explains that some of these businesses have been operating for a millennium. As Karn enters the meeting, Brencanti criticizes the new Imperial shipping regulations and codes. He says that all nine of his clients were forced to reconsider the productivity of their hives for the first time. Brecanti says that the Empire is killing them and blames a group of leaders for letting the Empire trample over them.

People begin shouting in agreement. Enza and Dilan are also present at the meeting. The MC restores order to the meeting. Citizen Lezine talks about residents being moved to a new noisy location along a highway frequented by supply trucks. Carro asks Lezine to give other people a chance to speak, prompting Lezine to warn that the Empire will make Palmo into a prison. A woman, Dreena, watches over Karn. Lezine makes a rude gesture before leaving the stage. Samm approaches Karn and thanks him for coming and asks what he thinks. Karn says he admires the passion and acknowledges he can understand some Ghorman words.

An elderly woman tells Carro that they were promised that the new Imperial building would not shine a shadow on the memorial to the Tarkin Massacre. Rylanz responds while Samm explains to Karn that the woman lost her family in the "Tarkin Massacre." The Empire had promised that the new building would not cast a shadow onto the memorial. Lezine interjects that the Empire is building a fortress, prompting Carro to warn him that he has used up his slot. Lezine tells the meeting that the Empire is building a fortress in the heart of Palmo. Carro is dismissive of Lezine's claim.

While sitting together, Samm explains what Lezine is saying to Karn. Knowing that Karn works at the Imperial headquarters, he asks Karn what he thinks. They are joined by Enza, who introduces herself as the daughter of Carro. Carro announces that the meeting is over and that they will post the minutes and schedule the next meeting by this time tomorrow. When the young man teases that Karn is an Imperial spy Enza asks if it is true, but Karn says he works the Bureau of Standards. Enza expresses her relief, and offers to introduce Karn to her father Carro.

The Ghorman Front

After the meeting has dispersed, Carro speaks with Karn, saying that he noticed him. Carro tells Karn that he is very brave to be here. When Karn asks if he is in danger from them, Carro says that he was wondering about Karn's people. Karn replies that there are no restrictions on his movements in Palmo. When Carro asks what he will take away from today's meeting, Karn says he has a better gauge of the situation on the ground. When Carro asks if Karn will be writing a report, Karn replies that he is here as himself.

Enza suggests that they should leave in the Ghorman language. Carro asks Karn if he can help to make their appeals to the Empire more effective. When Karn says that he is not sure that is allowed, Carro asks if there is a law against seeking Imperial counsel. Karn admits this is not the case. Carro then asks Karn about rumors that the Imperial annex conceals something ulterior. Karn says he does not know but admits that the floor plans are classified. Carro replies this only confirms his suspicions.

One of the Ghorman rebels looks intently at Karn. Carro explains that 16 years ago, Grand Moff Wilhuff Tarkin killed 500 peaceful Ghormans in the middle of that plaza. Enza holds back tears. Carro says that it would be upsetting for Ghormans to learn that there is an Imperial military facility being built near the Monument to the Fallen. Carro says that Ghormans only want peace and prosperity and asks him to emphasize that in reports to the Empire. Karn nods sympathetically. Carro smiles and suggests they could work together. Karn smiles and extends his hand in a Ghorman greeting. Carro smiles and returns the salute. The others smile, believing they have recruited a sympathizer within the Imperial government on Ghorman.

A new assignment

Meanwhile on Coruscant, Andor spends time with Caleen in their Coruscant apartment. She gives him a pair of macrobinoculars, which he uses to scan the horizon. Zooming in, he notices a bright light originating from a tower. The following morning, Andor meets with Rael, who assigns him a new mission of assessing Carro Rylanz, a businessman and city official who is the leader of the Ghorman Front. Rael has never met Rylanz. He explains that Marki has been in contact with a rebel pilot who got stranded on Ghorman. Rael is unable to go since Carros is too visible. Rael sends Andor alone since he thinks Caleen is unsuitable.

Andor says that he will think about the mission. Rael responds that the Rebellion is choking the Empire so hard that someone as privileged as Rylanz is resisting them. Rael tasks Andor with finding out more about the Ghorman Resistance. When Rael says that Caleen will be fine, Andor counters that he has not yet accepted the mission. Rael orders Andor to reach out to Marki since he wants the mission done quickly.

Wilmon and the Partisans

Meanwhile on D'Qar, Benthic and his twin brother Edrio stand guard outside an airbase. Inside the hangar, Partisans of various species gather including a furry Gigoran. A scruffy Wilmon Paak faces Saw Gerrera and his Partisans. Paak removes a tarpaulin to reveal an intricate machine. Gerrera examines the machine and deems it operational. He orders his Partisans to gather fuel and rhydonium, telling them to take what they want. When Gerrera asks if the machine has been tested, Paak replies that it works. Gerrera questions Paak before warning about the dangers of rhydonium.

He then asks Paak who taught him how to operate the machine. Paak responds that he is here to teach the variations and that is all he can say. Gerrera remarks that Paak is a "brave one," prompting howls of laughter from the other Partisans. Gerrera then asks Paak if he has seen a man die from the effects of rhydonium. Gerrera warns Paak about the dangers of inhaling rhydonium, which can lead to a painful death. Gerrera tries to tease Paak before asking Paak his name. Wilmon identifies himself and reiterates that he is familiar with the machine.

Gerrera tasks Paak with teaching one of his soldiers Pluti. When Paak asks which variation, Gerrera says that Paak knows best and tasks him with teaching Pluti all that he knows about the machine. Paak says he needs to leave tomorrow and reminds Gerrera of the agreement. Gerrera changes the terms of the deal and tells Paak that he will stay as long as the Partisans need him. He tasks the Partisans with finding a bed for Paak to stay. Paak remains with Pluti while the other Partisans head out of the hangar.

Andor's departure

Back on Coruscant, Andor embraces Caleen before he leaves for his mission to Ghorman. Andor has packed his bag and an unfinished meal lies on the table. The two touch each others' hands and have a romantic embrace. The two touch each other's hands sensually. Andor descends down a turbolift through the apartment complex. Back in the safe house, Caleen brings the dishes to the kitchen sink and begins washing the dishes. Andor makes his way up a spiral staircase through a corridor. At the safehouse, Caleen gazes out of the city as the day dawns. She unlocks a container which turns out to be a vial of sleeping drops. Caleen squeezes the vial into her mouth and lowers her gaze.

Credits

By type
Cast Uncredited cast Crew Uncredited crew Special thanks

Cast

Crew

  • Directed by – Ariel Kleiman
  • Written by – Beau Willimon
  • Created by – Tony Gilroy
  • Based on Star Wars by – George Lucas
  • Executive Producers – Sanne Wohlenberg, Tony Gilroy, Kathleen Kennedy, Diego Luna, Luke Hull, John Gilroy
  • Director of Photography – Christophe Nuyens, SBC
  • Production Designer – Luke Hull
  • Editor – Matthew Cannings
  • Music by – Nicholas Britell
  • Casting by – Nina Gold, Martin Ware
  • Producer – David Meanti
  • Line Producer/Unit Production Manager – Karl Caffrey
  • Co-Producers – John Hampian, Michael Garcia
  • Associate Producer – Elaine Waugh
  • Visual Effects Supervisor – Mohen Leo
  • Visual Effects Producer – TJ Falls
  • First Assistant Director – Olly Robinson
  • Second Assistant Director – Jan Zalar
  • Costume Designer – Michael Wilkinson
  • Hair & Makeup Designer – Emma Scott
  • Special Creature Effects by – Neal Scanlan
  • Stunt Coordinator – Marc Mailley
  • Assistant Stunt Coordinator – Tolga Kenan
  • Fight Coordinator – Mark Stanton-Kelly
  • Assistant Fight Coordinator – Chey Anich
  • Stunt Utility – Aldonio Freitas, Elliot Hawkes
  • Stunt Department Coordinator – Emma Osborne
  • Head Stunt Rigger – Grant Wiesinger
  • Stunt Performers – Gary Arthurs, Paul Bailey, Mike Denton, Roy Taylor
  • Stunt Riggers – Finlay Coxon-Smith, Scott Hillier, Darren Mailley, Johnny Waugh
  • Puppeteers – Elikem Agbesi, Liam Cook, Barbara Fadden, Damian Farrell, Caroline Green, Toby Grimes, Brian Herring, Nick Kellington, Riccardo Mazzi, Dilu Miah, Wim Oppenheimer, George Osborne, Jack Parker, Colin Purves, Mike Quinn, Lynn Robertson Bruce, Claire Roi Harvey, Ali Sarebani, Neil Sterenberg, Benedict Stewardson, Stephen Stallone Thomas, Ian Whyte, Latesha Wilson, Tom Wilton
  • Unit Production Manager – Samuel Sharpe
  • Assistant Producer – Suzi Wilson
  • Production Supervisors – Rachel Beaconsfield Press, Catherine Mednick
  • Production Coordinator – Christopher Mullen
  • Assistant Production Coordinators – James Hunter, Holly Mann
  • Travel & Accommodation Coordinator – Sarah Jones
  • ATL Accommodation Consultant – Janie Nugent
  • Travel Secretary – Ellie Davis
  • Production Secretaries – Bryn M Davies, Robin Hepwood
  • Production Assistants – Dylan Davies, Tamanna Rahman
  • BFI Production Trainee – Georgia Gill
  • Executive, Office of Kathleen Kennedy – Athena Sammy
  • Executive Producer's Assistant to Diego Luna – Gina Leon-Flores
  • Producers' Production Assistant – Shamara Adams
  • Assistant to Ariel Kleiman – Miles Ahmad
  • Shipping Coordinator – Emma Griffin Beat
  • Physical Asset Coordinator – Lennard Sillevis
  • Tandem Unit Production Manager – Matt Spooner
  • Tandem Unit Production Coordinator – Sarah Evans
  • Tandem Unit Assistant Production Coordinator – Jenny Martin
  • Tandem Unit Production Secretary – Jonathan Stern
  • Tandem Unit Production Assistant – Lorelin Howie
  • Financial Controller – Gareth Brock
  • Production Accountant – Georgia Fletcher
  • First Assistant Accountants – Sally Stabler, Luke Tuck, James Wesolowski
  • Accounts Payable Supervisor – Sophie Cain
  • Payroll Supervisor – Becs Scurrah
  • Payroll Accountants – Philip Hewitt, Hannah McCartney, Poppy Taylor, Sophie Tyler
  • Assistant Payroll Accountants – Gurvinder Gill, Billy Wiz
  • Assistant Accountants – Laura Anderson, Saran Brar, Abbie Cain, Daniel Cusa B. Karmeniani, Morgaine Fitzsymons, Sophie Havell, Sally Hemsworth, Poppy Griffiths, Sam Thomas, Connor Tuck
  • Payroll Clerk – Jack Burke
  • BFI Accounts Trainee – Billie Carter
  • Floor Second Assistant Director – Alexander Lloyd
  • Base Third Assistant Director – Marlon Beyer Rieger
  • Floor Third Assistant Director – Lauren Gallagher
  • Set Production Assistants – Victoria Cook, Dylan Henricson, Eilisha McNally, Elliot Plumridge
  • Tandem Unit Floor Second Assistant Director – Thom McNally
  • Tandem Unit Floor Third Assistant Director – Jordan McInnes
  • Tandem Unit Base Third Assistant Director – Stefan Maile
  • French Casting – Mathilde Snodgrass, ARDA
  • French Casting Assistant – Celia Champion
  • Crowd Second Assistant Director – Camilla Southwell
  • Crowd Coordinator – Kristy Tsois
  • Crowd Third Assistant Director – David Underwood
  • Crowd Production Assistant – Emily Johnson
  • Stand-Ins – Steve Morphew, Laura Southall
  • BFI Assistant Director Trainee – Ellie-Mai Lothian
  • Tandem Unit Set Production Assistants – Riccardo Melis, Olja Mladjenovic, Tom Leefarr Smith
  • UK Casting Associate – Sacha Garrett
  • Script Editor – David Girvan
  • Script Supervisor – Helene Oosthuizen
  • Dialect Coach – Naomi Joy Todd
  • Ghorman Language Creator – Marina Tyndall
  • Ghorman Dialect Coach – Marion Déprez
  • Intimacy Coordinator – David Thackeray
  • Storyboard Artist – Temple Clark
  • Choreographer – Diana Scrivener
  • Assistant Script Supervisor – Tommy Monroe
  • Script Assistant – Avgerinos Karadimas
  • Tandem Unit Sides Production Assistant – Janoux Gerber
  • Unit Publicist – Claudia Kalindjian
  • EPK Camera Operator – Hannah Mitchell
  • BFI Publicity Trainee – Luigi Espindola
  • Star Wars Lore Advisor – Pablo Hidalgo
  • Supervising Art Director – Toby Britton
  • Senior Art Director – Peter Dorme
  • Art Directors – Juan Cámara, Jake Hall, Gary Jopling, Charlie King, Pippa Punch, James M Spencer
  • Assistant Art Directors – John Adkins, Oscar Allan
  • Action Vehicles Art Director – Richard Campling
  • Art Director - 3D Set Designer – Max Klaentschi
  • Senior Draughtsperson – Denise Ball
  • Draughtspersons – Callum Courtney, Jimmy Davies, Rebecca Lewis, Paul Weedle
  • Action Vehicles Senior Draughtsperson – Archie Campbell-Baldwin
  • Standby Art Directors – Rachel Aulton, Pierre Farinole
  • Lead Graphics Designers – Barry Gingell, Dominic Sikking
  • Graphics Designer – Elle McKee
  • Assistant Graphics Designers – Lauren Dix, Fionnlagh Finlayson
  • Graphics Assistant – Tereza A. Hudakova
  • Concept Artists – Chester Carr, Giorgio Grecu, Scott McInnes
  • Model Maker – Pierre Greenway
  • Art Department Coordinator – Gracie Mila
  • Junior Draughtspersons – Paulina Camacho Diaz, Matthew Geldard, Magdalena Kronenberg-Seweryn, Nick Ramsay, Richard Wooller
  • Art Department Assistants – Louise Armour, Jack Haggerty, MJ Moan, Jake Rose
  • BFI Art Trainee – Lydia Leneghan
  • Atris - Lead Digital Asset Manager – Kyle Wetton
  • Atris - Digital Asset Manager – Nahiyan Muhaymeen
  • Art Digital Assets Manager – Andrew G Johnson
  • Clearance Coordinators – Chris Cook, Gina Cook
  • Computer Graphics Design & Animation by – Blind LTD.
  • Computer Graphics Supervisor – Andrew Booth
  • Computer Graphics Producer – Helen Baker
  • Design Consultant – Shaun Yue
  • Lead Screen Graphics Designer – Miles Corless
  • Screen Graphic Designers – Jonas Elsgaard, Ryan Anthony Ward
  • Computer Playback by – Compuhire
  • Graphics Playback Supervisor – Mark Jordan
  • Graphics Playback Producer – Sam Jones
  • Graphics Playback Technicians – Will Nash, Richard Neale, Joe Patrick, Jasper Thompson
  • Graphics Playback Programmer – Harrison Kons
  • Graphics Playback Coordinator – Will Wright
  • Set Decorator – Rebecca Alleway
  • Senior Production Buyer – Corina Floyd
  • Senior Assistant Set Decorators – Jo Graysmark, Guy Mount, Samantha Redwood
  • Assistant Set Decorators – Rob King, Maggie Musial, Ellie Shanks
  • Buyer – Helen Player
  • Assistant Buyer – Jeff Clarke
  • Petty Cash Buyer – Edie Moles
  • Department Coordinator – Eleanor Bailey
  • Researcher – Nicola Barnes
  • Set Dec Assistants – Rebecca Hawkes, Mattie Williams
  • BFI Set Dec Trainee – William Dixon
  • Senior Art Directors – Julia Dehoff-Bourne, Emma Vane
  • Art Directors – Solomon Honey, Andrew Proctor
  • Senior Draughtsperson – Catherine Whiting
  • Draughtspersons – Katie Dadswell, Ketan Waikar
  • Junior Draughtspersons – Robert Hainsworth, Jake Jerrard-Dinn, Matthew Seccombe
  • Concept Artists – Peter Day, Keith Seymour, Jon Ziman Bright
  • Drapesmaster – Chris Lewry
  • Drapesmen – Steve Cashin, Alex Lewry, Daniel Lewry
  • Supervising Set Dec Carpenter – Tom O'Neill
  • Set Dec Chargehand Carpenter – Josh O'Neill
  • Set Dec Carpenters – Joe Cox, Kevin Hedges, Kevin McNeil, Luke Sargent
  • Supervising Set Dec Painter – Bobby West
  • Set Dec Chargehand Painters – Tink Cant, Dean Lancaster
  • Set Dec Painters – Alice Bolton, Emma Drought, Matthew Dylan Grace, Kallum Hall, Megan Harrison, Richard Lancaster, Adam Maher-Middleton, Thomasin Marshall, Lily Mathiszig-Lee, Rosie Murray, Charlotte Stapleton, Elizabeth West, Jonathan Winney
  • Set Dec Improver Painter – Lydia Ducker
  • Home Economists – Katharine Tidy, Olivia Somary

Visual Effects Crew

  • Visual Effects Production Manager – Cecy Falls
  • Visual Effects On-Set Supervisor – Marcus Dryden
  • Visual Effects Coordinators – Ashley Wild, Ali Pak, Amy Gibson
  • Visual Effects Assistant Coordinator – Alex Payne
  • Visual Effects Production Assistants – Tehreem Faisal, Tosin Ogunleye
  • Visual Effects Lead Data Wrangler – Steven Barham
  • Visual Effects Assistant Data Wranglers – Lewis Watts, Tom Hoyle, Adam Thomas Wright
  • Visual Effects Data Wrangler - Tandem Unit – Simon Chiu
  • Visual Effects Digital Assets Manager – Gordon Anderson
  • Visual Effects Concept Artist – Alexander Dudar
  • In-House VFX Supervisor – Paolo D'Arco
  • In-House VFX Coordinators – Helena du Cros, Viktoria Yankova
  • In-House VFX Producer – Andrey Polezhayev
  • Visual Effects Compositors – Richard Bailee, Adrian Banton, Kayleigh Boshoff, Matt Foster, Milo Marshall, Abby Scollay, Haluk Tarcan, Yeuk Hei Dick Wan
  • Green Screen Supervisor – Éamonn McKinney
  • Green Screen Chargehand – Yudhveer Yogi Bassi
  • Tandem Unit Green Screen Supervisor – Joe Neeson
  • Tandem Unit Green Screen Chargehand – Séamus Walsh
  • Green Screen Riggers – Mason Barry, Jordan Bruno, Frankie Connolly, Dwayne Duncan, Lenny Harris, Harry Kelly, David Lockyer, Dom MacAuley, James McGinty, Séamus Sharkey, Amphon Supharee, Jermaine Yamoah
  • Visual Effects and Animation by – Industrial Light & Magic, A Lucasfilm Ltd. Company
  • Prop Master – Ben Wilkinson
  • Assistant Prop Master – Matthew Cooke
  • Supervising Props Storeman – Tom Gardner
  • Props Coordinator – Abi Elliston
  • Action Prop Buyer – Jonathan Downing
  • Assistant Buyer – Natalie Marquis
  • Action Props Concept Artist – James Wheeldon
  • Supervising Standby Props – Jason Torbett
  • Standby Props – Robin Chiu
  • Junior Floor Person – Seb Davies
  • Props Driver – Gavin Shepherd
  • Hand Props/Weapons Supervisor – Jonathan Wallace
  • Crowd Props Supervisor – Sonny Merchant
  • Supervising Standby Weapons – Jonathan James Evans
  • Standby Weapons – Christopher Beaumont
  • Workshop Supervisor – Christian Short
  • Workshop Chargehand – Jack Ferguson
  • Assistant Storeperson – Colin Merchant
  • Archive Storeperson – James Cooke
  • Junior Storepersons – Jessica Pearson, Harry Westley
  • Supervising Dressing Props – Peter Bigg, Craig Tarry, Pete Watson
  • Chargehand Dressing Props – Louis J Boon, Paul Burgess, Tony Price, Jake Wells
  • Dressing Props – John Booth, Jake Chancellor, Lauren Conlon, Luke Daniels, John Dempster, Ryan Dyer, Michael Fleming, David Forsyth, Laird Galloway, Ben Green, George Haylett, Kevin Herbert, Gary Ixer, Jak Lawson-Wells, Chris Pigott, Richard Preston, Andy Rolfe, Mark Timson, Dan Valentine, Katie-Jo Watson, Stacey Watts, Steve Westley, Buddie Wilkinson
  • Junior Dressing Props – Tyler Adlem, Austin Timson, Hannah Watkins-Lewis
  • Trainee Dressing Props – Mia Cooke
  • BFI Props Trainee – Cianna Cunningham
  • Supervising Prop Painter – Stuart J Hall
  • Junior Painter – Claudia Freeman
  • Chargehand Painter – Peter Le Pard
  • Workshop Chargehand – Terry Whitehouse
  • HOD Props & Set Dec Manufacturing – Tim Wildgoose
  • Props Manufacturing Coordinator – Maia Alvarez Stratford
  • Petty Cash Buyer – Berry Wasik
  • Assistant Buyer – James Reynolds
  • Senior Modellers – Pete Fielding, Alan Hardy, David Farrow, Will Sumpter, Mark Yeo
  • 3D Modellers – Tara Barzetovic, Matt Street, Nayda Venizelos
  • Workshop Manager – David Sillery
  • Senior Supervising Modellers – Stuart Meridew, Emily Bick, Graham Bowen, Martin Campbell, Holly Martin
  • Advanced Modellers – Noel Glennon, Miguel Quina, Dave Tincombe, Luisa Toledo, Paula Vine
  • Modellers - CNC – James Aubrey Brittan, Sophie Dyer Bartlett
  • Modellers – Joe Browning, Joe Fysh, Beth Harris, Jason Larcombe, Alex Lloyd, Fen Lundberg, Adam McGee Abe, Francesca O'Brien, Marie Parsons, Victoria Pearce, Tim Pratt, Ben Ressa, Benjamin Saunders, Camay Sungu, Hannah Treharne, Daniel Weymouth
  • Junior Modellers – Katy Chrysafi, Callum Higgins, Sophie King, Elsie Mortimer, Fran Pulford, Kaitee Reed, Claudia Sawyer
  • Advanced Mould Maker – Adrian Brady, Guy Mainwarring
  • Mould Maker – Kittie Dashwood
  • Junior Mould Maker – Isobel Campbell
  • Junior Mould Modeller – Lorenzo Fontanna
  • Trainee Modellers – Jacob Kempster, Lily Krempel
  • BFI Prop Making Trainee – Becca Taylor
  • Prop Painter – Jessica Martin
  • Junior Prop Painter – Isabelle Wilkins
  • Sculptor – Faye Wildgoose
  • Leather Worker – Chloe Stanyon
  • Construction Consultant – Paul Hayes
  • Construction Manager – Will Stickley
  • Construction Supervisor – Nicole Keating
  • Assistant Construction Coordinators – Katy Hayes, Laura Nugent
  • Buyer – Stuart Bradley
  • Construction Storeman – Adam Peacock
  • HOD Carpenter – Bradley Cooper
  • HOD Painter – Paul Whitelock
  • HOD Rigger – Shane Brady
  • HOD Plasterer – Martin Moran
  • HOD Metal Worker – Kevin Nugent
  • HOD Stagehand – Steve Bovingdon
  • HOD Sculptor – Ben Johnson
  • HOD Electrician – David White
  • Scenic Artists – Tom Kirkwood, Matthew Walker
  • Rigging Inspector – Gary Goble
  • Supervising Carpenters – Joe Alley, James Bede, Bill Bennett, Phil Bradley, Darryl Carter, Tony Challenor, Marcus Ehren, Chris Frewin, Jamie Gamblen, Conor Hayes, Joe Laidlaw, Graham Shepherdly, Mark Titmus, Jason Whyman
  • Supervising Painters – Mitchel Cooper, Andy Harvey, Connor Kennedy
  • Supervising Riggers – Terry Brown, Adam Coote, Jamie Wyatt
  • Supervising Stagehands – Brian Stachini, Lee Stachini, Max Stachini
  • Supervising Plasterers – Darren Blanchard, Rees Hayes, Morgan Moran
  • Supervising Metal Worker – Rob Fitzgibbon
  • Trainee Painter – Jack Locket
  • Action Vehicles HOD – Warren Stickley
  • Workshop Supervisor – Graham Dale
  • Department Coordinator – Daljit Colthorpe
  • Lead Model Maker – Ray Widdowson
  • Petty Cash Buyer – Claudia De Wolf
  • Fabricators – Dec Hardy, Paul Hitchinson, Caspar Phillips
  • Model Makers – Martin Cook, Martin Dallinger, Claire Green, David Larkin, Russell Shea, Tom Sinden
  • Trainee – Hugo Ricketts
  • Junior Fabricator – Sam Bentley
  • Greens Services provided by – Greens Team Ltd.
  • Dogs provided by – Birds & Animals UK
  • Dog Handlers – James Weller, Billy Green, Hamish Secrett, Georgia Pearce, Ruth Revillas Rodriguez, Tracy Harris
  • Birds provided by – APAB Ltd.
  • Bird Handler – Anthony Bloom
  • Director of Photography - VFX Unit – Iain Struthers
  • A Camera/Steadicam Operator – Joe Russell
  • B Camera Operator – Iain Struthers ACO
  • A Camera First Assistant – Jamie Phillips
  • B Camera First Assistant – Ryan King
  • A Camera Second Assistant – Amber Osborne
  • B Camera Second Assistant – Neil McConville
  • Central Loader – Kofi Richards
  • Camera Trainee – Nia Berry
  • BFI Camera Trainee – Nicole Rumball
  • Tandem Unit A Camera/Steadicam Operator – Will Humphris
  • Tandem Unit B Camera Operator – Justin Hawkins
  • Tandem Unit A Camera First Assistant – Russell Kennedy
  • Tandem Unit B Camera First Assistant – Kriss Dallimore
  • Tandem Unit A Camera Second Assistant – Giles Taylor
  • Tandem Unit B Camera Second Assistant – Scott Mitchell
  • Tandem Unit Central Loader – Dafydd Bates
  • Tandem Unit Camera Trainee – Stanley Blundell
  • Key Grip – Russell Diamond
  • Best Boy Grip – Andy Levett
  • A Camera Grip – Glen Dunning
  • B Camera Grip – Matt Clyne
  • Crane Grip – Alex Colthart
  • Crane Techs – Aiden Bell, James Duffy
  • Libra Head Tech – Lester Plant
  • Rigging Grip – Rory Single
  • Standby Rigger – Rob Armstrong
  • Standby Carpenter – JP McHugh
  • Standby Painter – Ryan Wilcox
  • Standby Stagehand – Sean McKeown
  • Grip Trainee – Elliot Izzard
  • BFI Grip Trainee – Callum Bampton
  • Tandem Unit Key Grip – Simon Muir
  • Tandem Unit Best Boy Grip – Luke Oliver
  • Tandem Unit A Camera Grip – Alex Coverley
  • Tandem Unit B Camera Grip – David Reeves
  • Tandem Unit Trainee Grip – Karris Holm
  • Tandem Unit Libra Head Tech – Ben Martin
  • Tandem Unit Standby Carpenter – Alex Roberts
  • Tandem Unit Standby Painter – Rachel Owen
  • Tandem Unit Standby Rigger – Darren Coomber
  • Tandem Unit Standby Stagehand – Lee Scott
  • Production Sound Mixer – Danny Hambrook, AMPS
  • First Assistant Sound – Michael Sinden, Lee Thompson
  • Second Assistant Sound – Jordan Feemster
  • Sound Trainee – Imogen Jeffrey-Badger
  • BFI Sound Trainee – Jodi Morrison
  • Tandem Unit Sound Mixer – Adam Laschinger
  • Tandem Unit First Assistant Sound – Orin Beaton, Kyle Pickford
  • Tandem Unit Second Assistant Sound – Renzo Garcia
  • Digital Imaging Operator – Mustafa Tyebkhan
  • Data Manager – Ashley Cooke
  • DIT Assistant – Francesca Stone
  • BFI DIT Trainee – Pablo Brown-Jennett
  • Tandem Unit Digital Imaging Operator – Marc-Jason Maier
  • Tandem Unit Data Manager – Oliver Smith
  • Tandem Unit DIT Assistants – Tara Dreyfous, Adam Jasinski
  • Video Playback Operator – Richard Shean
  • Video Assistant – Sam Louka
  • Video Trainee – Marlon Roach
  • BFI Video Trainee – Poppy Conway
  • Tandem Unit Video Operator – Matthew Fox
  • Tandem Unit Video Assistant – Nia Ashby
  • Tandem Unit Video Trainee – Alex Critchley
  • Gaffer – Jonathan Spencer
  • Best Boy – Luke Farrow
  • Floor Best Boy – Jordan Spencer
  • Shooting Desk Operator – George Jenkins
  • DMX Assistant – Henry Hulme
  • Standby Practical Electricians – Jerdan Taylor, Josh White
  • Standby Rigger – Paul Moore
  • Tandem Unit Gaffer – Karl Goff
  • Tandem Unit Floor Best Boy – Thomas Tann
  • Tandem Unit Shooting Desk Operator – Stavros Kyriacou
  • Tandem Unit 4x4 Genny Operator – Grant Wilkins
  • BFI Electrical Trainee – Belle Palmano
  • Lighting Technicians – Sam Elvin, Harvey Faulkner, Connor Drew Jones, Darrell McGuigan
  • Tandem Unit Lighting Technicians – Rob Gavigan, Luke Pochetty, Steve Pochetty, Nick Rogers, Gary David Warn
  • HOD Practical Electrician – Colin Townsend
  • Supervising Practical Electrician – Billy Clifford
  • Chargehand Practical Electricians – Michael Barham, George Clifford, Normen Luzinsky
  • Practical Electricians – Warren Davies, Ethan Finnis, Matt Fitzgerald, Dean Hitchcock, Terry Hudson, Douglas Johnson, James Marks, Simon Purdy, Harry Patrick Thompson, Charles Woollard
  • Rigging Gaffer – Jason Martin
  • Best Boy – Darren Harvey
  • Supervising Desk Operator – Andy Munday
  • Rigging Electrical Board Operators – Peter Gilmour, Stavros Kyriacou
  • Floor Supervisors – Matthew Martin, Lee Martin
  • Chargehand Rigging Electricians – Charlie Dixon, Lee Hatcher, Josh Crisp
  • Rigging Electricians – Alex Bond, Danny Butler, Joshua Faulkner, Cody Hatcher, Edward Horton, Mick Keeley, Craig Lawson, Robbie Martin, Jock Norton, Richard Philbert
  • HOD Rigger – Paul Wellstead
  • Supervising Electrical Rigger – Garry Ridgwell
  • Chargehand Electrical Riggers – D A Horsley, Luke Ridgwell
  • Electrical Riggers – Brian Allen, Trevor Carey, Aaron Duncan, Jack Duford, Fred Faulkner, Cassidy Graham Gillivan, Michael Greenhalgh, Mark Horsley, Richard Law, Jonathan Maynard, Paul Moore, Del Norbury, Martin O'Connor, Cliff Proctor, Glen Southern
  • Costume Supervisor – Kate O'Farrell
  • Assistant Costume Designers – Richard Davies, Paula Fajardo
  • Assistant Costume Designers - Creatures – Eloise Park
  • Costume Design Assistants – Ellen Conrad, Stephanie Potter
  • Junior Design Assistant – Mikolaj Wasowski
  • Concept Artists – Glyn Dillon, Andrei Riabovitchev, Norman Walshe
  • Chief Textile Artist – Jackie Moody
  • Senior Textile Artists – Francesca Ackerson, Sadie Tilbury
  • Textile Artists – Niamh Cunningham, Betty Lee, Victoria Morgan, Caroline Weston
  • Textile Trainee – Eloise Lloyd Adams
  • Principal Cutters – Malin Anderson, Robert Sutherland
  • Creatures & Crowd Cutter – Geoff Slack
  • Junior Cutters – Linards Augusts, Jonathan Burniston
  • Costume Dept Coordinators – Kyle Trenton Stewart, Corinna Kennedy White
  • Senior Buyer – Sarah Tiffin
  • Buyers – Jessica Curties, Rachele Verrecchia
  • Junior Buyer/Assets Coordinator – Francesca Ulanoff
  • Cutter – Francis Campbell
  • Senior Makers – Michela Clegg, Emily Jane Hudson, Kaye Woodcock, Marzena Majzon
  • Makers – Carly Andrews, Pauline Bidegaray, Carla Bonilla Amadeo, Alice Brown, Valeria Cantelli, Eve Collins, Bethany Morton, Rosie Neate, Kate Peters
  • Junior Makers – Christian Hudson, Poppy Lees, Jodie Roberts, Cecile Shills
  • Key Senior Standby – Felicity Goldsworthy
  • Principal Standby – Harriet Town
  • Senior Principal Standbys – Maite Chemin, Lois Connell, Talulah Mason, Amy Wallace
  • Crowd Wardrobe Supervisor – Shirley Nevin
  • Crowd Wardrobe Mistress – Catherine Woolston
  • Crowd Mistress – Nicole Hayter
  • Crowd Fitters – Emma Burnand, Laura Johnson, Phillip Lester
  • Crowd Alterations Hands – Jesse Hansen, Francis Ponisi
  • Senior Costume Assistant - Stunts – Paul Harvey
  • Standby Stunts Assistant – Archie Campbell
  • Crowd Key Costume Standby – Leanne Fry
  • Standby Costume Assistants – Georgina Martin, Ciara Sheridan
  • Crowd Costume Assistants – William Evans, Katie Hudson, Jessie McKenzie, Grace Taylor-Shaw
  • Crowd Costume Juniors – Stephen Mead, Charlotte Moroney, Sorcha Ni Fhloinn, Sonam Tobgyal
  • Costume Gangsman – Craig Morrison
  • Costume Trainees – Calum Marshall, Matilda Southcott, Tallulah Brown, Lydia Hughes, Izzi Clews
  • Costume Props/Armoury by Makinarium UK Ltd. – Amanda Darby, Skye Everson, Kevin Giles, Robin Lawrence, Graeme McCracken, Stefanie Pengilly, Kirsty Peters, Kathryn Prince, Stephen Rogers, Amber Rose Thompson, Josh Webb
  • Hair & Makeup Supervisor – Gerda Lauciute
  • Senior Hair & Makeup Artist – Daniele Nastasi
  • Hair & Makeup Artist/Wigmaker – Colette Fishlock
  • Hair & Makeup Artists – Mathilda Austin, Holly Caddy, Sally Crawshaw, Amy Cuppage, Hayley Gittins, Suhyun Kang
  • Hair & Makeup Juniors – Emmalee Etherington, Issy Walton
  • Hair & Makeup Trainees – Megan Keepence, Katie Narramore
  • BFI Hair & Makeup Trainee – Erin Grace Wheatland
  • Crowd Hair & Makeup Supervisor – Nicola Mount
  • Crowd Hair & Makeup Artists – Daisy Almond, Leigh Crawford, Emily Dodge, David Dorling, Katie Finch, Kamen Glover, Lizzie Judd, Rebecca Kempton, Molly Lister, Gary Machin, Lynsey McIlwaine, Laura Morse, Nina Pratley, Tamara Ramsey-Crockett, Natasha Richards, Emma Sherry, Lauren K Smith, Morag Smith, Caitlin Tanner, Georgia Thompson
  • Crowd Hair & Makeup Barbers – Maisie Caen-Reilly, Lisa Otterburn
  • Crowd Hair & Makeup Junior – Rosalyn Fochs
  • Crowd Hair & Makeup Trainees – Hannah-Louise Callaghan, Holly Chambers, Alice Holgate, Ellie Jarvis
  • CFX Production Supervisor – Katie Newitt
  • CFX Assistant Production Supervisor – Samantha Langridge
  • CFX Project Manager – Vanessa Bastyan
  • Animatronic & Performance Coordinator – Derek Arnold
  • CFX Assistant Coordinators – Joe Carlyle, Emma Green
  • CFX Production Assistant – Rosie Hardiman
  • Creature Concept Designers/Senior Sculptors – Ivan Manzella, Martin Rezard, Louis Wiltshire
  • Creature Concept Designers/Sculptors – Tom Blake, Stefano Cordioli, Andre Gilbert
  • Sculptor – Justin Pitkethley
  • Senior Modellers – Brian Best, Tom Packwood
  • Senior 3D Modeller – Scott Riley
  • Paint Design Supervisor – Henrik Svensson
  • Hair & Fur Supervisor – Jodi Corpe
  • Senior Hair & Fur Technician – Stephanie Hovette
  • Hair & Fur Technicians – Sophie Ablett, Maisie Powell-Jones, Sophie Rechtberger
  • Junior Hair & Fur Technician – Zoe Mansfield-Nieberg
  • Supervising Foam Modeller – Jimmy Bernardinis
  • Supervising Skin Modeller – Cerina Knott
  • HOD Model Mouldshop – Kenny Wilson
  • Modelmaking Supervisor – Paul Szebesta
  • Senior Modelmaker – Lee Towersey
  • Modellers – Mitchell Chamberlain, Gemma Fee, Samuel Johnson, Luca Riboni, Francesca Rivera-Arill, Bobbi Roberts, Nick Tyrrell
  • Animatronic Design Supervisor – Gustav Hoegen
  • Senior Animatronic Designers – Tim Berry, Karl Gallivan, Joshua Lee, Adrian Parish
  • Animatronic Designers – Matthew MacMurray, Ashton McCarthy-Gould, Gerard Moore
  • Junior Animatronic Designers – Nicolas Ferrard, Matthew Hart, Kieran Meadows
  • Electronic Design & Development Supervisor – Matthew Denton
  • Fabrication Design Supervisor – Fiona Barnes
  • Senior Fabrication Designers – Sherri Hazzard, Jessie Hinton, Lotta Hoegen, Thea Keenan
  • Fabrication Designers – Claire Bannister, Rebecca Simm
  • Fabricators – Natalie Pettigrew, Christopher Barlow
  • Junior Fabricator – Bethany Harkess
  • Fabrication Assistant – Emily Booth
  • Mouldmakers – Robert Skene, Jessica Tucker
  • Silicone Technician – Molly Bowen-Schofield
  • Paint Finish Artist – Patrick Caracedo-Barbet
  • Junior Mouldmaker – Isobel Wood
  • Mouldshop Assistants – Mabli Non Jones, Yannis Petridis
  • Modelmaking Assistants – Harry Helsdon, Archer Hodges
  • Key Prosthetic Artists – Elizabeth Barlow, Jennifer Kewley, Megan Thomas
  • Prosthetic Assistant – Samanta Maslauskaité
  • 3D Manufacturing Coordinator – Robyn Andrews
  • Carpenter – Lily Aleck
  • BFI CFX Trainees – Rowena Smith, Ben Dalitz
  • Special Effects Supervisor – Luke Murphy
  • Floor Supervisors – Jody Eltham, Dean Ford
  • Prep Supervisor – Darrell Guyon
  • Workshop Supervisors – Phil Ashton, Michael Fox
  • Wire Supervisor – Mark Berry
  • Lead Senior Technicians – Craig Leong, Nigel Sinclair, Phoebe Tait, Tony Turner
  • SFX Coordinator & Buyer – Jake Edwards
  • SFX Coordinator – Courtney Hooper
  • Senior Technicians – John Duffy, Russell Farns, Bruce Mayhew, Daniel Meaker, Colin Nicholson, Declan O'Donnell, Tori Williams, Paul Hodges
  • SFX Rigger – Tom Smith
  • Technicians – Chris Arnott, James Holbrook, James Miller, David Rigley-Williamson, Adam Sawatzki, Josh Seatherton, Jackson Wise, Tom Costelloe, Dean Mitchell, Ben Ember
  • SFX Driver – Richard Wallace
  • Assistant Technicians – Nathan Chidgey, Barnaby Jay, Dean Lomas, James McKnight, Holly Pomfret
  • SFX Trainees – Joss Cleary, Joe Homewood, Callum Lumbard
  • Supervising Location Manager – Richard Hill
  • Location Managers – Joanna Beckett, Luke Stevenson, Jojo Warne
  • Unit Manager – Sam Turner
  • Assistant Unit Manager – Sjors Fiege
  • Location Coordinator – Lucy Foulds
  • Assistant Location Managers – Stephanie Andrew, Mitch Bellgreen, Jeanne Caboche, Alice Doughty, Zak Jarvis
  • Location Assistants – Flynn Berry, Jordi Torrens Heppell, Holly Loveridge-Smith
  • BFI Locations Trainee – Melissa Sorrell
  • Production Services in Italy provided by – K+ Srl.
  • Line Producer – Nicola Fedrigoni
  • Production Supervisor – Gabor Agoston
  • Production Supervisor Assistant – Carlotta Bonelli
  • Production Coordinator – Gloria Zanette
  • Aerial DOP – Irmin Kerck
  • Heli Pilot – Gabriel Kostner
  • Tech Assistant Aerial DOP – Justin Webber
  • Heli Ground Assistant – Manuel Kostner
  • Studio Unit Manager – Duncan E. Newland
  • Assistant Studio Unit Manager – Marcus Mills
  • Studio Unit Coordinator – Ben Orr
  • Studio Unit Electrician – Callum Longstaff
  • Co-Assistant Studio Unit Managers – Matt Howard, Shane Reynolds
  • Studio Unit Assistant – Micah Hinchliffe
  • Studio Production Assistants – Sofia Hummelin, Pixie Shay
  • Sustainability Consultants – Jimmy Keeping, Amelia Price
  • Sustainability Production Assistant – Vaiva Azzolini
  • Sustainability Coordinator – Gabrielle Oliver

Spain Unit

  • Executive Production services in Spain provided by – Sur Film Pilgrim, S.L., a company of the Sur Film Canarias Group
  • Spain Line Producers – Andreas Wentz, Juan Cano (Nono)
  • Spain Unit Production Manager – Alberto Poveda
  • Spain Production Manager (UK) – Richard Hill
  • Production Coordinator – Clara Salas
  • Production Supervisor – Rafa Candino
  • Spain Production Coordinator (UK) – James Hunter
  • Assistant Production Coordinator – Carola Lago
  • Travel & Accommodation Coordinator – Gabriela Fuentes Salas
  • Travel & Accommodation Assistant – Adrián Such
  • Production Secretary – Isa G. Ferrer
  • Key Welfare Production Assistant – Martín Alaminos
  • Prod. Facilities Manager & Purchases – Jacobo Campos Montesinos
  • Assistant Facilities Manager & Purchases – Beatriz Silva Arrate
  • Key Office Production Assistant – Violeta Herranz Plazas
  • Office Production Assistants – Carlos Chiva Mulet, Nuria G. Quesada
  • Xativa Production Assistant – Ferran Font Benito
  • Purchase Production Assistant – Carlota Lloret
  • Rushes Runner – Patricia Morillo Pozo
  • Sur Film Legal & Tax Counsel – Jaime Sanz
  • Welfare Production Assistants – José Fernando Rodríguez Guerrero, Alberto Morocho Herranz, Lucía G. Molera, Elena Ruiz Orenga, Amanda Paniagua
  • Accountant Manager – Sara Martín
  • First Assistant Accountant – Patricia Aragón Solomando
  • Second Assistant Accountant – Rebeca Muñiz Gómez
  • Travel & Accommodation Accountant – Diego Muñiz Gómez
  • Accounts PA – Natalia Pérez Victorio
  • AP Supervisor – Darío Gonazález Galiano
  • Cashier – Jorge Mediero Vallés
  • Payroll Accountants – María Del Rosario González Galiano, Gladys Reyes Yee
  • Key Second Assistant Director – Laura Hernández Vela
  • Floor Third Assistant Director – Pablo R. Montenegro
  • Crowd Second Assistant Director – Angie Paul Risque
  • Crowd Third Assistant Director – Eduardo Huete
  • Set Production Assistants – Aines Belloso, Ana Serra Calatayud, Carlos Domingo, Elvira Morales Escamilla, Natalia Fernández, Laura R. Iglesias, Alba Iranzo, Lucía Rufilanchas Liberman, María José Paul, Gloria Picó, Alejandro Paul Sánchez, María Iglesias Villarejo
  • Crowd Casting – Yael Moreno
  • Assistant Crowd Casting – Sara Cebriá Cerdá, Carolina Montes, Teresa Muiño, Macarena Sierra Nuñez
  • Crowd Covid Casting – Mireya Lara Liras
  • Crowd Marshals – Marc Dalmau, Miguel Pastor Rebollo, Mireia Chulia Vila
  • Props Supervisor – Maitica Gilabert
  • Prop Hands – Emilio Amigo Conde, Pablo Valls
  • Chargehand Props – José Luis Company Sania
  • Location Set Decorator (UK) – Ben Barrington-Groves
  • Prop Buyer – Juan José Ibáñez Piquera
  • Standby Props – Fernando Clemente Pelaez, Pablo Avilés Rehberger
  • Dressing Props – Pilar Atienzar, Ana Cervera Criado, Gloria Mir Fuentes, Heda Bermudo Garcia, Pablo González, Laura Estornell Pascual, Miguel Fuster Pitarch
  • Balloon Tech Coordinators – Jaume Piñol, Evaristo Valera
  • XM2 Drone Crew – Nic Batten, Emma Stokes, Jan Urbanski
  • Drone Pilot – Xavi Ollé
  • Camera Operator – Gabriel Manz
  • Drone Camera Operator – Julian Glöcker
  • Drone First Assistant Camera – Julian Roth
  • Best Boy – Guillermo de la Dehesa
  • Shooting Electricians – Miguel Ángel Bardavio Morales, José Vicente Salvador, Mariano Serrano
  • Generator Operators – Jose Albadalejo, Diego Campos, Roberto Campos, José Manuel Rodríguez, Carlos Santiago
  • Construction PAs – Rubén Llopis, Nacho Santos
  • Rigging Gaffer – Kino Sánchez
  • Rigging Best Boy – David Polo
  • Rigging Electricians – Jorge Bretón, Jorge Calmet, Micky Civantos, Germán García, Álvaro Hurtado, Chris Trujillo
  • Green Screen Rigger – Luis Moreno Andrés
  • Data Wrangler – Ismael Jiménez
  • Video Trainee – Héctor Parra Martínez
  • Costume Coordinator – Irene Orts
  • Assistant Costume Coordinator – Manuel Bonillo
  • Textile Artists – Pon Prol Pozo, Raúl Vargas
  • Leather/Jewellery Worker – Iu Girones
  • Standby Costume – Leticia Aparicio, Mariluz Mata León
  • Key Crowd Costume – Ruth Sempere
  • Costume Fitters – Pilar Escuder Ferrer, Pilar Tamarit
  • Seamstress – M Ángeles Camacho Asunción
  • Assistant Seamstresses – Esther Espi Alcaráz, Virginia Riesgo Plata
  • Costume Trainee – Rosa Garriga Alcayde
  • Costume Assistants – Santiago Palacios Álvarez, Nuria Pascual Andújar, Leandro Noel Benítez, Alba Costa, Natalia Vega González, Sebastián García Laporte, Inés Liverato, Ana Llorca, Macarena Ribera
  • Crowd Hair & Make Up Artist – Selmo del Campo
  • Hair & Make Up Trainee – Sara Ureña
  • SFX Senior Technician – Eloy Cervera March
  • SFX Technician – Carlos Espinar Santorcaz
  • Location Supervisor – Yanira de Armas Tosco
  • Valencia Location Manager – Laura González Corredera
  • Valencia Assistant Location Manager – Pachi Navarro
  • Xativa Assistant Location Manager – José Amigó
  • Valencia Floor Manager – Rosy Cano
  • Valencia Location Assistants – Rafa Lis, Rafa Vilabelda
  • CAC Location Assistants – Chimo Calatayud, José Pablo Salvador
  • Location Coordinator – Marta García
  • Valencia Site Manager – Nacho Merita
  • Valencia Unit Managers – Ricky Cruz, Mauro Taborda
  • Valencia Assistant Unit Managers – Imanol Gallardo, Santiago Miralles
  • Valencia Basecamp Managers – José Luis, Paco Povedano
  • Valencia Basecamp Assistant Manager – Jose Miguel Santacreu Cortés
  • Barcelona Location Manager – Lluis Botella Portes
  • Barcelona Assistant Location Manager – Cristina Tapia Carretero
  • Barcelona Site Manager – Francesco Colucci
  • Location Office PAs – Cristina Muñoz, Águeda Piris Oliver
  • Locations PAs – Jose Maroto, Almudena Soullard, Yael Vicente
  • Processing PA – Alex Escrivá
  • Cleaner PAs – Laura Amorós, Alicia Grau
  • Prep PAs – Pablo Pérez Ferrandis, José Sario
  • Marshals Coordinator – Carlos López
  • Location Set PAs – Renan Brenga, César Cid, Victor Hidalgo, Teresa Lluch Molina
  • Health & Safety Supervisor – Aramis Guerrero
  • Spain Disney Health & Safety Manager (UK) – Orlagh Kenny
  • Unit Nurses – Sonia Martínez, Celia Pérez, Blanca Valdés
  • Covid Unit Nurses – Marta Barber Alcayna, Claudia Quiles Boix, Ximo Ventimilla
  • Security Manager – Gilbert Cruz
  • Spain Assistant Security Coordinator (UK) – Hannah Mills
  • Covid Supervisor – Esther Lozano
  • Covid Coordinator – Nicolás Robles Martínez
  • Testing Coordinator – Carlos Carceller
  • Testing Assistant – Andrea Rabinal Alonso
  • Results PAs – José Ángel González, Ana Gisbert Castelló, Alba Rodríguez Ferrández
  • Covid PAs – Eduardo Fernández Torrejón, Dario Lozano Torcuato, Lou Wellwar
  • Transport Manager – Cristina Lozano
  • Transport Captains – Stevie D Doran, Phil Nicholson
  • Transport Office Coordinator – Lucía Azcué
  • Transport Office Assistant – Laura Amago Cienfuegos
  • Unit Base Assistant – Glenn Mustoe
  • Machinery Wrangler – Yure Jorge
  • Transport Order Assistant – Albert Mella
  • Transport Accounts Assistant – Amanda R. Melguizo
  • Unit Drivers – Susana Albalat, Gema Prieto Capel, Veronica Belenguer Díaz, Jorge Merita Gallach, Luis Hernández Giménez, Eremin Collado Pérez, Lucía Sebastiá Salvadores
  • Catering by – Cuchara de Palo
  • Cuchara de Palo CEO – Fernando Sánchez
  • Catering Coordinator – Raquel Clares
  • Valencia Chefs – Alejandro Rodriguez Catala, María Luzveminda Mengu Gacayan
  • Valencia Catering Supervisor – Gonzaga Martínez
  • Barcelona Catering Supervisor – Cristian Martínez
  • Valencia Assistant Chefs – Enric Palau Estevan, Ricardo Romero Meri, Elena Higyed Ramona

Lucasfilm Ltd.

Walt Disney Studios

  • American Humane – monitored the animal action.
  • Filmed at – Pinewood Studios, London, England and Longcross Serious Studios Ltd, Surrey, England
  • Tax Incentive Consulting services provided by – Entertainment Partners Canada
  • Produced with the support of the British Film Commission and the UK Government's High-End Television Tax Relief
  • With the participation of the Canadian Film or Video Production Services Tax Credit
  • With the participation of the Province of British Columbia Production Service Tax Credit
  • Produced with film and television tax credit assistance from the Government of Ontario
  • This production has benefited by the Spanish International Tax Rebate (36.2 CIT) with the support of the Spanish Government, the Valencia Film Office and Cataluña Film Commissions
  • This production was shot in Valencia, Ciutat de les Arts i les Ciencies and Palau de les Arts "Reina Sofia", Xativa, Castell de Xátiva, and Barcelona, L'Abadia de Montserrat and Parc Natural de la Muntanya de Montserrat

Appearances

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Characters

Organisms

Droid models

Events

Locations

Organizations and titles

Sentient species

Vehicles and vessels

Weapons and technology

Miscellanea

Sources

Notes and references

  1. ↑ 1.0 1.1 1.2 1.3 1.4 1.5 1.6 1.7 StarWars.com First Andor A Star Wars Story Teaser Trailer and Poster Revealed on StarWars.com (backup link)
  2. ↑ 2.0 2.1 Andor logo new Star Wars: Andor — "Ever Been to Ghorman?"
  3. ↑ Andor logo new Star Wars: Andor — "Ever Been to Ghorman?" dates itself to 3 BBY.

External links

Andor logo new
Season 1
1 · 2 · 3 · 4 · 5 · 6 · 7 · 8 · 9 · 10 · 11 · 12
The Complete First Season
Season 2
1 · 2 · 3 · 4 · 5 · 6 · 7 · 8 · 9 · 10 · 11 · 12
Soundtrack
Season 1
1-4 · 5-8 · 9-12
Season 2
1-3 · 4-6 · 7-9 · 10-12
Related media
Special Look · Season 2 Special Look
Dawn of Rebellion: The Visual Guide
The Art of Star Wars: Andor · REBELIÓN: An Andor Zine
Rogue One: A Star Wars Story
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