"There is one way out. Right now, the building is ours."
―Kino Loy[3]

"One Way Out" is the tenth episode of the first season of Star Wars: Andor. The episode is directed by Toby Haynes and written by Beau Willimon.[1]

Official description

A rare opportunity opens and the time for Cassian and his fellow inmates to act is now.

Expanded description

A rare opportunity opens and the time for Cassian and his allies to act is now. Meanwhile, to ensure the future of the rebellion, Mon Mothma brokers a new deal with a very high cost.

Plot summary

Kino's choices

At Narkina 5 Imperial Prison Complex, the medic removes the corpse of Ulaf under the supervision of an armed guard. The other prisoners watch with their hands raised. Later, Cassian Jeron Andor tells Kino Loy that they have to escape tomorrow. He says that the guards know that they are outnumbered and killed a hundred men. Andor points out that the 5,000 men are doomed never to leave. He reasons that whatever they are working on is important to the Galactic Empire.

Loy is unwilling to commit since he is skeptical of Andor's lack of a plan. The two get into a physical tussle. Andor tells Loy that his plan is predicated on the new man coming to replace Ulaf the following day. He urges Loy to grab the opportunity before it is too late. Andor tells Loy he is ready to die in the escape attempt. As they walk through the corridor leading to their cells, the other men ask what happened to Ulaf and what happened on Level Two.

Andor confirms that the prison guards fried the entire Level Two after mistakenly sending back a man who had been released. Loy confirms Andor's story and tells the other prisoners that they are not releasing anyone. He tells them to return to their cells and start figuring it out.

Plans in motion

Elsewhere, Imperial Security Bureau Supervisor Dedra Meero and her colleagues receives news that Anto Kreegyr's group have taken the bait and retrieved the dead pilot and are asking for a landing bay. Kafrene authorities claim that the pilot died as a result of a hydraulic failure after exiting hyperspace. Supervisor Lonni Jung convinces Major Lio Partagaz that Imperial forces should not wait but should make their presence felt. Meero exits the command room.

On Ferrix, Jezzi informs Doctor Mullmoy that Maarva Andor has not been taking her medicines. They are being watched by Cinta Kaz, as well as by Corv. At the Chandrilan Embassy, Senator Mon Mothma and Tay Kolma meet with the Chandrilan banker Davo Sculdun, who talks about his taste for architecture. Sculdun is acquainted with Mothma's husband Perrin Fertha. After exchanging pleasantries, they discuss Mothma's efforts to secure alternative funding arrangements for her foundation.

Sculdun offers to help Mothma bundle her transactions in ways that can make it hard for outsiders to detect. He agrees that the Empire's new financial regulations have made it harder for certain transactions. Sculdun views the situation as a game they can play. Mothma says that this is a charitable foundation and asks how much he is charging. Sculdun offers to do it without a price but Mothma insists. He replies that a drop of discomfort is the price of doing business with him.

Sculdun sets his price, which is a return invitation. Mothma is amenable until Sculdun reveals that he wants to introduce his 14-year-old son to Mothma's 13-year-old daughter Leida Mothma. Mothma expresses her disapproval of the Chandrilan tradition of child betrothals. Sculdun replies that their social positions sometimes makes decisions for them and that they lead lives that encourage conformity. When Mothma asks if this is his only offer, Sculdun gives an affirmative. Mothma tells Kolma to usher Sculdun out and claims she won't consider his offer. Sculdun replies that is the first untrue thing she has said before leaving.

Elsewhere, Kleya Marki informs Luthen Rael about a mark found on the fountain. She believes this was a message that "he" wants a meeting since the rail downstairs is gone. Marki dislikes the timing and advises Rael to go to Fondor while she takes care of business on Coruscant. Rael says it has been a year since their contact has reached out to them. He is willing to take risks even if it is a trap.

The prison revolution

The following day, Loy speaks to the prisoners and convinces them that they should escape. While walking through the sky bridge, the announcer announces over the intercom that all skybridge transfers will be on program and silent until further notice. The prisoners report to their shifts as usual.

Later, Andor and his fellow prisoners including Jemboc put their escape plans into action. Andor grabs a wrench and proceeds to cut a water pipe while Loy barks orders. The prison guards prepare another prisoner to be let down onto the factory floor. While waiting for Andor, the other prisoners arm themselves with tools. The prisoners raise their hands while the new prisoner is escorted down the lift. Alarms begin ringing due to the burst pipe.

As the floors flood due to the burst pipes, two prisoners stage a fight which soon engulfs the floor. Andor jams the lift carrying the new prisoner and his guard. The prisoners climb on the lift and take out the guard. Other prisoners hurl objects at the other guards while Andor climbs the disabled lift. A guard issues orders to spark the floor, prompting Loy to tell the prisoners to climb onto the tables. The water causes the metallic floors to short-circuit.

With the electric field disabled, Loy leads the prisoners on 5-2-D in revolt. The guards attempt to use their higher ground to hold back the prisoners but are overwhelmed. Some prisoners are killed but they succeed in storming the control room and taking out the guard posted there. The prisoners in 5-2-D begin climbing the disabled lift. The flooding spreads to other floors while Andor, Loy and the other prisoners help themselves to weapons.

The great escape

Other guards receive news about the flooding and riot in 5-2-D. The revolt soon spreads to other floors with prisoners from 5-2-D encouraging the other prisoners to fight for their freedom. They fight and kill the guards they encounter. The announcer issues orders to activate the sonic countdown and to isolate Level 5. Kino Loy forces his way into the Level Eight command center and demands the announcer stop the countdown. When he refuses, he shoots a correction officer, prompting a third to say he will comply.

Andor also tells the guard to deactivate the hydro generators. The guard claims the announcer has access to the hydro generators. Loy forces the announcer at gunpoint to deactivate the hydro generators, shutting down power across the prison. When the backup power supply activates, Andor forces the two guards out of the console at gunpoint.

Andor tells a reluctant Loy to address the other prisoners. Loy tells the prisoners that they have deactivated every floor on the facility and urges them to escape. He says that the guards are outnumbered and to take their chance to escape even if it means death. Loys tells the prisoners that they fried a hundred men on Level 2 and reveals that the prisoners are not being released after serving their sentences but are being transferred to other prisons. He tells the prisoners to run, climb, and kill in order to escape the prison. Andor and Loy then leave the Level Eight command center, sparing the two surviving guards.

The prisoners charge through the sky bridges and stairs. The remaining guards hide in a bunker in fear. Reaching the top of the prison complex, the prisoners jump into the sea. Loy reveals that he cannot swim while Andor and the other prisoners take the plunge. Hours later Andor and Melshi sprint across the beaches of Narkina 5 under the cover of a night illuminated by three moons, the two men pursued by Imperial patrols.

The spymaster and the double agent

Elsewhere, a disguised Lonni Jung walks through a crowd on Coruscant. He walks through a series of tunnels and enters a turbolift where he retrieves an earpiece. A male voice instructs him to press the buttons for 215 in the event of a trap. As the lift descends, the man congratulates him that his daughter is healthy and beautiful, and that he must be pleased. Jung is uncomfortable that this man has been spying on him and his family.

Jung warns the man of a new rising supervisor named Dedra Meero, who is investigating a rebel figure called "Axis" whom she believes is building a rebel network. Meero is looking at stolen Imperial naval equipment in order to find a link to Aldhani. Jung reports that Meero is interested in the Ferrix Incident and has been tearing the place apart. He adds that they are searching for the thief and the "middle man."

The man tells Jung to encourage Meero since she is "wasting" time. Jung asks if the man had anything to do with the events on Aldhani but he is evasive. The man asks Jung why he is here. Jung explains that Meero captured a rebel pilot running supplies for Kreegyr. He explains that they turned him immediately and staged an accident. The Empire is also aware of Kreegyr's plans to raid the power station on Spellhaus. The man is willing to sacrifice the lives of Kreegyr and his 50 men to mislead the ISB into thinking that there is no leak in security, and emphasizes that he is doing Jung a favor.

The lift door opens and Jung is greeted by Luthen Rael, the man who has been speaking to him. Rael asks Jung why they are really here. Jung tells Rael that he can't continue being a double agent since he is a father now. Rael reminds him that they took a vow. Jung offers to trade Meero, Spellhaus, and Ferrix to Rael. He says he has been working his way up the ranks of the ISB for six years but can't do it anymore. Rael asks Jung how he would justify leaving to the ISB. Jung mentions his health and his wife's import business, but Rael is unconvinced. Rael is unwilling to let Jung go since the rebels have invested a lot in him. He tells Jung that he is trapped.

When Jung asks if his sacrificed means nothing to Rael, Rael responds that his investment in the Rebellion is epic due to having to lead a double life. He describes Jung as a hero that the Rebellion needs. Jung asks Rael what he sacrifices. Rael replies calm, kindness, kinship, and love. Having given up peace, Rael says that he is condemned to use the tools of his enemy to defeat them. Rael tells Jung he has sacrificed everything and implores Jung to continue his work.

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Credits

By type
Cast Uncredited cast Crew Uncredited crew Special thanks

Cast

Crew

Visual Effects Crew

Construction Services provided by – Palace Scenery[3]

  • A Camera Operator – Derek Walker
  • B Camera Operator – Iain Struthers
  • A Camera First Assistant – Sam Barnes
  • B Camera First Assistant – Ryan King
  • A Camera Second Assistant – Adrian Stephens
  • Central Loader – Martina Massimei
  • Camera Trainee – Beth Trinder
  • B Camera Second Assistant – Neil McConville
  • Tandem Unit A Camera Operator – Simon Finney
  • Tandem Unit B Camera/Steadicam Operator – Chris Bain
  • Tandem Unit A Camera First Assistant – Jonathan Wright
  • Tandem Unit B Camera First Assistant – Russell Kennedy
  • Tandem Unit A Camera Second Assistant – Ryan Bessin
  • Tandem Unit B Camera Second Assistant – Giles Taylor
  • Tandem Unit Central Loader – Clare Seymour
  • Tandem Unit Camera Trainee – Chloe Knight
  • Key Grip – Russell Diamond
  • Best Boy Grip – Andy Levett
  • A Camera Grip – Matt Clyne
  • B Camera Grip – Alex Colthart
  • Grip – Federico Lopez
  • Trainee Grips – Matt Gaspar, Rory Single
  • Crane Grips – Dan Lake, Elliot Sebestyn Regan
  • Crane Techs – Tim Plunkett, Harry Elvin
  • Libra Techs – Lester Plant, Tyler Penfold
  • Standby Rigger – Rob Armstrong
  • Standby Carpenter – Vito Walker
  • Standby Painter – Thea Von-Manntrip
  • Standby Carpenter – Greg Hyslop
  • Tandem Unit Key Grip – Jody Knight
  • Tandem Unit Best Boy Grip – David Littlejohns
  • Tandem Unit Grips – Ben Emerson, Simon Fogg
  • Tandem Unit Grip Trainee – Harvey Sebestyen Regan
  • Tandem Unit Standby Carpenter – Paul Jones
  • Tandem Unit Standby Painter – Terry Heggerty
  • Tandem Unit Standby Rigger – Thomas McDonald
  • Tandem Unit Standby Stagehand – Steven Matthews
  • Production Sound Mixer – Tim White
  • First Assistants Sound – Peter Davis, Tom Fennell
  • Second Assistants Sound – Jordan Feemster, Julia Hardecka
  • Sound Trainee – Imogen Jeffery Badger
  • Additional First Assistants Sound – James Gibb, Michael Sinden
  • DIT – John Paxton
  • Assistant DIT – Jess Pezet
  • Data Manager – Ollie Smith
  • Tandem Unit DIT – Jesse Llande
  • Tandem Unit DIT Wrangler – Matt England
  • Tandem Unit DIT Assistant – Dan Howard
  • Video Assist Operator – Jarvis Coxwell
  • Video Assistant – Henry Rees
  • Network Infrastructure Technicians – Alec Barrie, Sam Gough
  • Tandem Unit Video Trainee – Tom McGoldrick
  • BFI Video Trainee – James Huxley
  • Gaffer – Andy Lowe
  • Best Boy – Pawel Polak
  • Lighting Console Operator – Nathan Porter
  • Shooting Genny Op – Owen Varley
  • Chargehand Electrician – Dan Chaytor
  • Electrical Rigger – Lewis Green
  • Practical Electrician – Joel Ward
  • Tandem Unit Gaffer – Duncan Riedl
  • Tandem Unit Best Boy – Dominic Aronin
  • Tandem Unit Lighting Console Operator – Adam Millard
  • Tandem Unit Standby Electrical Riggers – Charlie Cole, Emily Heffernan
  • VFX Rigger – John Compton
  • Electricians – Vianney Kernanet, Marina Lewin-Richter, Max Lovell, Daniel McCormick, Joseph Nowell
  • Tandem Unit Electricians – Dave Allen, Chris Broomfield, Tony Caja, Bradley Currie, Gian Pottieri, Sunny Singh, Ana Vilar-Bergua
  • HOD Practical Electrician – Colin Townsend
  • Electrical Rigging Gaffer – Martin Cox
  • Supervisor – Billy Clifford
  • Chargehand Electricians – Michael Barham, Normunds Luzinskis, Simeon Purdy
  • Standby Electrician – Joel Ward
  • Electricians – George Clifford, Steve Cole, Warren Davies, James Marks, Terry Townsend, Charles Woollard
  • Rigging Supervisor – Chris Dickinson
  • Rigging Chargehand – Gary Parnham
  • Rigging Desk Operators – Jaime Fletcher, Dave Blinko
  • Rigging Electricians – George Fox, Chris Hulbert, Liam Quinn, Steven Osborn, Jay Stevens
  • HOD Electrical Rigger – Francis King
  • Chargehands – Lewis Beer, Mark Spring
  • Electrical Rigging Supervisor – Alex Glover
  • Riggers – Sam Cashman, Tyler Gibson, Paul King
  • Costume Supervisor – Kate O'Farrell
  • Assistant Costume Designers – Francoise Fourcade, Eloise Park
  • Junior Design Assistant – Ellen Conrad
  • Concept Artist – Andrey Ryabovichev
  • Costume Dept Coordinator – Claire Watson
  • Costume Assistant Dept Coordinator – Dulcie Menzie
  • Costume Trainee – Eryl Davies
  • Crowd Supervisor – Shirley Nevin
  • Crowd Fitters – Eva Farkas, Phil Lester
  • Senior Principal Standbys – Maite Chemin, Lois Connell, Harriet Ferris, Felicity Goldsworthy, Talulah Mason, Amy Wallace, India Witzand
  • Crowd Costume Assistants – Anna Delaney, Hannah Elliman, Will Evans, Tom Hood, Simona Maisano, Kyle Stewart
  • Crowd Costume Juniors – Lily Gisborne, Nathan Grant, Joe Taylor-Beechley
  • Crowd Costume Trainees – Terri Biggs, Megan Brittle, Andrew Bryan, Ella Lloyd, Matilda Southcott
  • Chief Textile Artist – Jackie Moody
  • Senior Textile Artists – Francesca Ackerson, Henrietta Thomas, Sadie Tilbury
  • Textile Artists – Lili Giblin-McGrady, Victoria Morgan
  • Junior Textile Artist – Niamh Cunningham
  • Principal Cutters – Malin Anderson, Rob Sutherland
  • Creatures & Crowd Cutter – Geoff Slack
  • Senior Makers – Giulia Chini, Emily Hudson
  • Head Buyer – Nicola Sandford
  • Buyer – Iolanda Piombino
  • Makers – Carmen Barclay, Jonathan Burniston, Valeria Cantelli, Sylvaine Champeau, Nicole Dempster, Eve Herbert, Beth Morton
  • Junior Maker – Carly Andrews
  • Trainees – Poppy Lees, Jodie Roberts, Cecile Schils
  • Costume Props/Armoury by Makinarium UK Ltd.Alfie Bones, Amanda Darby, Adrian Getley, Stewart Good, Adam Harris, Elizabeth Herring, Alex Hughes, Steve Kill, Robin Lawrence, Phil O'Connell, Kirsty Peters, Chris Schubert, Kate Wakefield
  • Hair & Makeup Supervisor – Gerda Lauciute
  • Senior Hair Artist – Julio Parodi
  • Senior Hair & Makeup Artist – Nuria Mbomio-Mba
  • Hair & Makeup Artists – Holly Caddy, Amy Cuppage, Daniele Nastasi, Inma Azorin
  • Hair & Makeup Junior – Issy Walton
  • Hair & Makeup Trainees – Emmalee Etherington, Ella Sherwood
  • Crowd Hair & Makeup Supervisor – Nicola Mount
  • Crowd Hair & Makeup Artists – Daisy Almond, Ria Biggerstaff, Leigh Crawford, David Dorling, Kamen Glover, Josephine Hoy, Lizzie Judd, Lynsey McIlwaine, Nina Pratley, Tamara Ramsey Crockett, Emma Sherry, Bianca Stewart, Caitlin Tanner, Georgia Thompson
  • Crowd Hair & Makeup Junior – Yasmin Munro
  • Crowd Hair & Makeup Trainees – Hannah Louise Callaghan, Holly Chambers, Rosalyn Fochs
  • Tandem Unit Hair & Makeup Supervisor – Jemma Carbello
  • Tandem Unit Senior Hair & Makeup Artists – Sharon Colley, Samantha Denyer
  • Tandem Unit Hair & Makeup Artists – Julia Finch, Niall Mann
  • Tandem Unit Hair & Makeup Trainee – Lily Harling
  • CFX Creature & Droid Creative Supervisor – Neal Scanlan
  • CFX Production Supervisor – Katie Newitt
  • CFX Coordinator – Samantha Langridge
  • CFX Buyers/Production Assistants – Joe Carlyle, Emma Green
  • Creature Designer – Jacob Lunt Davies
  • Creature Designers/Senior Sculptors – Luke Fisher, Ivan Manzella
  • Senior Sculptors – Colin Jackman, Martin Rezard
  • Sculptor – Justin Pitkethley
  • HOD Model Mouldshop – Kenny Wilson
  • Senior Modellers – Brian Best, Karen Purvis
  • Animatronic Design Supervisor – Gustav Hoegen
  • Senior Animatronic Designers – Giles Hannagan, Joshua Lee
  • Animatronic Designer – Tim Berry
  • Electronic Design & Development Supervisor – Matthew Denton
  • Creature Fabrication Design Supervisor – Vanessa Bastyan
  • Senior Fabrication Designers – Fiona Barnes, Sherri Hazzard
  • Fabrication Designer – Thea Keenan
  • Fabricator – Claire Bannister
  • Fabrication Assistant – Natalie Pettigrew
  • Prosthetics Supervisor – Liz Barlow
  • Paint Design Supervisor – Henrik Svensson
  • Hair & Fur Supervisor – Maria Cork
  • Supervising Foam Modeller – Jimmy Bernardinis
  • Modeller – Cerina Knott
  • Model Makers – Paul Szebesta, Lee Towersey
  • Dressers – Chris Barlow, Emilie Carruthers, Bobbi Roberts
  • Special Effects Supervisor – Richard Van Den Bergh
  • Workshop Supervisor – Jody Taylor
  • Coordinator/Buyer – Hamish Riddell
  • Assistant Coordinator/Buyer – Bailey Wright
  • Senior Designer – Daniel Burnett
  • Designer – Nick Martin
  • Assistant Designers – Brett Ellis, Isobel McInness
  • Senior Mould Technician – Oscar Williams
  • SFX Assistant – Charly Nolan
  • Lead Senior Technicians – Tony Ciccarelli, Darren May
  • Senior Technicians – Alistair Anderson, Gary Cohen, Neil Damman, Julian Marsh, Karl Openshaw, Hayden Watson
  • Lead Technician Breakaways – George Spensley-Corfield
  • Floor Supervisor – David Roddham
  • Senior Modeller – Richard Thomas
  • SFX Driver – Andy Rowland
  • Technicians – Dorian Burnett, Luke Corbyn, Mark Douglas, Kevin Kerrigan, Steve Scott, Trevor Williams
  • Assistant Technicians – Paul Gilston, Max Hemmett, Bailey Watson
  • SFX Trainees – Joe Holden, Ashton McCarty-Gould, James Smith, Zach Van Den Bergh
  • Supervising Location Manager – Richard Hill
  • Location Managers – Jo Beckett, Luke Stevenson
  • Assistant Location Manager – Stephanie Andrew
  • Location Coordinator – Carolyn O'Reilly
  • Unit Assistant – Zak Jarvis
  • Unit Manager – Sam Turner
  • Tandem Unit Manager – Dillon Beagley
  • Assistant Unit Manager – Sjors Fiege
  • Tandem Assistant Unit Manager – Oliver Northover
  • Location Assistants – Flynn Berry, Millie Gladwin, Matthew Pyle
  • Location Unit Electricians – Neil Ashton, Ed Boltbee
  • Drone Services provided by – The Helicopter Girls Ltd.
  • Aerial Camera Operator – Becky Lee
  • Drone Technician – Peter Ayriss
  • Drone First Assistant Camera – Ashlea Downes
  • Studio Manager – Jon Hills
  • Assistant Studio Manager – Martin Oliver
  • Studio Assistants – Kat Buckley, Alex Chakraborty, Antony Frederick, Matthew 'Tennessee' Graham, Marcus Mills, Peter Quinn
  • Post Production Supervisor – Elaine Waugh
  • Lead VFX Editor – Liyana Mansor
  • VFX Editor – Beaumont Loewenthal
  • VFX Assistant Editor – Kenny Li
  • First Assistant Editor – Craig Ferreira
  • Series First Assistant Editors – Laura Mountford, Danny Salas
  • Second Assistant Editors – Lincoln Witter, Holly Laura Burn, Lucy Heyworth
  • Post Production Assistant – Cat Easterbrook
  • Main Titles designed by – Neil Kellerhouse, Devastudios, Inc.
  • End Credits by – Scarlet Letters
  • Front End Services by – Picture Shop London
  • Supervising Producer – Jason T. Morrow
  • Technical Manager – Tristan Hey
  • Dailies Producer – Victoria Burrows
  • Assistant Technical Manager – Alessio Ciattini
  • Dailies Lab Operator – Cian Tracey
  • VFX Pulls by – Picture Shop London, Powered by Pulse
  • Pulse Operations – Dexter Kong, Michael McKnight, Daniel Youlton
  • Digital Intermediate provided by – Picture Shop London
  • Colourist – Jean-Clement Soret
  • Digital Intermediate Workflow Manager – Grace Lan
  • Colour Pipeline Supervisor – Alex Gascoigne
  • Digital Intermediate Consultants – Matthew Adams, Louise Stevenson
  • Online Editor – Simon Giblin
  • Head of Picture Operations – Charlotte Laing
  • DI Editors – Jenny-Jayne Webb, Maikel Popic
  • Post Production Manager – Alec Holroyd-Doveton
  • Head of Production – Todd Kleparski
  • Visual Effects by – Industrial Light & Magic
  • Lead Artists – Michael Cashmore, Scott Dawkins, Javier Fernandez, Simon Herden, Kristin Sedore, Klaus Seitschek, Perry Hyun-Woo Sohn, Shivas Thilak, Terry Tsang, Talmage Watson
  • ILM Production – Lily Anderson, Aaron S.R. Clarke, Lucy Davis, Louisa Ellison, Kezia Feinson Dwyer, Marla Kate Fuller, Brendan Little, Alicia B. Reymann, Jack Sutcliffe, Benjamin Todd
  • Artists – Tim Adams, Silvio Alberti, Michael James Allen, Liam Barlow, Bryan Bartlett, Jeff Bartzis, Jeffrey Benedict, Nunzio Bitetti, Jennifer Burke, Bryan H. Carr, Brendan Carroll, Kamelia Chabane, Jae Young Chang, Youngwoo Choi, Thomas Coster, Nancy Cristina, Christian Cunningham, Stephanie Daly, Hannes Doornaert, Claire Duthie-Pagdiwalla, Christopher James Ford, Clinton Ford, Richard Fry, Philip Gifford, K.S. Haddock, James Hodgart, Michael Holmes, Jan Hrebicek, Brian Insua, Kosuke Iwasaki, Ellen Jaram, Neil Jianoran, Tomos Jones, Paria Kamyab, Jeannie Kim, Sua Kook, Kayla Lane, Yann Le Corre, Melissa Leamon, Eric Leven, Brian Luzzi, Timothee Maron, Scott Marriott, Gordon Marshall, Ian Mathews, Deirdre McCarthy, Ryan McDonald, James McPhail, Desiree Meduri, Juan Carlos Mendoza, Cedric Moens de Hase, Mat Monro, Myles Murphy, Pietro Leonardo Nichelatti Nicolodi, Winfield O'Brien, Ciaran O'Connor, Shinya Onda, Daniele Orsetti, Andrew Osis, Dario Pedretti, Matthias Peiffer, David Picarda, Fernanda Pizzolatto, Francesco Polito, Ed Pulis, Owen Rachel, Diego Rebello, Michelle Redman, Monica Rodriguez Bautista, Abraham Sanchez del Villar, Alba Sanchez-Serrano, Conor Schock, Katherina Schuhmacher, Brian Schultz, Luke Sikking, Ryan Sluman, Jordan Snow, Joseph Szokoli, Fabrice Tapare, Josh Thornhill, Lee Tibbetts, Roger Tortosa Aras, Chris Turner, Marian-Serban Ungureanu, Luke Vallée, Alejandro Vela-Castro, Luca Vitali, Kynan Voyeaud, Zoe Westbrook, Jason Wheatley, Kaitlyn Williams, Michelle Yu, Mikel Zuloaga
  • ILM Executive Staff – Dan Amin, Francois Chardavoine, Khuyen Dang, Spencer Kent, John Knoll, Sue Lyster, Jeff White
  • ILM Additional Support – Scott Atkins, Naomi Balfe, Ryan Bottriell, Shanice Clarke, Kevin Cochet, Daniel Cote, Selina Cox, Christian Dahlberg, Simon Davies, Chong Deng, Ana-Maria Dobre, David Gatenby, Samuel Hall, John Hannon, Michelle Hebert, Mary Hinman, Ali Jafargholi, Michelle Kennedy, Kristian Kirk, Amanda Knight, Phillip Lacey, Matt Leonard, Mike Lyons, Azmi Mohamed Maniku, Kati Maull, Stephanie Meyerink, Jarod Moschenross, Jamie Mundy, April Nagasawa, An Nguyen, Samuel Nicholls, Taran Nijjar, Daniel O'Gorman, Noorwallid Osman, Duncan Parks, Maggie Perlman, Dan Pettipher, Riya Ramani, Laura Robinson, Rachel Rose, Lorraine Rozon Smith, Betty Shaw, Jenny Spader, Jenna Starr, Davi Stein, Andre Sterling, Chris Tomkins, Whitney Townsley, James Walker, Briony Warren, Indiana Wilson, Toh Zing
  • Additional Visual Effects by – Stereo D, Whiskeytree Inc, Yannix
  • Virtual Production Technology and Content Creation by – ILM StageCraft
  • StageCraft Virtual Production Supervisor – Charmaine Chan
  • Stage Supervisor – Jack Brown
  • Brain Bar Supervisor – Christopher Django Johnston
  • StageCraft Associate Producer – Chris Jestico
  • Virtual Production Color TD – Miguel Santana da Silva
  • Stage Technicians – Anna Smith, Tizoc Flores
  • Media Systems Engineers – Joshua de Marcos, Ben Batty
  • Color Scientist – Mark Boorer
  • StageCraft Technical Supervisor – Patrick Lowry
  • StageCraft Production Coordinator – Jade Carter
  • StageCraft Production Assistant – Marcia Gillespie
  • Senior Network Specialist – Tamas Pataki
  • Technical Support Specialist – Derek Phan
  • LED Management by – VSS
  • Technical Director – Jonny Hunt
  • LED Technicians – Kenny Maclean, Damo
  • E2 Operator – Ben Thurston
  • Rigger – Ralph Farebrother
  • Visual Effects by – Hybride, A Ubisoft Division
  • Visual Effects Supervisor – Joseph Kasparian
  • Visual Effects Producers – Louise Bertrand, Mélanie Carignan, Richard Martin
  • Hybride – Olivier Beaulieu, Pierre Blain, Maryse Bouchard, Christophe Damiano, Olivier Gravel, Danny Lévesque, Steve Pelchat, Philippe Théroux, Marco Tremblay, Mashi Akiyama, Aurélien Ardissone, Cédric Arsenault, Marie-Claude Aubry, Thomas Bacanu, Manuela Balk, Michel Barrière, David Bédard, Anthony Bélanger, David Bélanger-Dambremont, Simon Bergeron, Yannick Bissonnette, Alex Blaquière, Samuel Cardinal, Jordan Cassidy, Charles Christoforou, Michaël Coutu, Patrick Couturier, Joanie Croteau, Charles-Étienne D'Amours, Alexandra Dennie, Annie Dufresne, Timo Fahrbach, Patrice Ferron-Craig, Gabriel Forbes, Anne Fortin, Yanick Gaudreau, Maxime Grenier, Christopher Grifasi, Véronique Guay, James Daniel Haines, Justin Hébert, Alexandru Ichim, Alexy Jukic-Prévost, Tanya Kular, Alain Lacroix, Xavier Larocque, Mélissa Laframboise Maillé, Mathieu Lalonde, Catherine Lecavalier, Geneviève Legault, Elsa Lemire, Samuel Lepage-Bédard, Jade Lessard, Samuel Loriault-Goulet, Martine Losier, Gabrielle Marchand, Andrew Mc Greevy, Belly Mingmuong, Laurence-Émilie Miron, Gabriel Monette, Benoît Morin, Sergio Mucino, Mohammadali Nezafat, Marie-Ève Pelletier, Jonathan Perth, Jordan Picotte, Sylvain Régnié, Myriam Ricard-Lalonde, Sébastien Rioux, David Roberge, Samuel Rousseau, Matthew Smith, Marc St-Gelais, Audrey-Anne Surprenant, Patrick Tassé, Alexandre Tessier, Emma Tessier-Langevin, Christophe Trudel, Philippe Vachon, Jessica Vallée, Eduardo Villarreal, Valérie Villemure, Valérie Villeneuve, Maël Vortemann, Michel Bergeron, Mahmoud Boubetra, Jimmy Caron, Zacharie Dufault, René Filion, David Gary, Dominic Gaudreau, Stephan Gervais, Bruno-Pierre Jobin, Mathieu Leclaire, Olivier Painchaud, Patrick Piché, Vincent Quintal, Sylvain Rioux, Michel Rock, Yannick Tétreault, Olivier Amah, Caroline Bélisle, Isabelle Desrochers, Marie Nakhlé, Sylvie Talbot, Anne Tremblay, Michel Murdock, Thierry Delattre, Mathieu Boucher, Pierre Raymond
  • Visual Effects by – Rising Sun Pictures
  • Visual Effects Supervisor – Jamie Macdougall
  • Visual Effects Producers – Nicole Nonis Kastor, Ian Cope
  • Rising Sun Pictures – Adam Pettigrove, Adam Potter, Anthony Winter, Ashley Mears, Bree Whitford-Smith, Brittany Graham, Carlos Marquez, Charles Kim, Chris Bowman, Crystel Newman, Dally Garcia Arreaza, Daniel Nees, Danielle Cardella, David Caunce, David Ozols, Dmitriy Kirillyak, Dominic Stephenson, Dylan Shaw, Eloise Grover, Enrico Zerbo, Fabian Holtz, Gareth Eriksson, Isaac Turier, Jake Bott, James Khou, Jason Quintana, Jennie Zeiher, Jess Burnheim, Jonathan Wenberg, Juliette Christie, Katie McCabe-Sortini, Kranthi Kumar K, Kunal Biswas, Leiah Sears, Maddison Green, Maree Friday, Mark Story, Mark Tomczyk, Martin Kindl, Mathew Mackereth, Matthew Coombe, Meredith Meyer-Nichols, Michael Holmes, Mike Ring, Monica Quan, Paul Taylor, Peter Kumic, Qiong Lu, Richard Saade, Robert Beveridge, Ryan Woodcock, Samantha Abda, Sara Henschke, Sarah Beneke, Scott Buley, Shane Berry, Shawn McCarten, Sophie Elder, Sujeen Nepali, Thomas Baxter, Tony Clark, Tracy Davidson, Vaughn White, Victor Glushchenko, Vittorio Di Toro, Wayne Howe, Wendy Nethercott
  • Visual Effects by – Scanline VFX
  • Visual Effects Supervisor – Jelmer Boskma
  • Visual Effects Producer – Oliver Eikhoff
  • Scanline VFX – Aj Vargas, Alan Carreno Esquivel, Alex Papasozomenos, Alexander Boehmer, André Cabaco, Andrew Winters, Asahel Abisai Martínez, Ashley Blyth, Benjamin Ross, Bojan Valjak, Carsten Schulte-Braucks, Christopher Miller, Daniel Copeland, Daniela Urbina Mendoza, David Michielsen, Emil Rosenberger, Emma Helfrich, Estivaliz Zaragoza Gascon, Felix Wolf, Florent Akehal, Frederic Din Ebongue, Frida Lizine, Gabriel Chifor, Jae Won Kim, Jasmin Hasel, Jens Schneider, Jochen Conradt, José Piteira, Justin Long, Lukas Brandtner, Marco Bordignon, Markus Oswald, Michael Peter, Natalia de la Garza, Nenad Bozinovski, Nicholas Ng, Nick Webber, Olivia Suh, Ollie Williams, Pauline Costantini, Pierre Alexander, Purva Shah, Rohan Ponda, Sajith Mk, Scott Oliveira, Sebastian Schmall, Sergio Poderoso, Sindy Saalfeld, Solomon Wong, Tilo Spalke, Vahagn Amirkhanyan, Walid Ben Henda, Wendi 'Harris' Wu, Wolfgang Haas
  • Additional Visual Effects by – Midas VFX
  • Visualization by – The Third Floor, Inc.
    • Visualization Supervisor – Jen Kitching
    • Visualization Coordinators – Merika Sam-German, Janneke Vennema-Osborne, Jana Pšenková
    • Visualization Line Producer – Tilly Holton-Newman
    • Visualization Leads – Dan Copping, Jaime Visedo Cañizares
    • Asset Artist – Dominic Martin
    • Head of Production – Lisa Brodie-Tsotsos
    • Visualization Artists – Sebastian Kuder, Manon Huez, Dylan Wyn Owen, Rachel Wright, Desirée Meduri, Bobby Strain, Eric Tsui, Raul Alves, Gabor Kiss
    • Executive Producer – Tim Keene
    • Head of Assets – Phil Tsang
    • Talent Manager – Kotryna Zabulionyte
    • Finance Managers – Brendon Dublin, Gayaneh Sahakian
    • Executive Producer – Marcus Alexander
    • IT Support – Luke Weller, Dawid Jadkowski
    • Pipeline Support – Keith Pang, Imran Rehman
    • Casting Manager – Abigail Sullivan
  • Virtual Camera by – NVIZ
    • Chief Technology Innovation Officer – Hugh Macdonald
    • Virtual Camera Lead – Eduardo Schmidek
    • Virtual Camera Assistant – Laura Jean Healey
  • Character and Prop Scanning by – Clear Angle Studios
  • Lidar Scanning Services by – We Shoot Lasers
  • Music Editor – John Finklea
  • Conductor – Matt Dunkley
  • Score Recording Engineer – Tommy Vicari, CAS
  • Score Mixer – Geoff Foster
  • Recordists – John Prestage, Rowan McIntosh
  • Second Engineers – Jack Mills, Ben Creasey, Gianluca Massimo, Eve Morris
  • Score Technical Assistance – David Giuli
  • Concertmaster – Everton Nelson
  • Orchestrations – Nicholas Britell, Matt Dunkley
  • Music Librarians – David Hage, Dakota Music
  • Additional Librarian – Michael McCoy
  • Orchestra Contractors – Jenny Goshawk, Lucy Whalley, Sara Pulice, Isobel Griffiths Ltd.
  • Studio Manager - Lake George Entertainment LLC – Christopher Ruskis
  • Musicians – Aaron Akugbo, Chris Allan, Tim Amherst, Max Baillie, Lizzie Ball, Chris Baron, Daniel Bates, Ann Beilby, Ian Belton, Richard Bissill, Emma Black, Nigel Black, Natalia Bonner, Adrian Bradbury, Charlie Brown, Sue Briscoe, Benjamin Buckton, Ian Burdge, Jonny Byers, Rebecca Carrington, Emil Chakalov, Ben Chappell, Reiad Chibah, Paul Clarvis, Barry Clements, Philip Cobb, Richard Cookson, Rebecca Crawshaw, Sarah Daramy-Williams, Caroline Dearnley, Sue Dench, Alison Dods, James Douglas, Matthew Draper, Jonathan Durrant, Phillip Eastop, Richard Edwards, Dave Elliott, Dai Emanuel, Jonathan Evans-Jones, Rob Farrer, Melissa Favell-Right, Clare Finnimore, James Fountain, Byron Fulcher, Katy Furmanski, Richard George, Morgan Goff, Kathy Gowers, Gillianne Haddow, Ayako Halder, Sophie Harris, Clifton Harrison, Clare Hayes, Marianne Haynes, Tracy Holloway, Nick Houghman, Clive Howard, Martin Humbey, Ian Humphries, Katherine Jenkinson, Magnus Johnston, Helen Kamminga, Francis Kefford, Patrick Kiernan, Nicholas Korth, Rick Koster, Dave Lale, Peter Lale, Rachael Lander, Roger Linley, Paul Livingstone, Beatrix Lovejoy, Pauline Lowbury, Lydia Lowndes-Norhtcott, Steve Mair, Kirsty Mangan, Dorina Markoff, Andy Marshall, Vicky Matthews, Ciaran McCabe, Amos Miller, Janey Miller, John Mills, Triona Milne, Perry Montague-Mason, Frank Moon, Kate Musker, Everton Nelson, Daniel Newell, Mark Nightingale, Brian O'Kane, Odile Ollagnon, Martin Owen, Tom Pigott-Smith, Julian Poole, Ian Rathbone, Rupert Ring, Jenny Sacha, Will Schofield, Mary Scully, Sarah Sexton, Lucy Shaw, Roberto Sorrentino, David Stewart, Nicky Sweeney, Ed Tarrant, Julian Tear, Eloisa-Fleur Thom, Ian Thomas, Jonathan Tunnell, Laurence Ungless, Bozidar Vukotic, Jake Walker, Allen Walley, Tom Walley, Matthew Ward, Alexei Watkins, Richard Watkins, Lauren Weavers, Juliet Welchman, Daniel West, Debbie Widdup, Paul Willey, David Williams, Stephen Williams, Fiona Winning, Andy Wood, Phil Woods, Tony Woollard, Chris Worsey, Warren Zielinski
  • Score Recorded at – Air Studios, London, British Grove Studios, London
  • Post Production Sound Services by – Skywalker Sound, A Lucasfilm Ltd. Company, Marin County, California
    • Supervising Sound Editor/Sound Designer – David Acord
    • Supervising Sound Editor – Margit Pfeiffer
    • Dialogue Editor – Richard Quinn
    • Foley Editor – Shaun Farley
    • Foley Artists – Shelley Roden, John Roesch
    • Foley Mixer – Scott Curtis
    • Engineering Services – Dusty Jermier
    • Post Production Sound Accountant – Jessica Engel
    • Head of Production Finance & Planning – Mike Peters
    • Head of Engineering – Steve Morris
    • Re-Recording Mixer – David Acord
    • Sound Effects Editor – J.R. Grubbs
    • ADR Editor – Jonathan Greber
    • Assistant Supervising Sound Editor – Dug Winningham
    • Loop Group Mixer – Matthew Wood
    • Assistant Re-Recording Mixer – Danielle Adams
    • Digital Editorial Support – Ivan Piesh
    • Client Services – Eva Porter
    • Studio Capacity Manager – Carrie Perry
    • Head of Production – Jon Null
    • SVP/General Manager – Josh Lowden
  • Mix Stages provided by – Warner Bros. De Lane Lea, London
  • Sound Mix Technician – Ross Western
  • Sound Engineer – George Hooker
  • Health & Safety Officer – Jonathan Hill
  • Health & Safety Coordinator – Charlotte Curd
  • Unit Paramedic – Rachel Bucknor
  • Construction Nurse – Mary Watt
  • Crowd Nurse – Ruth Bayliss
  • Tandem Unit Nurse – Carissa Simpe-Asante
  • Disney Health & Safety Manager – Dion Bowes
  • Disney Health & Safety Supervisor – Rob Beggs
  • Production Health & Safety Coordinator – Sam Sorbie
  • Production Health & Safety Ass't Coordinator – Eleanor Hoppe
  • Production Health & Safety Secretaries – Harvey Diack, Beatriz Pereira
  • Production Health & Safety PPE Coordinator – Chris Rouse
  • Production Health & Safety PPE Production Assistants – Kieran Kavanagh, Mikey Lloyd, Sam White, Jess Bevan, Lois Constantinou
  • Production H&S PPE Location Assistant – John Peddie
  • Senior Security Manager – Connor Nolan
  • Security Manager – Craig Etherton
  • Security Coordinator – Matthew Thorne
  • Security Administrator – Malwina Palus
  • Security Services courtesy of Main Unit Location Services LTD.Mike Anderson, Rich Easter, Jean Paul Greenwood, Terry Holdaway, Paul Hopkins, Barry Lehec, Rob Sipson, David Taylor, Mark Williams, Tom Wyatt
  • Security Services courtesy of Zion Security LTD.Kevin George, Faz Ashraf
  • Asset Coordinator – Claire Scott
  • Portrait Galley & Tandem Unit Photographer – Ed Miller
  • Photo Editors – Leah Evans, Barry Hurley
  • IT Support – Rameez Daureeawoo, Dilany Koyratty
  • Franchise Accountant – Polly Fletcher
  • Franchise Supervisor – Laura Evans
  • Franchise Coordinator – Diane Pognan
  • Technology Support – Manny Ponce, Jono Echols, Rick Tuckness, Phil Lacey, Peter Hricak, Susan Brown, Jason Geiger, Tim Fogarty, Zack Bunker, Matt Martinis, Jeff Nagasuga, Caitlin Torsney, Greg Garson, Renee Yang, Calvin Smith
  • Catering by – Red Chutney Ltd.
  • Transport Captain – Jimmy Carruthers
  • Transport Co-Captains – Matthew Sampson, David J Rosenbaum
  • Transport Coordinator – Ashley Isaac
  • Driver to Diego Luna – Lee Isgar
  • Unit Drivers – Will Bennett, Stephen Casey, John Doran, Robert Isaac, Patrick Sands, Christian Scott, Ed Shanley, Ross Vasco, Keith Wignall
  • Utility Drivers – Dan Vale, Mickey Davie
  • Main Unit Support Driver – Andrew Pocock
  • Costume Support Driver – Terry Smith
  • Tandem Unit Transport Captain – Peter Trotman
  • Tandem Unit Drivers – Costas Anastasiou, Gary Wardley
  • Tandem Unit Van Driver – Carl Isherwood
  • Movie Makers Facilities HOD – Tim Simpson
  • Movie Makers Crew – Lucian Lungu, Costa Popa, Alex Sirb, Paul Smith, Jason Waite, Paul Williams
  • Lays Tech HOD – Phil Taylor
  • Lays Tech Crew – Kerri Allen, Chris Blackman, Jason Brown, Steve Mickleburgh

Lucasfilm Ltd.

Walt Disney Studios

  • AVID Editing Equipment and Cutting Rooms supplied by – Hireworks
  • Filmed at – Pinewood Studios, London, England
  • Produced with the support of the British Film Commission and the UK Government Film Tax Relief
  • With the participation of the Province of British Columbia Production Services Tax Credit
  • Digital and Visual Effects undertaken in South Australia with the support of the South Australian Film Corporation

Appearances

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Characters Organisms Droid models Events Locations
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Characters

Events

Locations

Organizations and titles

Sentient species

Vehicles and vessels

Weapons and technology

Miscellanea

Sources

Notes and references

  1. 1.0 1.1 1.2 1.3 1.4 1.5 1.6 1.7 Disney.com Andor Media Kit on Disney's official website (backup link)
  2. TwitterLogo Star Wars (@starwars) on Twitter (post on August 10, 2022): "This is what revolution looks like. Watch #Andor, a Star Wars Original Series, streaming only on @DisneyPlus September 21." (backup link)
  3. 3.000 3.001 3.002 3.003 3.004 3.005 3.006 3.007 3.008 3.009 3.010 3.011 3.012 3.013 3.014 3.015 3.016 3.017 3.018 3.019 3.020 3.021 3.022 3.023 3.024 3.025 3.026 3.027 3.028 3.029 3.030 3.031 3.032 3.033 3.034 3.035 3.036 3.037 3.038 3.039 3.040 3.041 3.042 3.043 3.044 3.045 3.046 3.047 3.048 3.049 3.050 3.051 3.052 3.053 3.054 3.055 3.056 3.057 3.058 3.059 3.060 3.061 3.062 3.063 3.064 3.065 3.066 3.067 3.068 3.069 3.070 3.071 3.072 3.073 3.074 3.075 3.076 3.077 3.078 3.079 3.080 3.081 3.082 3.083 3.084 3.085 3.086 3.087 3.088 3.089 3.090 3.091 3.092 3.093 3.094 3.095 3.096 3.097 3.098 3.099 3.100 3.101 3.102 3.103 3.104 3.105 3.106 3.107 3.108 3.109 3.110 3.111 3.112 3.113 3.114 3.115 3.116 3.117 3.118 3.119 3.120 3.121 3.122 3.123 3.124 3.125 3.126 3.127 3.128 3.129 3.130 3.131 3.132 3.133 3.134 3.135 3.136 3.137 3.138 3.139 3.140 3.141 3.142 3.143 3.144 3.145 3.146 3.147 3.148 3.149 3.150 3.151 3.152 3.153 3.154 3.155 3.156 3.157 3.158 3.159 3.160 3.161 3.162 3.163 3.164 3.165 3.166 3.167 3.168 3.169 3.170 3.171 3.172 3.173 3.174 3.175 3.176 3.177 3.178 3.179 3.180 3.181 3.182 3.183 3.184 3.185 3.186 3.187 3.188 3.189 3.190 3.191 3.192 3.193 3.194 3.195 3.196 3.197 3.198 3.199 3.200 3.201 3.202 3.203 3.204 3.205 3.206 3.207 3.208 3.209 3.210 3.211 3.212 3.213 3.214 3.215 3.216 3.217 3.218 3.219 3.220 3.221 3.222 3.223 3.224 3.225 3.226 3.227 3.228 3.229 3.230 3.231 3.232 3.233 3.234 3.235 3.236 3.237 3.238 3.239 3.240 3.241 3.242 3.243 3.244 3.245 3.246 3.247 3.248 3.249 3.250 3.251 3.252 3.253 3.254 3.255 3.256 3.257 3.258 3.259 3.260 3.261 3.262 3.263 3.264 3.265 3.266 3.267 3.268 3.269 3.270 3.271 3.272 3.273 3.274 3.275 3.276 3.277 3.278 3.279 3.280 3.281 3.282 3.283 3.284 3.285 3.286 3.287 Andor logo new Star Wars: Andor — "One Way Out"
  4. Andor logo new Star Wars: Andor — "Kassa" dates itself to 5 BBY. And "A Certain Point of View" in Star Wars Insider 220 places "Daughter of Ferrix" five years before Star Wars: Episode IV A New Hope, which corresponds to 5 BBY per Star Wars: Timelines. As "One Way Out" takes place between "Kassa" and "Daughter of Ferrix", it must also take place in 5 BBY.

External links