For other uses, see Reckoning.

"That's what a reckoning sounds like."
―Maarva Andor[3]

"Reckoning" is the third episode of the first season of Star Wars: Andor. The episode is directed by Toby Haynes and written by Tony Gilroy.[1] It aired on September 21, 2022 along with the first and second episodes.[2]

Official description

Cassian's desperation to avoid arrest leads him to a mysterious man with unknown connections.

Expanded description

The cordon tightens as tactical troopers close in on their target: the fugitive Cassian Andor. Desperate to evade arrest, Cassian makes contact with a mysterious yet well connected man who could supply him with money, a means off-world and perhaps a whole new direction in life.

Plot summary

Exploring the starship

In the past, a young Kassa climbs into the docking rig of the wrecked starship on his jungle homeworld Kenari. He finds the bodies of humanoids dressed in Separatist uniforms. The young Andor enters the ship's engine room where he touches the controls curiously. Andor sees a reflection of himself in one of the panels.

The approaching storm

In the present, Andor watches salvage workers and a shuttle dismantling a capital ship at a salvage yard. Brasso walks to Andor. Andor tells Brasso that he has some money coming today but Brasso is skeptical of Andor's ability to pay. Andor refuses to tell Brasso where he is going but promises to return.

Meanwhile, Luthen Rael's shuttle lands at the urban settlement on Ferrix. The male passenger tries to recommend a hotel and warns Rael to watch out for pickpockets. Rael is met by Bix Caleen, who tells him that their plan has been complicated by Preox-Morlana, which has issued a bulletin for someone matching Andor's description. Rael is aware of the bulletin and points out that they did not mention Andor by name but are looking for someone from Kenari. Rael says that Andor's prison record says he is from Fest, which Caleen agrees.

When Rael asks if Andor has been identified, Caleen says not many people know. After Caleen confirms that Andor killed the two security officers on Morlana One, Rael replies that they need to act fast. The two head to East lot, Building Nine where Andor is believed to be hiding. When Rael asks if she trusts Andor, Caleen replies that he will be there.

In space, the Preox-Morlana Corporate Tactical Forces' starship exits hyperspace and dispatches three Mobile Tac-Pods carrying law enforcement personnel led by Deputy Inspector Syril Karn and Sergeant Linus Mosk. B2EMO races through the streets of Ferrix.

Cassian and the scavengers

In the past, Maarva Andor, her husband Clem Andor and B2EMO undertake a mission to salvage equipment and technology from the wrecked Separatist starship on Kenari. They have twenty minutes due to the radioactive conditions. Maarva believes that there are six brand new fuel nodules within the ship. Clem thinks they should leave but Maarva wants to investigate a banging sound.

Maarva and Clem soon find the young Kenari boy wrecking equipment and screens in the engine room. Clem remarks that he likes the boy's spirit but warns that he might not want to be here when they come to clean up. Not understanding the strangers' language, Cassian waves his staff at them. B2EMO warns that a Republic frigate is approaching.

Maarva attempts to communicate with the frightened Cassian while Clem warns that they have nine minutes before the Republic starship arrives. In order to save the boy from danger, Maarva gets B2EMO to bring a drowser. While Clem points out that the boy's people are on the planet, Maarva counters that his tribe have already killed a Republic officer and that the Republic would retaliate when the frigate lands. Maarva stuns Cassian with her drowser.

The manhunt

Back in the present, Karn and Mosk's Tac-Pods approach the Ferrix settlement and land outside the scrap yard. West Team joins North Team. The workers believe the corporate soldiers are hunting for someone. Karn and his Corporate Tactica Forces enter the streets of Ferrix from different sides. A team enters Maarva's home and tells the elderly woman that they have a warrant for Cassian Andor. After restraining her, they enter the house. Elsewhere, Caleen returns to Timm Karlo's office and asks why the stuff is piled up in the alley. Karlo says he forgot and gets to work.

Meanwhile, Maarva chastises Karn as his troops search her home. Karn replies that she can stop the search by helping them find Andor. Sergeant Mosk arrives with B2EMO. Karn orders his troops to pull the droid's power supply in an attempt to force the droid's cooperation. Maarva protests but Karn orders one of his soldiers to silence her. Andor contacts B2EMO by comlink. Sensing something is not right, Andor cryptically tells B2EMO and Maarva that he is sorry and "to make sure that she keeps the heat on." While a soldier attempts to track Cassian's signal, Karn and his troops notice a crowd gathering outside Maarva's home. Karn calls East Team for reinforcements and assigns some of his men with guarding Maarva and B2EMO.

Crossing paths with destiny

Elsewhere, Rael finds Andor in an abandoned warehouse. As Karn and his troops exit Maarva's home, they are confronted by angry residents including Wilmon Paak, whom Karn tries to calm by explaining that they are executing a search warrant. Andor tells Rael that he plans to sell an intact Starpath unit for 40,000 credits, claiming it can track Imperial coordinates for nine parsecs. When Andor demands payment, Rael insists on trying it before asking Andor if he plans to stick around.

Meanwhile, Caleen receives news from Salman Paak that several "Corpos" raided Maarva's home. Paak also tells him about the bulletin for Andor. Caleen realizes that someone has betrayed Andor and says she needs to find him. Karlo tries to stop Caleen from leaving, claiming that Andor can take care of himself. Caleen quickly realizes that Karlo betrayed Andor since he is one of the few people to know that he is from Kenari. Paak asks Karlo what he has done.

Andor shows Rael the Starpath unit. Rael asks Andor how he obtained the unit and ponders with three possibilities. The first possibility is that Andor is an Imperial spy, the second is that he is fronting for the true seller, and the third is that Andor is being genuine. Andor reiterates his demand for payment, prompting Rael to reiterate his question. Rael is aware of Andor bribing quartermasters before they scrap. However, the Starpath unit is far too valuable for that.

Rael asks Andor how he obtained the Starpath unit. Andor claims that he stole the Starpath unit himself but Rael does not believe him due to the tight security at the Imperial Naval Base in Steergard. Andor is evasive but Rael offers to give him another thousand credits if he tells him how he got the box. Andor claims that all it takes to steal from the Empire is getting a uniform and impersonating Imperial personnel. He mocks the complacency and arrogance of the Empire. Rael agrees, saying that the Empire doesn't think about them.

Andor wants to count the money but Rael talks about the costs of resisting the Empire. Rael then mentions that he is aware that Andor's adoptive father Clem was hanged by the Empire. Rael invites Andor to join him, prompting Andor to ask at gunpoint how he knows so much about him. Rael wants to talk with Andor but warns that the Corporate Tactical Forces are on their way to arrest him for murdering the two security officers. Rael tells Andor he sees potential in him. Andor demands to know who he is, prompting Rael to point out that they do not have a lot of time to escape. Andor asks why he would choose to go with Rael. Rael responds by presenting Andor with the opportunity of fighting back.

Escaping the warehouse

Back on the streets, several residents including Paak, Wilmon, and Brasso begin banging objects in order to intimidate the Corpos. Several businesses close down their rollers. Andor demands to know who Rael is and asks whether he is an Imperial spy. Rael explains that special people are hard to find and that he came to save him from the pyre. Rael asks Andor to trust him and crushes Andor's comlink, warning him never to carry anything he cannot control. The two sense movement around the warehouse and realize that they are surrounded.

Meanwhile, corporate troopers from North Team apprehend Caleen in the streets of Ferrix. East Team sets up a perimeter around the warehouse on Rix Road where Andor and Rael are. Their leader contacts Karn, who orders them not to engage until he has arrived. Since Rael's ship is 40 klicks away, he and Andor decide to escape on a speeder bike. Rael has also planted snap charges on the door as a preemptive escape measure. The charges succeed in taking out some of the corporate soldiers but others charge in. A gun battle ensues and the two men are also forced to dodge falling objects. Several of the corporate soldiers are wounded by falling chains and objects.

Despite Rael's objections, Andor attempts to retrieve the Starpath box, dodging debris and enemy fire. Rael shoots a corporate soldier attempting to gun down Andor. The two men escape several falling chains and objects. Andor is upset about failing to retrieve the box but Rael thinks that escaping is more important. While Karn contacts North Team for help, Caleen attempts to escape but is restrained by an officer. Karlo confronts the North Team soldiers and attempts to aid Caleen but is shot dead by a trigger happy trooper. The team leader orders the soldier who shot Karlo to return to the pod and summon air support. Caleen weeps for her dead boyfriend.

On the run

Karn and Mosk learn from the surviving member of East Team that Andor and Rael are approaching their direction. Karn enters a shop, prompting three aliens to flee. Meanwhile, Maarva notices that the two corporate troopers guarding her are unnerved by the clanging sounds and hints of a coming reckoning. One of the soldiers tells her to shut up. Maarva says that when it stops, they will want to fret. One of the soldiers asks what will happen. Andor and Rael encounter the fleeing aliens.

While Corporate Tactical Forces converge around the town center, Andor ambushes Karn and forces him to surrender his comlink, which he destroys. Andor demands to know how many troops there are while Rael urges him to kill the man. The trooper reports there are twelve men and two officers. Elsewhere, the Corporate soldier who shot Karlo returns to his Mobile Tac-Pod and attempts to fly the ship away. However, the ship has been tied to a large piece of wreckage, which causes the ship to lose control and crash into the wreckage.

While Andor and Rael search for charges, a Corporate trooper finds Karn, whom Andor has gagged and bound. They appear to escape in a blue landspeeder. Corporate soldiers shoot the stolen speeder, causing it to crash. However, they quickly discover it was a decoy with Andor and Rael escaping on a speeder bike. Rael sets the wrecked speeder to explode. Mosk attempts to contact their comrades in North Team while Karn attends to the wounded and dead comrades.

As Andor flees with Rael on a speeder bike, a tearful Maarva experiences a flashback of her and Clem carrying their adoptive son Cassian from the wrecked Separatist starship on Kenari. B2EMO looks up to her with his sensors flashing sadly. Paak and Wilmon free a grieving Caleen while Brasso drinks sadly. As Andor and Rael fly over fields, a shell-shocked Karn is roused by Sergeant Mosk who tells him they need to leave. While the young Cassian meets his adoptive parents in the cockpit in the past, Andor leaves with Rael on his starship.

Development

For a short period of time after "Reckoning" was released, Disney+ simply titled it "Episode 3".

Media

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Collected in

Credits

By type
Cast Uncredited cast Crew Uncredited crew Special thanks

Cast

Crew

Visual Effects Crew

Construction Services provided by – Palace Scenery[3]

Greens Services provided by – Greens Team[3]

  • A Camera Operator – Ben Wilson
  • B Camera Operator – Iain Struthers
  • A Camera First Assistant – Sam Barnes
  • B Camera First Assistant – Gordon Segrove
  • A Camera Second Assistant – Adrian Stephens
  • B Camera Second Assistant – Ryan Adams
  • Central Loader – Martina Massimei
  • Camera Trainee – Molly Burcham
  • BFI Camera Trainee – Cecily Bedner
  • Tandem Unit A Camera Operator – Simon Finney
  • Tandem Unit B Camera/Steadicam Operator – Chris Bain
  • Tandem Unit A Camera First Assistant – Jonathan Wright
  • Tandem Unit B Camera First Assistant – Russell Kennedy
  • Tandem Unit A Camera Second Assistant – Ryan Bessin
  • Tandem Unit B Camera Second Assistant – Giles Taylor
  • Tandem Unit Central Loader – Clare Seymour
  • Tandem Unit Camera Trainee – Chloe Knight
  • Key Grip – Russell Diamond
  • Best Boy Grip – Andy Levett
  • A Camera Grip – Stuart Bunting
  • B Camera Grip – Matt Clyne
  • Trainee Grip – Alex Colthart
  • Crane Grips – Glen Dunning, Dean Morris
  • Crane Tech – Martin Elvin
  • Libra Tech – Connor Penfold
  • Standby Rigger – Rob Armstrong
  • Standby Carpenter – Vito Walker
  • Standby Painter – Nick Williams
  • Standby Stagehand – Brad Bede
  • Tandem Unit Key Grip – Jody Knight
  • Tandem Unit Best Boy Grip – David Littlejohns
  • Tandem Unit Grips – Ben Emerson, Simon Fogg
  • Tandem Unit Grip Trainee – Harvey Sebestyen Regan
  • Tandem Unit Standby Carpenter – Paul Jones
  • Tandem Unit Standby Painter – Terry Heggerty
  • Tandem Unit Standby Rigger – Thomas McDonald
  • Tandem Unit Standby Stagehand – Steven Matthews
  • Production Sound Mixer – Danny Hambrook
  • First Assistants Sound – Orin Beaton, Lee Thompson
  • Second Assistant Sound – Jordan Feemster
  • Sound Trainee – Imogen Jeffery Badger
  • Tandem Unit Sound Mixer – Tim White
  • Tandem Unit First Assistants Sound – Peter Davis, Tom Fennell
  • Tandem Unit Additional First Assistant Sound – James Gibb
  • Tandem Unit Second Assistant Sound – Julia Hardecka
  • DIT – John Paxton
  • Assistant DIT – Jess Pezet
  • Data Manager – Ollie Smith
  • Tandem Unit DIT – Jesse Llande
  • Tandem Unit DIT Wrangler – Matt England
  • Tandem Unit DIT Assistant – Dan Howard
  • Video Assist Operator – Zoe Whittaker
  • Video Assistant – Sean Ip Fung Chun
  • Network Infrastructure Technician – Alex McCormick
  • BFI Video Trainee – Phoebe Cullum
  • Creatures Video Assistant – Dean Ainscough
  • Tandem Unit Video Operator – Jarvis Coxwell
  • Tandem Unit Video Assistant – Henry Reece
  • Tandem Unit Video Trainee – Tom McGoldrick
  • Gaffer – Andy Lowe
  • Best Boy – Chris Stones
  • Lighting Console Operator – Nathan Porter
  • Chargehand Electrician – Duncan Riedl
  • Shooting Genny Op – Mark Sullivan
  • Standby Electrical Riggers – Cameron Berry, Emily Heffernan
  • Standby VFX Riggers – Adam Hubbard, Chris Rice
  • Standby Practical Electrician – Joel Ward
  • Tandem Unit Best Boy – Dominic Aronin
  • Tandem Unit Lighting Console Operator – Adam Millard
  • Tandem Unit Standby Electrical Rigger – Charlie Cole
  • Electricians – Dan Addis, Dan Chaytor, Vianney Kernanet, Marina Lewin-Richter, Max Lovell, Daniel McCormick, Pawel Polak, David Sedgwick, Dan Stones, Owen Varley
  • Tandem Unit Electricians – Dave Allen, Chris Broomfield, Tony Caja, Bradley Currie, Gian Pottieri, Sunny Singh, Ana Vilar-Bergua
  • HOD Practical Electrician – Colin Townsend
  • Electrical Rigging Gaffer – John Antill
  • Supervisor – Billy Clifford
  • Chargehand Electricians – Michael Barham, Normunds Luzinskis, Simeon Purdy
  • Standby Electrician – Joel Ward
  • Electricians – George Clifford, Steve Cole, Warren Davies, James Marks, Terry Townsend, Charles Woollard
  • Rigging Supervisor – Chris Dickinson
  • Rigging Chargehand – Gary Parnham
  • Rigging Desk Operator – Jaime Fletcher
  • Rigging Electricians – David Clayton, George Fox, Jack Geddes-Hopkins, Bobby Hankins, Brett Parnham, Richard Philbert, Roy Rowland, Dave O'Shaugh, Jay Stevens
  • HOD Electrical Rigger – Francis King
  • Chargehands – Lewis Beer, Mark Spring
  • Electrical Rigging Supervisor – Alex Glover
  • Riggers – Sam Cashman, Tyler Gibson, Paul King
  • Costume Supervisor – Kate O'Farrell
  • Assistant Costume Designers – Francoise Fourcade, Eloise Park, Laura Smith
  • Junior Design Assistants – Ellen Conrad, Amy Costello
  • Concept Artist – Andrey Ryabovichev
  • Costume Dept Coordinator – Claire Watson
  • Costume Assistant Dept Coordinator – Dulcie Menzie
  • Costume Trainee – Eryl Davies
  • Crowd Supervisor – Shirley Nevin
  • Crowd Wardrobe Mistress – Victoria Conte
  • Crowd Fitters – Mike Hodge, Maria Smith, Charlotte Ward
  • Senior Principal Standbys – Terry Archer, Maite Chemin, Lois Connell, Felicity Goldsworthy, Talulah Mason
  • Principal Standby – David Ball
  • Crowd Costume Assistants – Sekina Baker, Lucy Brookes, Hannah Elliman, Will Evans, Lucy Fage, Teddy George-Poku, Tom Hood, John Laurie
  • Crowd Costume Juniors – Nathan Grant, Joe Taylor-Beechley
  • Crowd Costume Trainee – Megan Brittle
  • Head Buyer – Nicola Sandford
  • Buyer – Izzy Stafford
  • Chief Textile Artist – Jackie Moody
  • Senior Textile Artists – Francesca Ackerson, Henrietta Thomas, Sadie Tilbury
  • Textile Artists – Lili Giblin-McGrady, Victoria Morgan
  • Junior Textile Artist – Niamh Cunningham
  • Principal Cutters – Malin Anderson, Rob Sutherland
  • Creatures & Crowd Cutter – Geoff Slack
  • Senior Makers – Giulia Chini, Emily Hudson
  • Makers – Carmen Barclay, Jonathan Burniston, Valeria Cantelli, Sylvaine Champeau, Nicole Dempster, Eve Herbert, Beth Morton
  • Junior Makers – Carly Andrews, Lottie Yearby Taylor
  • Cutter – Sara Fay
  • Trainees – Poppy Lees, Jodie Roberts, Cecile Schils
  • Costume Props/Armoury by Makinarium UK Ltd.Alfie Bones, Amanda Darby, Adrian Getley, Stewart Good, Adam Harris, Elizabeth Herring, Alex Hughes, Steve Kill, Robin Lawrence, Phil O'Connell, Kirsty Peters, Chris Schubert, Kate Wakefield
  • Hair & Makeup Supervisor – Gerda Lauciute
  • Senior Hair Artist – Julio Parodi
  • Senior Hair & Makeup Artist – Nuria Mbomio-Mba
  • Hair & Makeup Artists – Holly Caddy, Amy Cuppage, Daniele Nastasi, Inma Azorin
  • Hair & Makeup Junior – Issy Walton
  • Hair & Makeup Trainees – Emmalee Etherington, Ava Giles
  • Crowd Hair & Makeup Supervisor – Nicola Mount
  • Crowd Hair & Makeup Artists – Daisy Almond, Ria Biggerstaff, Leigh Crawford, David Dorling, Kamen Glover, Josephine Hoy, Lizzie Judd, Lynsey McIlwaine, Nina Pratley, Tamara Ramsey Crockett, Emma Sherry, Bianca Stewart, Caitlin Tanner, Georgia Thompson
  • Crowd Hair & Makeup Junior – Yasmin Munro
  • Crowd Hair & Makeup Trainees – Hannah Louise Callaghan, Holly Chambers, Rosalyn Fochs
  • Tandem Unit Hair & Makeup Supervisor – Jemma Carbello
  • Tandem Unit Senior Hair & Makeup Artists – Sharon Colley, Samantha Denyer
  • Tandem Unit Hair & Makeup Artists – Julia Finch, Niall Mann
  • Tandem Unit Hair & Makeup Trainee – Lily Harling
  • CFX Creature & Droid Creative Supervisor – Neal Scanlan
  • CFX Production Supervisor – Katie Newitt
  • CFX Coordinator – Samantha Langridge
  • Fabricator – Claire Bannister
  • CFX Buyers/Production Assistants – Joe Carlyle, Emma Green
  • Fabrication Assistant – Natalie Pettigrew
  • Creature Designer – Jacob Lunt Davies
  • Prosthetics Supervisor – Liz Barlow
  • Creature Designers/Senior Sculptors – Luke Fisher, Ivan Manzella
  • Paint Design Supervisor – Henrik Svensson
  • Senior Sculptors – Colin Jackman, Martin Rezard
  • Modeller – Cerina Knott
  • Sculptor – Justin Pitkethley
  • Supervising Foam Modeller – Jimmy Bernardinis
  • HOD Model Mouldshop – Kenny Wilson
  • Fabrication Designer – Thea Keenan
  • Senior Modellers – Brian Best, Karen Purvis
  • Hair & Fur Supervisor – Maria Cork
  • Animatronic Design Supervisor – Gustav Hoegen
  • Model Makers – Paul Szebesta, Lee Towersey
  • Senior Animatronic Designers – Giles Hannagan, Joshua Lee
  • Dressers – Chris Barlow, Emilie Carruthers, Bobbi Roberts
  • Animatronic Designers – Tim Berry, Gerard Moore
  • Electronic Design & Development Supervisor – Matthew Denton
  • Prosthetic Artists – Suzi Battersby, Emily Bilverstone, Jen Buck, Jen Kewley, Becca Olen, Megan Thomas
  • Creature Fabrication Design Supervisor – Vanessa Bastyan
  • Senior Fabrication Designers – Fiona Barnes, Sherri Hazzard
  • Special Effects Supervisor – Richard Van Den Bergh
  • Workshop Supervisor – Jody Taylor
  • Coordinator/Buyers – Louise Davis, Hamish Riddell
  • Senior Designers – Daniel Burnett, Steve Middleton
  • Assistant Designers – Brett Ellis, Isobel McInness
  • Senior Modeller – Richard Thomas
  • Senior Mould Technician – Oscar Williams
  • SFX Assistant – Charly Nolan
  • Lead Senior Technicians – Tony Ciccarelli, Darren May
  • Senior Technicians – Gary Cohen, Neil Damman, Julian Marsh, Karl Openshaw, Hayden Watson
  • Lead Technician Breakaways – George Spensley-Corfield
  • Floor Supervisor – David Roddham
  • SFX Driver – Andy Rowland
  • Technicians – Dorian Burnett, Luke Corbyn, Mark Douglas, Steve Scott, Peter Sellers, Leigh Stevens
  • Assistant Technicians – Paul Gilston, Max Hemmett, Bailey Watson
  • SFX Trainees – Joe Holden, Ashton McCarty-Gould, James Smith
  • Supervising Location Manager – Richard Hill
  • Location Managers – Ben Sanderson, Jojo Warne
  • Assistant Location Managers – Charlie Burdon, Jeanne Caboche, Laura Cheese
  • Location Coordinator – Carolyn O'Reilly
  • Unit Manager – Sam Turner
  • Tandem Unit Manager – Dillon Beagley
  • Assistant Unit Manager – Sjors Fiege
  • Tandem Assistant Unit Manager – Oliver Northover
  • Unit Assistant – Zak Jarvis
  • Location Assistants – Flynn Berry, Ziggy Grey
  • Location Unit Electricians – Neil Ashton, Ed Boltbee
  • Canary Islands Aerial VFX Unit courtesy of – Sur Films Canarias SL.
  • Sur Films Executive Producer – Andreas Wentz
  • Sur Films Line Producer – Bea Fluxa
  • Location Manager Lanzarote – Ismael Curbelo
  • ILM Aerial Supervisor – Scott Pritchard
  • ILM Environment Supervisor – Guy Williams
  • Aerial Cinematographer – Irmin Kerck
  • Aerial DIT – Rafael Rodriguez Lamas
  • VFX Photographer – Ben Plant
  • Helicopter Pilot – Marcel Albi Perez
  • Studio Manager – Jon Hills
  • Assistant Studio Manager – Martin Oliver
  • Studio Assistants – Kat Buckley, Alex Chakraborty, Antony Frederick, Matthew 'Tennessee' Graham, Marcus Mills, Peter Quinn
  • Post Production Supervisor – Elaine Waugh
  • Lead VFX Editor – Liyana Mansor
  • VFX Editor – Beaumont Loewenthal
  • VFX Assistant Editor – Kenny Li
  • First Assistant Editors – Laura Mountford, Craig Walters, James Barham
  • First Assistant Editor (New York) – Max Ethan Miller
  • Series First Assistant Editor – Danny Salas
  • Dailies Assistant Editor – Holly Laura Burn
  • Trainee Assistant Editor – Lucy Heyworth
  • Post Production Assistant – Holly Remmett
  • Main Titles designed by – Neil Kellerhouse, Devastudios, Inc.
  • End Credits by – Scarlet Letters
  • Front End Services by – Picture Shop London
  • Supervising Producer – Jason T. Morrow
  • Technical Manager – Tristan Hey
  • Dailies Producer – Victoria Burrows
  • Assistant Technical Manager – Alessio Ciattini
  • Dailies Lab Operators – Miles Anderson, Thomas Matthews
  • VFX Pulls by – Picture Shop London, Powered by Pulse
  • Pulse Operations – Dexter Kong, Michael McKnight, Daniel Youlton
  • Digital Intermediate provided by – Picture Shop London
  • Colourist – Jean-Clement Soret
  • Digital Intermediate Workflow Manager – Grace Lan
  • Colour Pipeline Supervisor – Alex Gascoigne
  • Digital Intermediate Consultants – Matthew Adams, Louise Stevenson
  • Online Editor – Simon Giblin
  • Head of Picture Operations – Charlotte Laing
  • DI Editors – Jenny-Jayne Webb, Maikel Popic
  • Post Production Managers – Alec Holroyd-Doveton, Colin Davis
  • Visual Effects by – Industrial Light & Magic
  • Lead Artists – Michael Cashmore, Wesley Chandler, Scott Dawkins, Javier Fernandez, Simon Herden, Kristin Sedore, Perry Hyun-Woo Sohn, Shivas Thilak, Terry Tsang, Talmage Watson
  • ILM Production – Lily Anderson, Lucy Davis, Kezia Feinson Dwyer, Marla Kate Fuller, Jarrett Krissa, Brendan Little, Alicia B. Reymann, Jack Sutcliffe, Benjamin Todd
  • Artists – Tim Adams, Audun Ase, Jeff Bartzis, Nunzio Bitetti, Fernando Brandao De Braga, Jennifer Burke, Bryan H. Carr, Solene Chan-Lam, Jae Young Chang, Michael Chang, Youngwoo Choi, Marko Chulev, Thomas Coster, Nancy Cristina, Eleonora D'Onofrio, Hannes Doornaert, Anand Dorairaj, Robert Dorris, Claire Duthie-Pagdiwalla, Corinne Dy, Vinicius Favero, Marco Juan Roxas Firme, Fernando Flores, Christopher James Ford, Clinton Ford, Richard Fry, Philip Gifford, K.S. Haddock, Michael Hipp, Michael Holmes, Jan Hrebicek, Ellen Jaram, Lucas Jardim Nunes, Neil Jianoran, Ryan L. Jones, Tomos Jones, Paria Kamyab, Joaquin Karlsen Gutierrez, Mark Keetch, Jeannie Kim, Kayla Lane, Melissa Leamon, Eric Leven, Brian Luzzi, Ramez Mahdi, Timothee Maron, Scott Marriott, Gordon Marshall, Ian Mathews, Deirdre McCarthy, Ryan McDonald, Cedric Moens De Hase, Alex Murtaza, Nozomi Nakano, Winfield O'Brien, Ciaran O'Connor, Shinya Onda, Daniele Orsetti, Rikin Patel, Matthias Peiffer, David Picarda, Fernanda Pizzolatto, Ed Pulis, Owen Rachel, Diego Rebello, Timothy Russell, Alba Sanchez-Serrano, Katherina Schuhmacher, Brian Schultz, Klaus Seitschek, Priya Short, Natalie Smith, Jordan Snow, Chris Stefiuk, Stefano Strabla, Josh Thornhill, Lee Tibbetts, Oscar Tornincasa, Roger Tortosa Aras, Chris Turner, Marian-Serban Ungureanu, Luke Vallée, Alejandro Vela-Castro, David Vivaldini, Kynan Voyeaud, Zoe Westbrook, Jason Wheatley, Kaitlyn Williams, Robin Witzsche, Chun Chun Yang, Isaac Zuren
  • ILM Executive Staff – Francois Chardavoine, Spencer Kent, John Knoll, Sue Lyster, Ben Morris, Luke O'Byrne, Jeff White
  • ILM Additional Support – Scott Atkins, Ryan Bottriell, Shanice Clarke, Kevin Cochet, Daniel Cote, Selina Cox, Christian Dahlberg, Simon Davies, Chong Deng, David Gatenby, Samuel Hall, John Hannon, Michelle Hebert, Mary Hinman, Ali Jafargholi, Michelle Kennedy, Amanda Knight, Phillip Lacey, Matt Leonard, Mike Lyons, Azmi Mohamed Maniku, Kati Maull, Stephanie Meyerink, Jarod Moschenross, Jamie Mundy, April Nagasawa, An Nguyen, Samuel Nicholls, Daniel O'Gorman, Noorwallid Osman, Duncan Parks, Maggie Perlman, Dan Pettipher, Riya Ramani, Rachel Rose, Lorraine Rozon Smiths, Betty Shaw, Jenny Spader, Jenna Starr, Davi Stein, Andre Sterling, Chris Tomkins, Whitney Townsley, Briony Warren, Indiana Wilson, Toh Zijing
  • Additional Visual Effects by – Stereo D, Whiskeytree Inc, Yannix
  • Visual Effects by – Hybride, A Ubisoft Division
  • Visual Effects Supervisor – Joseph Kasparian
  • Visual Effects Producers – Louise Bertrand, Mélanie Carignan, Richard Martin
  • Hybride – Olivier Beaulieu, Pierre Blain, Maryse Bouchard, Christophe Damiano, Olivier Gravel, Danny Lévesque, Steve Pelchat, Philippe Théroux, Marco Tremblay, Mashi Akiyama, Cédric Arsenault, Stéphane Arsenault, Marie-Claude Aubry, Thomas Bacanu, Manuela Balk, Michel Barrière, David Bédard, Anthony Bélanger, David Bélanger-Dambremont, Simon Bergeron, Yannick Bissonnette, Alex Blaquière, Samuel Cardinal, Jordan Cassidy, Charles Christoforou, Marlène Circé, Michaël Coutu, Patrick Couturier, Joanie Croteau, Charles-Étienne D'Amours, Alexandra Dennie, Audrey Deschênes, Ashish Dewan, Xavier Doyon, Annie Dufresne, Timo Fahrbach, Patrice Ferron-Craig, Doréa Fontaine, Gabriel Forbes, Anne Fortin, Yanick Gaudreau, Christian Gaumond, Maxime Grenier, Christopher Grifasi, James Daniel Haines, Justin Hébert, Alexandru Ichim, Alexy Jukic-Prévost, Tanya Kular, Alain Lacroix, Mélissa Laframboise Maillé, Mathieu Lalonde, Catherine Lecavalier, Elsa Lemire, Jade Lessard, Samuel Loriault-Goulet, Martine Losier, Gabrielle Marchand, Andrew Mc Greevy, Belly Mingmuong, Laurence-Émilie Miron, Gabriel Monette, Benoît Morin, Sergio Mucino, Mohammadali Nezafat, Marie-Ève Pelletier, Jonathan Perth, Jordan Picotte, Sylvain Régnié, Myriam Ricard-Lalonde, Sébastien Rioux, David Roberge, Samuel Rousseau, Nicolas Scuntaro, Matthew Smith, Marc St-Gelais, Audrey-Anne Surprenant, Alexandre Tessier, Emma Tessier-Langevin, Philippe Vachon, Jessica Vallée, Eduardo Villarreal, Valerie Villeneuve, Michel Bergeron, Mahmoud Boubetra, Jimmy Caron, Zacharie Dufault, René Filion, David Gary, Dominic Gaudreau, Stephan Gervais, Bruno-Pierre Jobin, Mathieu Leclaire, Olivier Painchaud, Patrick Piché, Vincent Quintal, Sylvain Rioux, Michel Rock, Daniel Silva, Yannick Tétreault, Olivier Amah, Caroline Bélisle, Isabelle Desrochers, Marie Nakhlé, Sylvie Talbot, Anne Tremblay, Michel Murdock, Thierry Delattre, Mathieu Boucher, Pierre Raymond
  • Additional Visual Effects by – Midas VFX
  • Visualization by – The Third Floor, Inc.
    • Visualization Supervisor – Jen Kitching
    • Visualization Coordinators – Merika Sam-German, Janneke Vennema-Osborne, Jana Pšenková
    • Visualization Line Producer – Tilly Holton-Newman
    • Visualization Leads – Dan Copping, Jaime Visedo Cañizares
    • Asset Artist – Dominic Martin
    • Head of Production – Lisa Brodie-Tsotsos
    • Visualization Artists – Sebastian Kuder, Manon Huez, Dylan Wyn Owen, Rachel Wright, Desirée Meduri, Bobby Strain, Eric Tsui, Raul Alves, Gabor Kiss
    • Executive Producer – Tim Keene
    • Head of Assets – Phil Tsang
    • Talent Manager – Kotryna Zabulionyte
    • Finance Managers – Brendon Dublin, Gayaneh Sahakian
    • Executive Producer – Marcus Alexander
    • IT Support – Luke Weller, Dawid Jadkowski
    • Pipeline Support – Keith Pang, Imran Rehman
    • Casting Manager – Abigail Sullivan
  • Character and Prop Scanning by – Clear Angle Studios
  • Lidar Scanning Services by – We Shoot Lasers
  • Music Editor – John Finklea
  • Conductor – Matt Dunkley
  • Score Recording Engineer – Tommy Vicari, CAS
  • Score Mixer – Casey Stone, CAS
  • Recordists – John Prestage, Rowan McIntosh
  • Second Engineers – Jack Mills, Eve Morris, Jedidiah Rimell
  • Score Technical Assistance – David Giuli
  • Concertmaster – Everton Nelson
  • Orchestrations – Matt Dunkley, Nicholas Britell
  • Music Librarian – David Hage, Dakota Music
  • Additional Librarian – Michael McCoy
  • Orchestra Contractors – Jenny Goshawk, Lucy Whalley, Isobel Griffiths Ltd.
  • Studio Manager - Lake George Entertainment LLC – Christopher Ruskis
  • Musicians – Corinne Bailey, Max Baillie, Chris Baron, Annie Beilby, Mark Berrow, Richard Bissill, Fiona Bonds, Natalia Bonner, Nicholas Bootiman, Adrian Bradbury, Catherine Bradshaw, Ben Buckton, Ian Burdge, Jonny Byers, Emil Chakalov, Reiad Chibah, Paul Clarvis, Barry Clements, Richard Cookson, Nick Cooper, David Daniels, Caroline Dearnley, Sue Dench, Alison Dods, Philip Eastop, Dave Elliott, Jonathan Evans-Jones, Rob Farrer, Melissa Favell-Wright, Byron Fulcher, Richard George, Kathy Gowers, Tim Gill, Sophie Harris, Clare Hayes, Marianne Haynes, Tracy Holloway, Martin Humbey, Ian Humphries, Jeremy Issac, Magnus Johnston, David Juritz, Helen Kamminga, Francis Kefford, Thomas Kemp, Patrick Kiernan, Nicholas Korth, Rick Koster, Nicholette Kuo, Peter Lale, Rachael Lander, Roger Linley, Lydia Lowndes-Northcott, Dorina Markoff, Vicky Matthews, Ciaran McCabe, John Mills, Perry Montague-Mason, Frank Moon, Steve Morris, Phil Munds, Kate Musker, Everton Nelson, Mark Nightingale, Odile Ollagnon, Martin Owen, Tom Pigott-Smith, Julian Poole, David Pyatt, Rupert Ring, Jenny Sacha, Frank Schaefer, Mary Scully, Sarah Sexton, Lucy Shaw, Robert Smissen, Dave Stewart, Nicky Sweeney, Ed Tarrant, Ian Thomas, Cathy Thompson, Michael Thompson, John Thurgood, Michael Trainor, Laurence Ungless, Bozidar Vukotic, Allen Walley, Matt Ward, Richard Watkins, Alexei Watkins, Daniel West, Debbie Widdup, Paul Willey, Jonathan Williams, Stephen Williams, Andy Wood, Phil Woods, Tony Woollard, Chris Worsey
  • Score Recorded at – Air Studios, London, British Grove Studios, London
  • Post Production Sound Services by – Skywalker Sound, A Lucasfilm Ltd. Company, Marin County, California
    • Supervising Sound Editor/Sound Designer – David Acord
    • Supervising Sound Editor – Margit Pfeiffer
    • Dialogue Editor – Richard Quinn
    • Foley Editor – Shaun Farley
    • Foley Artists – Shelley Roden, John Roesch
    • Foley Mixer – Scott Curtis
    • Engineering Services – Dusty Jermier
    • Post Production Sound Accountant – Jessica Engel
    • Head of Production Finance & Planning – Mike Peters
    • Head of Engineering – Steve Morris
    • Re-Recording Mixer – David Acord
    • Sound Effects Editor – J.R. Grubbs
    • ADR Editors – Daniel Laurie, Steve Slanec
    • Assistant Supervising Sound Editor – Dug Winningham
    • Loop Group Mixer – Matthew Wood
    • Assistant Re-Recording Mixer – Danielle Adams
    • Digital Editorial Support – Ivan Piesh
    • Client Services – Eva Porter
    • Studio Capacity Manager – Carrie Perry
    • Head of Production – Jon Null
    • SVP/General Manager – Josh Lowden
  • Mix Stages provided by – Warner Bros. De Lane Lea, London
  • Sound Mix Technician – Ross Western
  • Sound Mix Assistant – Kirsten Kidwell
  • Sound Engineer – George Hooker
  • Health & Safety Officer – Jonathan Hill
  • Health & Safety Coordinator – Charlotte Curd
  • Unit Paramedic – Rachel Bucknor
  • Construction Nurse – Mary Watt
  • Crowd Nurse – Ruth Bayliss
  • Tandem Unit Nurse – Carissa Simpe-Asante
  • Tandem Unit Health & Safety Advisor – David Ronson
  • Disney Health & Safety Manager – Dion Bowes
  • Disney Health & Safety Supervisors – Rob Beggs, Jordan Short
  • Production Health & Safety Coordinators – Caroline Houghton, Sam Sorbie, Naomi Weiner
  • Production Health & Safety Secretaries – Harvey Diack, Eleanor Hoppe
  • Production Health & Safety PPE Coordinator – Chris Rouse
  • Production Health & Safety PPE Production Assistants – Kieran Kavanagh, Mikey Lloyd, Sam White, Jess Bevan, Lois Constantinou
  • Production H&S PPE Location Assistant – John Peddie
  • Senior Security Manager – Connor Nolan
  • Security Manager – Craig Etherton
  • Security Coordinator – Matthew Thorne
  • Security Administrator – Malwina Palus
  • Security Services courtesy of Main Unit Location Services LTD.Mike Anderson, Rich Easter, Jean Paul Greenwood, Terry Holdaway, Paul Hopkins, Barry Lehec, Rob Sipson, David Taylor, Mark Williams, Tom Wyatt
  • Security Services courtesy of Zion Security LTD.Kevin George, Faz Ashraf
  • Asset Coordinator – Claire Scott
  • Portrait Galley & Tandem Unit Photographer – Ed Miller
  • Photo Editors – Leah Evans, Barry Hurley
  • IT Support – Rameez Daureeawoo, Dilany Koyratty
  • Franchise Accountant – Polly Fletcher
  • Franchise Supervisor – Laura Evans
  • Franchise Coordinator – Diane Pognan
  • Technology Support – Manny Ponce, Jono Echols, Rick Tuckness, Phil Lacey, Peter Hricak, Susan Brown, Jason Geiger, Tim Fogarty, Zack Bunker, Matt Martinis, Jeff Nagasuga, Caitlin Torsney, Greg Garson, Renee Yang, Calvin Smith
  • Catering by – Red Chutney Ltd.
  • Transport Captain – Jimmy Carruthers
  • Transport Co-Captains – Matthew Sampson, David J Rosenbaum
  • Transport Coordinator – Ashley Isaac
  • Driver to Diego Luna – Lee Isgar
  • Unit Drivers – Stephen Casey, Wayne Cotham, Kieran Crowley, John Doran, Bob Hole, Robert Isaac, Patrick Sands, Christian Scott, Ed Shanley, Ross Vasco, Tony Wadsworth, Keith Wignall
  • Mini Bus Drivers – Paul Ashby, Mark Bedford
  • Main Unit Support Driver – Andrew Pocock
  • Tandem Unit Transport Captain – Peter Trotman
  • Tandem Unit Drivers – Costas Anastasiou, Gary Wardley
  • Tandem Unit Van Driver – Carl Isherwood
  • Movie Makers Facilities HOD – Tim Simpson
  • Movie Makers Crew – Lucian Lungu, Costa Popa, Alex Sirb, Paul Smith, Jason Waite, Paul Williams
  • Lays Tech HOD – Phil Taylor
  • Lays Tech Crew – Kerri Allen, Chris Blackman, Jason Brown, Steve Mickleburgh

Lucasfilm Ltd.

Walt Disney Studios

  • AVID Editing Equipment and Cutting Rooms supplied by – Hireworks
  • Filmed at – Pinewood Studios, London, England
  • Produced with the support of the British Film Commission and the UK Government Film Tax Relief
  • With the participation of the Province of British Columbia Production Services Tax Credit
  • Digital and Visual Effects undertaken in South Australia with the support of the South Australian Film Corporation

Appearances

By type
Characters Organisms Droid models Events Locations
Organizations and titles Sentient species Vehicles and vessels Weapons and technology Miscellanea

Characters

Droid models

Events

Locations

Organizations and titles

Sentient species

Vehicles and vessels

Weapons and technology

Miscellanea

Sources

Notes and references

  1. 1.0 1.1 1.2 1.3 1.4 1.5 1.6 1.7 Disney.com Andor Media Kit on Disney's official website (backup link)
  2. 2.0 2.1 SWYT-Logo Andor | Official Trailer | Disney+ (2:25) on the official Star Wars YouTube channel (backup link) (Posted on StarWars.com)
  3. 3.000 3.001 3.002 3.003 3.004 3.005 3.006 3.007 3.008 3.009 3.010 3.011 3.012 3.013 3.014 3.015 3.016 3.017 3.018 3.019 3.020 3.021 3.022 3.023 3.024 3.025 3.026 3.027 3.028 3.029 3.030 3.031 3.032 3.033 3.034 3.035 3.036 3.037 3.038 3.039 3.040 3.041 3.042 3.043 3.044 3.045 3.046 3.047 3.048 3.049 3.050 3.051 3.052 3.053 3.054 3.055 3.056 3.057 3.058 3.059 3.060 3.061 3.062 3.063 3.064 3.065 3.066 3.067 3.068 3.069 3.070 3.071 3.072 3.073 3.074 3.075 3.076 3.077 3.078 3.079 3.080 3.081 3.082 3.083 3.084 3.085 3.086 3.087 3.088 3.089 3.090 3.091 3.092 3.093 3.094 3.095 3.096 3.097 3.098 3.099 3.100 3.101 3.102 3.103 3.104 3.105 3.106 3.107 3.108 3.109 3.110 3.111 3.112 3.113 3.114 3.115 3.116 3.117 3.118 3.119 3.120 3.121 3.122 3.123 3.124 3.125 3.126 3.127 3.128 3.129 3.130 3.131 3.132 3.133 3.134 3.135 3.136 3.137 3.138 3.139 3.140 3.141 3.142 3.143 3.144 3.145 3.146 3.147 3.148 3.149 3.150 3.151 3.152 3.153 3.154 3.155 3.156 3.157 3.158 3.159 3.160 3.161 3.162 3.163 3.164 3.165 3.166 3.167 3.168 3.169 3.170 3.171 3.172 3.173 3.174 3.175 3.176 3.177 3.178 3.179 3.180 3.181 3.182 3.183 3.184 3.185 3.186 3.187 3.188 3.189 3.190 3.191 3.192 3.193 3.194 3.195 3.196 3.197 3.198 3.199 3.200 3.201 3.202 3.203 3.204 3.205 3.206 3.207 3.208 3.209 3.210 3.211 3.212 3.213 3.214 3.215 3.216 3.217 3.218 3.219 3.220 3.221 3.222 3.223 3.224 3.225 3.226 3.227 3.228 3.229 3.230 3.231 3.232 3.233 3.234 3.235 3.236 3.237 3.238 3.239 3.240 3.241 3.242 3.243 3.244 3.245 3.246 3.247 3.248 3.249 3.250 3.251 3.252 3.253 3.254 3.255 3.256 3.257 3.258 3.259 3.260 3.261 3.262 3.263 3.264 3.265 3.266 3.267 3.268 3.269 3.270 3.271 3.272 3.273 3.274 3.275 3.276 3.277 3.278 3.279 3.280 3.281 3.282 3.283 3.284 3.285 Andor logo new Star Wars: Andor — "Reckoning"
  4. Star Wars: Dawn of Rebellion: The Visual Guide dates the events of "Reckoning" to 5 BBY.
  5. Star Wars: Dawn of Rebellion: The Visual Guide establishes that Cassian Jeron Andor was twenty-seven years old during the events of Andor Season 1, the events of which are dated to 5 BBY by that same book. StarWars-DatabankII Cassian Andor in the Databank (backup link) establishes that Andor was nine years old when he left Kenari, with StarWars.com "Reckoning" Episode Guide | Andor on StarWars.com (backup link) establishing that this occurred before the Confederacy of Independent Systems had formed. Rise of the Separatists and The Star Wars Book establish that the formation the CIS occurred two years before the First Battle of Geonosis, which Star Wars: Timelines and other sources date to take place in 22 BBY. For all this information to be true, Cassian Andor had to have been born in 33 BBY, with his departure taking place after his birthday, but before the Raxus Address in 24 BBY, and the events of Andor taking place before his birthday in 5 BBY.

External links